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Beginning with Latin America in the fifteenth century, this book, first published in 2005, is a social history of the experiences of African Muslims and their descendants throughout the Americas, including the Caribbean. The record under slavery is examined, as is the post-slavery period into the twentieth century. The experiences vary, arguably due to some extent to the Old World context. Muslim revolts in Brazil are also discussed, especially in 1835, by way of a nuanced analysis. The second part of the book looks at the emergence of Islam among the African-descended in the United States in the twentieth century, with successive chapters on Noble Drew Ali, Elijah Muhammad, and Malcolm X, with a view to explaining how orthodoxy arose from varied unorthodox roots.
Linking discontent and unrest in Harlem and Los Angeles to anticolonial revolution in Algeria, Egypt, and elsewhere, Black leaders in the United States have frequently looked to the anti-imperialist movements and antiracist rhetoric of the Muslim Third World for inspiration. Daulatzai maps the shared history between Black Muslims, Black radicals, and the Muslim Third World, showing how Black artists and activists imagined themselves not as national minorities but as part of a global majority, connected to larger communities of resistance. From publisher description.
A captivating historical novel set in post-war Casablanca about a young man marked by djinns who must decide where his loyalties lie as the fight for Moroccan independence erupts. Hamou Badi is born in a village in the Anti-Atlas Mountains with the markings of the zouhry on his hands. In Morocco, the zouhry is a figure of legend, a child of both humans and djinns, capable of finding treasure, lost objects, and even water in the worst of droughts. But when young Hamou finds the body of a murdered woman, his life is forever changed. Haunted by this unsolved murder and driven by the desire to do good in the world, Hamou leaves his village for Casablanca to become an officer of the law under the French Protectorate. But Casablanca is not the shining beacon of modernity he was expecting. The forcible exile of Morocco’s sultan by the French sparks a nationalist uprising led by violent dissident groups, none so fearsome as the Black Crescent. Torn between his heritage and his employers, Hamou will be caught in the crossfire. The lines between right and wrong, past and future, the old world and the new, are not as clear as the magical lines on his palms. And as the danger grows, Hamou is forced to choose between all he knows and all he loves.
What was it like to grow up black and female in the segregated South? To answer this question, LaKisha Simmons blends social history and cultural studies, recreating children's streets and neighborhoods within Jim Crow New Orleans and offering a rare look into black girls' personal lives. Simmons argues that these children faced the difficult task of adhering to middle-class expectations of purity and respectability even as they encountered the daily realities of Jim Crow violence, which included interracial sexual aggression, street harassment, and presumptions of black girls' impurity. Simmons makes use of oral histories, the black and white press, social workers' reports, police reports, girls' fiction writing, and photography to tell the stories of individual girls: some from poor, working-class families; some from middle-class, "respectable" families; and some caught in the Jim Crow judicial system. These voices come together to create a group biography of ordinary girls living in an extraordinary time, girls who did not intend to make history but whose stories transform our understanding of both segregation and childhood.
A brief history for New Orleans' greatest admirers. This concise history of the Crescent City contains chapters covering the Mississippi River, the city's founding, European rule, and more, updated with expanded jazz and African American sections. It is a must for every library and home, and for those who love New Orleans and its rich history.
College student Nate Black is a top-notch computer hacker. But he's long since stopped the kind of hacking that could put him behind bars. Under the guise of his user i.d., Azrael, he has never been discovered. That is, until Nate gets an anonymous email, after which nothing will ever be the same. He's abducted to an alien world, where magic is the rule, the gods are all too real, and a twist of fate makes him the most valuable pawn in a terrifying game of power.
Everything you have ever experienced has been just one reality. The prime reality. However, there exist many more realities within the infinite realms of the Drift, throughout which the dreams of every living creature in the universe are interwoven. For Poppy, a lonely young girl with severe narcolepsy, these myriad realities are a cherished escape from her own. But that all changes when she meets a mysterious black cat and discovers the nightmares that dwell within the Drift, infecting dreamers in the prime reality. Only those like Poppy who can travel from one dream to the next can hunt the nightmare down and slay it once and for all. These Drifters live by a simple mantra: Protect the Drift. Slay the Nightmare. Free the Mara. Do not go Dark.
"From age five, Sufiya Abdur-Rahman, the daughter of two Black Power-era converts to Islam, feels drawn to the faith even as her father, a devoted Muslim, introduces her to and, at the same time, distances her from it. He and her mother abandoned their Harlem mosque before she was born and divorced when she was twelve. Forced apart from her father--her portal into Islam--she yearns to reconnect with the religion and, through it, him. In Heir to the Crescent Moon, Abdur-Rahman's longing to comprehend her father's complicated relationship with Islam leads her first to recount her own history with it. Later, as she seeks to discover what both pulled her father to and pushed him from the mosque and her mother, Abdur-Rahman delves into the past. She journeys from the Christian righteousness of Adam Clayton Powell Jr.'s 1950s Harlem, through the Malcolm X-inspired college activism of the late 1960s, to the unfulfilled potential of the early-'70s' black American Muslim movement. When a painful reminder of the reason for her father's inconsistent ties to his former mosque appears to threaten his life, Abdur-Rahman's search nearly ends. She's forced to come to terms with her Muslim identity, and learns how events from generations past can reverberate through the present. Told, at times, with lighthearted humor or heartbreaking candor, Abdur-Rahman's story of adolescent Arabic lessons, fasting, and Muslim mosque, funeral, and eid services speaks to the challenges of bridging generational and cultural divides and what it takes to maintain family amidst personal and societal upheaval. Writing with quiet beauty but intellectual force about identity, community, violence, hope, despair, and faith, Abdur-Rahman weaves a vital tale about a family: black, Muslim, and distinctly American"--
"Darkness has inspired fear since mankind first watched the sun go down. Bad things hide in the dark, feral beasts with mouths full of razors, waiting for a taste of flesh. But now, the darkness is stirring with a life of its own. Crescent Station is the last bastion of civilization, floating in the cold, outer systems where colonized space gives way to the sparser settlements of the Frontier. Like the boom towns of distant Earth's Old American West, Crescent Station is a gateway to power, wealth, and opportunity for anyone who isn't afraid to get his or her hands dirty. But deep within the station's bowels, in Crescent's darkest and most secret places, an ancient evil is awakening and hungry, and it threatens the very fabric of space and time. Will the residents of Crescent Station find a way to stop it before the terror drives them insane? Or is it already too late?"--Page 4 of cover
When a handsome professor of Arabic literature and Iraqi exile enters her life, single, 39-year-old Sirine finds herself falling in love and, in the process, starts questioning her identity as an Arab-American.