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A chilling story of supernatural events that befell an entire Texas subdivision.
Explore the dark corners of the horror genre with this collection of spooky tales of witchcraft, ghosts, and the risen dead! Originally collected as a hardcover, these stories from the likes of Mike Mignola, Evan Dorkin, Jill Thompson, Gary Gianni, Robert E. Howard and more first appeared in the Dark Horse Book of Monsters, the Dark Horse Book of Witchcraft, the Dark Horse Book of Hauntings, and the Dark Horse Book of the Dead. Now available for the first time in paperback, these haunting shorts have lost none of their spine-tingling genius!
A Michael L. Printz Honor Book "This is East Texas, and there's lines. Lines you cross, lines you don't cross. That clear?" New London, Texas. 1937. Naomi Vargas and Wash Fuller know about the lines in East Texas as well as anyone. They know the signs that mark them. They know the people who enforce them. But sometimes the attraction between two people is so powerful it breaks through even the most entrenched color lines. And the consequences can be explosive. Ashley Hope Pérez takes the facts of the 1937 New London school explosion—the worst school disaster in American history—as a backdrop for a riveting novel about segregation, love, family, and the forces that destroy people. "[This] layered tale of color lines, love and struggle in an East Texas oil town is a pit-in-the-stomach family drama that goes down like it should, with pain and fascination, like a mix of sugary medicine and artisanal moonshine."—The New York Times Book Review "Pérez deftly weaves [an] unflinchingly intense narrative....A powerful, layered tale of forbidden love in times of unrelenting racism."―starred, Kirkus Reviews "This book presents a range of human nature, from kindness and love to acts of racial and sexual violence. The work resonates with fear, hope, love, and the importance of memory....Set against the backdrop of an actual historical event, Pérez...gives voice to many long-omitted facets of U.S. history."―starred, School Library Journal
A gripping supernatural mystery for fans of John Wyndham's The Midwich Cuckoos from the author of Snakeskins. Workaholic TV news producer Nina Scaife is determined to fight for her daughter, Laurie, after her partner Rob walks out on her. She takes Laurie to visit Rob's parents on the beautiful but remote Hope Island, to prove to her that they are still a family. But Rob's parents are wary of Nina, and the islanders are acting strangely. And as Nina struggles to reconnect with Laurie, the silent island children begin to lure her daughter away. Meanwhile, Nina tries to resist the scoop as she is drawn to a local artists' commune, the recently unearthed archaeological site on their land, and the dead body on the beach...
From King Kong to Candyman, the boundary-pushing genre of the horror film has always been a site for provocative explorations of race in American popular culture. In Horror Noire: Blacks in American Horror Films from 1890's to Present, Robin R. Means Coleman traces the history of notable characterizations of blackness in horror cinema, and examines key levels of black participation on screen and behind the camera. She argues that horror offers a representational space for black people to challenge the more negative, or racist, images seen in other media outlets, and to portray greater diversity within the concept of blackness itself. Horror Noire presents a unique social history of blacks in America through changing images in horror films. Throughout the text, the reader is encouraged to unpack the genre’s racialized imagery, as well as the narratives that make up popular culture’s commentary on race. Offering a comprehensive chronological survey of the genre, this book addresses a full range of black horror films, including mainstream Hollywood fare, as well as art-house films, Blaxploitation films, direct-to-DVD films, and the emerging U.S./hip-hop culture-inspired Nigerian "Nollywood" Black horror films. Horror Noire is, thus, essential reading for anyone seeking to understand how fears and anxieties about race and race relations are made manifest, and often challenged, on the silver screen.
When Joe Louis (1914–1981) knocked out the German boxer Max Schmeling in 1938 in two minutes and four seconds, the entire nation—black and white—celebrated the "fight of the century" as a victory of the United States against the ominous tide of Nazism. Never had an African-American received such universal praise across racial lines. Heavyweight champion for a record twelve years from 1937 to 1949, Louis opened the doors for such future black athletes as Jackie Robinson, Sugar Ray Robinson, and Muhammad Ali.Joe Louis depicts the prizefighter's life, and the times in which he lived, from his childhood in a sharecropper's cabin in Alabama and his formative years in Detroit, to his legendary career, his service in the Army, his stint as a professional wrestler after retiring from boxing in 1951, and his professional demise as an official greeter for a Las Vegas casino. Along the way, Richard Bak compassionately, yet evenhandedly, details Louis's private vices: incessant womanizing, reckless spending habits, massive debts to the IRS, and drug abuse. Filled with over one hundred photographs, including twenty-two in color, Joe Louis is the most comprehensive portrait yet written of one of the greatest African-American heroes who used his fists figuratively—and literally—to fight racism.
“[A] landmark book . . . Solnit illustrates how the uprisings that begin on the streets can upend the status quo and topple authoritarian regimes” (Vice). A book as powerful and influential as Rebecca Solnit’s Men Explain Things to Me, her Hope in the Dark was written to counter the despair of activists at a moment when they were focused on their losses and had turned their back to the victories behind them—and the unimaginable changes soon to come. In it, she makes a radical case for hope as a commitment to act in a world whose future remains uncertain and unknowable. Drawing on her decades of activism and a wide reading of environmental, cultural, and political history, Solnit argues that radicals have a long, neglected history of transformative victories, that the positive consequences of our acts are not always immediately seen, directly knowable, or even measurable, and that pessimism and despair rest on an unwarranted confidence about what is going to happen next. Now, with a moving new introduction explaining how the book came about and a new afterword that helps teach us how to hope and act in our unnerving world, she brings a new illumination to the darkness of our times in an unforgettable new edition of this classic book. “One of the best books of the 21st century.” —The Guardian “No writer has better understood the mix of fear and possibility, peril and exuberance that’s marked this new millennium.” —Bill McKibben, New York Times–bestselling author of Falter “An elegant reminder that activist victories are easily forgotten, and that they often come in extremely unexpected, roundabout ways.” —The New Yorker
We live in a broken world. Amid the daily realities of sickness and isolation, disappointment and pain, it can be profoundly difficult to grasp the real goodness of God. But this is where God breaks into our darkness with beauty. In the wonder of creation, in art or film, story or song, in the kindness of his people and the good they create, God breaks into our pain in a tangible way, teaching us to trust his kindness and hope for his healing. Beauty is a voice singing into our suffering, beckoning us toward restoration. In This Beautiful Truth, Sarah Clarkson shares her own encounters with beauty in the midst of her decade-long struggle with mental illness, depression, and doubt. In a voice both vulnerable and reflective, she paints a compelling picture of the God who reaches out to us in a real and powerful way through the "taste and see" goodness of what he has made and what he continues to create amid our darkness. "To recognize and trust God's gift in pain," she writes, "empowers us to create and love as powerful witnesses to God's healing love in a hopeless world." If you want to renew your capacity to recognize and encounter God's beauty in your life, this hope-filled book will show you the way.