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Following the internationally acclaimed Gold of Kings, Storm Syrrell returns in the compelling story of The Black Madonna. Antiques expert Storm Syrrell heads to Europe to investigate the clandestine trade in religious artifacts. She dismisses superstitious tales of miraculous healings and divine omens. Yet when an obsessive Russian oligarch calls—just as her friend Harry Bennett vanishes—all assumptions must be cast aside. Storm seeks answers in a medieval monastery. There, the scarred visage of an icon provokes ever more startling questions. Is she prepared to confront both earthly and spiritual powers? Storm remains haunted by lessons in love and betrayal that lie just outside her grasp. But hesitation now holds mortal consequences.
This richly illustrated study examines how the Black Madonna has become a symbol of national identity, resistance against oppression, and empowerment for the female populations of such diverse cultures as Poland and Cuba.
This is the story, in words and pictures, of one woman's quest for wholeness and release from despair. Fighting the scars of abuse and a war-ravaged childhood, Tataya Mato looked inward - to her dreams and active imaginations, and to her drawings, which increasingly became pervaded by the luminous presence of the divine feminine figure, the Black Madonna. Long a folk image in Europe, the Black Madonna archetype has recently begun to appear in the dreams and other unconscious material of hundreds of North American women and men. Some Jungian thinkers have identified this striking phenomenon with the emergence of a latent feminine force, demanding conscious recognition. The collective dream pattern, so often in advance of consciousness, here asserts a new caring relationship to the Earth and all its creatures. The Black Madonna Within includes 191 of Tataya's drawings, offering insight and healing through their development from the earliest and most naive images to their more matureartistic form. The drawings are accompanied by the artist-author's poignant narrative text.
The Black Madonna, Mysterious Soul Companion. . . Beginning as a research project for a graduate class in Spirituality and Culture, The Black Madonna and all that she represents became a mystical guide for Georgieff on her intimate journey of the human soul. Through travels to some of the world's most famous Black Madonna Shrines, interviews with scholars, scientists, clergy and artists, exploration of the historic evolution of human consciousness and deep reflections on the basic purpose of the spiritual path, Georgieff weaves an intriguing story of our cosmic origins, our difficult present and our hopeful future as a human family.
Three mothers from New York's Little Italy struggle to maintain their traditions while their sons chafe under the oppressive weight of their ethnic community.
History and description of the Black Madonna of Einsiedeln, Switzerland.
In 1944, the Nazis razed Warsaw’s historic Cathedral of St. John the Baptist. “They knew that the strength of the Polish nation was rooted in the Cross, Christ’s Passion, the spirit of the Gospels, and the invincible Church,” argued Cardinal Stefan Wyszyński in a letter celebrating the building’s subsequent reconstruction. “To weaken and destroy the nation, they knew they must first deprive it of its Christian spirit.” Wyszynski insisted that Catholicism was an integral component of Polish history, culture, and national identity. The faithfulness of the Polish people fortified them during times of trial and inspired much that was noble and good in their endeavors. Filling a sizable gap in the literature, White Eagle, Black Madonna is a systematic study of the Catholic Church in Poland and among the Polish diaspora. Polish Catholicism has not been particularly well understood outside of Poland, and certainly not in the Anglophone world, until now. Demonstrating an unparalleled mastery of the topic, Robert E. Alvis offers an illuminating vantage point on the dynamic tension between centralization and diversity that long has characterized the Catholic Church’s history. Written in clear, concise, accessible language, the book sheds light on the relevance of the Polish Catholic tradition for the global Catholic Church, a phenomenon that has been greatly enhanced by Pope John Paul II, whose theology, ecclesiology, and piety were shaped profoundly by his experiences in Poland, and those experiences in turn shaped the course of his long and influential pontificate. Offering a new resource for understanding the historical development of Polish Catholicism, White Eagle, Black Madonna emphasizes the people, places, events, and ritual actions that have animated the tradition and that still resonate among Polish Catholics today. From the baptism of Duke Mieszko in 966 to the controversial burial of President Lech Kaczyński in 2010, the Church has accompanied the Polish people during their long and often tumultuous history. While often controversial, Catholicism’s influence over Poland’s political, social, and cultural life has been indisputably profound.
The figure of the Virgin Mary comes loaded with baggage and preconceptions. She is usually depicted as the perfect, obedient, and highly esteemed woman, much like the Victorian notion of the “angel in the house.” For many black women, nothing could be more inaccessible. This book considers the relationship between African American women and Mary of Nazareth. After examining the history of black American motherhood during slavery and beyond, this book then gives an overview of the existing views of Mary in both the church and the academy. Lee then brings African American women and Mary together, creating a womanist Mariology by using womanist biblical and theological interpretation, as well as considering black motherhood during the age of “Black Lives Matter.”
Explores the connection between ancient druidic worship of a virgin at Chartres and the veneration of the Black Madonna • Examines the Virgin Mary’s origins in the pagan worship of the Mother Goddess • Identifies Mary with the dominant solar goddess of matriarchal societies The great cathedral of Chartres is renowned the world over as a masterpiece of High Gothic architecture and for its remarkable stained glass, considered alchemical glass, and its mystical labyrinth. But the sacred foundations of this sanctuary go back to a time long before Christianity when this site was a clearing where druids worshiped a Virgo Paritura: a virgin about to give birth. This ancient meeting place, where all the druids in Gaul gathered once a year, now houses the magnificent Chartres cathedral dedicated both to the Virgin Mary, Mother of God, and to one of the most venerated Black Madonnas in Europe: Our Lady of the Pillar. Coincidence? Hardly, says Jean Markale, whose exhaustive examination of the site traces Chartres’ roots back to prehistoric times and the appeal of the Black Madonna back to the ancient widespread worship of Mother Goddesses such as Cybele and Isis. Markale contends that the mother and child depicted by the Black Madonna are descended from the image worshipped by the druids of the Virgin forever giving birth. This image is not merely a representation of maternal love--albeit of a spiritual nature. It is a theological notion of great refinement: the Virgin gives birth ceaselessly to a world, a God, and a humanity in perpetual becoming.
In the 1993 edition, I considered black madonnas a metaphor for a memory of the time when the earth was belived to be the body of woman and all creatures were equal, a memory transmitted in vernacular traditions of earth-bounded cultures, historically expressed in cultural and poltical resistance, and glimpsed today in movements aiming for transformation. Sine then my understanding of black madonnas has been deepened by genetics finding that the orgin of modern humans is Africa, that migrations from Africa carried a primordial belief in a dar woman divinity to all continents. Black madonnas and other dark women of the world suggest a metaphor for healing millennial divisions of gender and race and concerted movements for justice.