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In this play, Remi, the first of his tribe to go to university, ponders whether or not he should return to his people. Or should he continue to be a black hermit in the town?
A dazzling short story collection from the person Chimamanda Ngozi Adichie calls "one of the greatest writers of our time" Ngũgĩ wa Thiong'o, although renowned for his novels, memoirs, and plays, honed his craft as a short story writer. From "The Fig Tree, " written in 1960, his first year as an undergraduate at Makerere University College in Uganda, to the playful "The Ghost of Michael Jackson," written as a professor at the University of California, Irvine, these collected stories reveal a master of the short form. Covering the period of British colonial rule and resistance in Kenya to the bittersweet experience of independence—and including two stories that have never before been published in the United States— Ngũgĩ's collection features women fighting for their space in a patriarchal society, big men in their Bentleys who have inherited power from the British, and rebels who still embody the fighting spirit of the downtrodden. One of Ngũgĩ's most beloved stories, "Minutes of Glory," tells of Beatrice, a sad but ambitious waitress who fantasizes about being feted and lauded over by the middle-class clientele in the city's beer halls. Her dream leads her on a witty and heartbreaking adventure. Published for the first time in America, Minutes of Glory and Other Stories is a major literary event that celebrates the storytelling might of one of Africa's best-loved writers.
A masterful writer working in many genres, Ngugi wa Thiong'o entered the East African literary scene in 1962 with the performance of his first major play, The Black Hermit, at the National Theatre in Uganda. In 1977 he was imprisoned after his most controversial work, Ngaahika Ndeenda (I Will Marry When I Want), produced in Nairobi, sharply criticized the injustices of Kenyan society and unequivocally championed the causes of ordinary citizens. Following his release, Ngugi decided to write only in his native Gikuyu, communicating with Kenyans in one of the many languages of their daily lives, and today he is known as one of the most outspoken intellectuals working in postcolonial theory and the global postcolonial movement. In this volume, Ngugi wa Thiong'o summarizes and develops a cross-section of the issues he has grappled with in his work, which deploys a strategy of imagery, language, folklore, and character to "decolonize the mind." Ngugi confronts the politics of language in African writing; the problem of linguistic imperialism and literature's ability to resist it; the difficult balance between orality, or "orature," and writing, or "literature"; the tension between national and world literature; and the role of the literary curriculum in both reaffirming and undermining the dominance of the Western canon. Throughout, he engages a range of philosophers and theorists writing on power and postcolonial creativity, including Hegel, Marx, Lévi-Strauss, and Aimé Césaire. Yet his explorations remain grounded in his own experiences with literature (and orature) and reworks the difficult dialectics of theory into richly evocative prose.
"Two small boys stand on a rubbish heap and look into the future. One boy is excited, he is beginning school; the other, his brother, is an apprentice carpetner. Together, they will serve their country--the teacher and the craftsman. But this is Kenya and times are against them. In the forests, the Mau Mau are waging war against the white government, and two brothers, Njoroge and Kamau, and the rest of their family, need to decide where their loyalties lie. For the practical man, the choice is simple, but for Njoroge, the scholar, the dream of progress through learning is a hard one to give up"--P. [4] of cover.
A Los Angeles Times Best Book of the Year: “Uniformly excellent” stories about our relationships with each other and with the treacherous natural world (Publishers Weekly). In the title story, a man and woman travel across an eerily frozen lake—under the ice. “The Distance” casts a skeptical eye on Thomas Jefferson through the lens of a Montana man’s visit to Monticello. “Eating” begins with an owl being sucked into a canoe and ends with a man eating a town out of house and home, and “The Cave” is a stunning story of a man and woman lost in an abandoned mine. Other stories include “The Fireman,” “Swans,” “The Prisoners,” “Presidents’ Day,” “Real Town,” and “Two Deer.” Each is remarkable in its own way, sure to please both new readers and avid fans of Rick Bass’s passionate, unmistakable voice. “Bass focuses a naturalist’s eye not only on the frozen lakes and interplay of predator and prey often found in his work but also on the ebb and flow of human emotions and relationships . . . Thought-provoking and entertaining, these stories move along quickly but continue to resonate long after the reader is done; several have been anthologized in award collections.” —Library Journal “Beautiful in their magical imagery, dramatic in their situations, and exquisitely poignant in their insights, these stories of awe and loss are quite astonishing in their mythic use of place and the elements of earth, air, fire, and water.” —Booklist “Bass puts his talent as a nature writer to terrific use.” —The New York Times Book Review “Bass’s language glistens with the beauty of the landscapes he evokes.” —San Francisco Chronicle Book Review
Tracing its distant origins to the villa of the Roman emperor Hadrian in the second century AD, the eccentric phenomenon of the ornamental hermit enjoyed its heyday in the England of the eighteenth century It was at this time that it became highly fashionable for owners of country estates to commission architectural follies for their landscape gardens. These follies often included hermitages, many of which still survive, often in a ruined state. Landowners peopled their hermitages either with imaginary hermits or with real hermits - in some cases the landowner even became his own hermit. Those who took employment as garden hermits were typically required to refrain from cutting their hair or washing, and some were dressed as druids. Unlike the hermits of the Middle Ages, these were wholly secular hermits, products of the eighteenth century fondness for 'pleasing melancholy'. Although the fashion for them had fizzled out by the end of the eighteenth century, they had left their indelible mark on both the literature as well as the gardens of the period. And, as Gordon Campbell shows, they live on in the art, literature, and drama of our own day - as well as in the figure of the modern-day garden gnome. This engaging and generously illustrated book takes the reader on a journey that is at once illuminating and whimsical, both through the history of the ornamental hermit and also around the sites of many of the surviving hermitages themselves, which remain scattered throughout England, Scotland, and Ireland. And for the real enthusiast, there is even a comprehensive checklist, enabling avid hermitage-hunters to locate their prey.
A young boy named Osade teases an old hermit until the hermit puts a spell on the boy, who finds he cannot stop laughing.
North Korea is poised at the crossroads of history. Which direction will its leader take? Throughout the world, oppressive regimes are being uprooted and replaced by budding democracies, but one exception remains: The People's Republic of North Korea. The Kim family has clung to power for three generations by silencing dissidents, ruling with an iron fist, and holding its neighbors hostage with threats of war. Under the leadership of Kim Jong Un, North Korea has come closer than ever to creating a viable nuclear arsenal, but widespread famine and growing resistance are weakening his regime's stability. In The Hermit King, Asian geopolitical expert Chung Min Lee tells the story of the rise of the Kim Dynasty and its atrocities, motivations, and diplomatic goals. He also discusses the possible outcomes of its aggressive standoff with the world superpowers. Kim Jong Un is not a crazed "Rocket Man" or a bumbling despot; he has been groomed since birth to take control of his country and stay in power at all costs. He is now at a fateful crossroads. Will he make good on decades of threats, liberalize North Korea and gain international legitimacy, or watch his regime crumble around him? Lee analyzes the likelihood and consequences of each of these possibilities, cautioning that in the end, a humanitarian crisis in the region is all but unavoidable. The Hermit King is a thoughtful and compelling look at the most complicated diplomatic situation on Earth.