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An unstoppable anthology of crime stories culled from Black Mask magazine the legendary publication that turned a pulp phenomenon into literary mainstream. Black Mask was the apotheosis of noir. It was the magazine where the first hardboiled detective story, which was written by Carroll John Daly appeared. It was the slum in which such American literary titans like Dashiell Hammett and Raymond Chandler got their start, and it was the home of stories with titles like “Murder Is Bad Luck,” “Ten Carets of Lead,” and “Drop Dead Twice.” Collected here is best of the best, the hardest of the hardboiled, and the darkest of the dark of America’s finest crime fiction. This masterpiece collection represents a high watermark of America’s underbelly. Crime writing gets no better than this. Featuring • Deadly Diamonds • Dancing Rats • A Prize Fighter Fighting for His Life • A Parrot that Wouldn’t Talk Including • Dashiell Hammett’s The Maltese Falcon as it was originally published • Lester Dent's Luck in print for the first time
Black Skin, White Masks is a classic, devastating account of the dehumanising effects of colonisation experienced by black subjects living in a white world. First published in English in 1967, this book provides an unsurpassed study of the psychology of racism using scientific analysis and poetic grace.Franz Fanon identifies a devastating pathology at the heart of Western culture, a denial of difference, that persists to this day. A major influence on civil rights, anti-colonial, and black consciousness movements around the world, his writings speak to all who continue the struggle for political and cultural liberation.With an introduction by Paul Gilroy, author of There Ain't No Black in the Union Jack.
Don't miss out on this collection of chaos in Gotham City caused by the Black Mask, featuring the villain's introduction and much more! Along the way, Black Mask causes mayhem with a total city blackout, and Catwoman faces a dead villain that she was responsible for killing-the original Black Mask! Collects Batman #386-387, #484-485, and #648, Detective Comics #553, Catwoman #16 and 83, and Black Mask: Year of the Villain #1.
Although African influences undeniably pervade the popular music of Brazil, until now few books have examined the role of Blackness--what author Darién Davis calls "Africaneity"--in the creation and development of twentieth-century Brazilian musical traditions. This innovative, accessible work offers a fascinating look at Brazilian music from the 1920s to the 1950s, as it expanded at home and traveled abroad. Whether he's talking with samba musicians, watching classic movie musicals, or listening to recordings made more than half a century ago, Davis explores how the historical forces of race, class, and gender colluded in the development and export of Afro-Brazilian culture.
Black Mask was one of Gotham City’s most ruthless crime lords. He had money, power and respect. But after months in the Teen Titans’ secret prison, Roman Sionis is finally free. Given a new purpose and new abilities thanks to Lex Luthor’s offer, he’s found a new racket. Corporate crime not only pays better, but it’s far less dangerous. At least until Batwoman discovers what he’s up to and plans to put an end to Black Mask’s latest power grab. Is Black Mask the same crime boss he’s always been, or has time and a new approach made him something far more unstoppable than he’s ever been?
As a young Mexican immigrant, Gabriel Nadales grew up feeling alienated and distant from the American Dream that brought his parents to this country seeking a better life for themselves and their family. In high school, he was attracted to a left-wing ideology and soon found himself caught up in the anarchist subculture—attending punk-rock concerts, dressing up in garish outfits, and making t-shirts, flags, and zines to fund his activism. He learned about anarchist history and got involved in “direct actions,” including destructive acts of mayhem. Above all, he was angry: angry at cops, angry at Wall Street, angry at corporations that despoiled the environment, angry at America itself. It was only after being exposed to works by classical liberal economists—such as Milton Friedman and Thomas Sowell—that Nadales began to reconsider his assumptions about capitalism and American society. Eventually he left Antifa and became a conservative activist, advising youth groups on campuses around the country on how to deal with left-wing students, radical faculty, and openly hostile administrators.
In a world that already hates and fears them - what if only Black people had superpowers. After miraculously surviving being gunned down by police, a young man learns that he is part of the biggest lie in history. Now he must decide whether it's safer to keep it a secret or if the truth will set him free. Collects issues 1-6.
The greatest detective magazine of all time is back for another collection of the best in hard-boiled fiction. Featuring classic material from the vaults of Black Mask, Dime Detective, Detective Fiction Weekly, and other high-quality pulp magazines. This issue issue is headlined by an all-new story by Carroll John Daly, the creator of Race Williams.
A well worn mixtape, a stolen convertible, a duffel bag full of cash, a fully loaded .45, and super-powers. Seventeen and on the run is the only way to see America right. Teenage outcast Duncan and popular girl Madison share a secret - they can do things other people can't. But their abilities take them down a dangerous path. After a deadly accident they are left with no choice: leave home and never come back. We Can Never Go Home is a new chance to fall in love with the doomed misfits who need to run away to find themselves.
After the events of The Amateur Cracksman A. J. Raffles is missing, presumed dead, and “Bunny” Manders is destitute but free after a stretch in prison for his crimes. So when a mysterious telegraph arrives suggesting the possibility of a lucrative position, Bunny has little option but to attend the given address. Raffles was a commercial success for E. W. Hornung, garnering critical praise but also warnings about the glorification of crime. The Black Mask, published two years after his first collection of Raffles stories, takes a markedly more downcast tone, with the high-life escapades of the earlier stories curtailed by Raffles’ purported death.