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""Follows the career and medical practices of Tom Hutton, M.D. as he established himself as a neurologist. Includes patient narratives as they live with Parkinson's disease and comas, also explores Hutton's research on Adolf Hitler's possible Parkinson's disease and its impact on WWII."--Provided by publisher.
"The Black Bag" is about a man and his eventful, colorful, and amazing life. Although growing up in foster homes does not deter Percy, better known as P, from making the most of his life, he ends up as a self-made pimp instead ora productive member of society. He revels in a life that revolves around "ballin" and "pimpin" in Memphis, Tennessee with Fran, better known as Snowflake, his stressed-out girlfriend, prostitute, business partner, and family. Considering the last designation, it does not surprise that P is left distraught after her momentous trick. After developing a strong liking to her "services," a high-rolling client whom P has nicknamed Mr. Three Stacks requests for Snowflake to meet him in Las Vegas, Nevada. The trick causes P and Snowflake to believe that they are finally on their way to making it big in Sin City. Alas, Snowflake's rendezvous with Three Stacks ends in nothing but her death, and P getting stranded in Las Vegas with only a black bag full of cash from the client. Despite the tragedy, it is fortunate that P meets a truck driver named Ann who befriends and then takes him in. Before long, seemingly improbable events take place through which P enlists in the CIA and then discovers the truth behind Snowflakes' supposed death: she is still alive, but in the clutches of the Italian mob which is led by her father. The Don, Snowflake's father, has sent P the black bag full of money in exchange for her daughter, so P would not end up marrying Snowflake and become the next "don." There is no way that P will just sit idly by now that he knows the love of his life is still alive, so he proceeds to rescue her. Thus begins the quest that ultimately changes P forever. "The Black Bag" may appeal to a reader seeking stories that touch on a variety of subjects, which include mystery, high crime, romance, and redemption.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
ABOUT THIS BOOK... BEAUTY, BRAINS AND BULLETS -- NO DEADLIER COMBINATION ON EARTH A suburban housewife with a criminal past and a thirst for adrenaline is about to get a top-secret side job: carrying out the government’s most dangerous missions. Renear is tired of playing by the rules. A top athlete and valedictorian in her younger years, she’s sacrificed a promising career to tie the knot and play house…isn’t there more to life than this? Of course there is – if you’re willing to take the shot. This trade collects the first six issues of this original espionage thriller written by CHRIS ROBERSON (Superman Grounded, Fables, iZombie), featuring artwork by J.B. BASTOS (Night Trap) and colors by JAMIE GRANT (All-Star Superman, WE3).
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A supernatural horror thriller for readers of Chuck Palahniuk (Lullaby and Haunted: A Novel), Marisha Pessl,(Night Film), and Scarlett Thomas (The End of Mr. Y), The Last Book You’ll Ever Read tells the terrifying story of a woman who knows the horrific truth about the past – and future - of humankind, and, when captured in her book SATYR, it becomes the catalyst for worldwide, mind-numbing violence Read this book at your own peril. Olivia Kade wrote the book that ended the world. Now she needs someone who won't read it. Civilization is a lie. Hidden deep in our genes is the truth. And it is slowly clawing its way to the surface. Olivia Kade knows the truth, and she has become the prophet of the coming collapse. Her book, SATYR, is an international bestseller, and it is being blamed for acts of senseless violence and bloodshed all over the world. Olivia's own life is in danger from those who have read her work. Determined to conduct a book tour, she hires security professional Connor Wilson to act as her bodyguard. She only has one requirement: he cannot read her work. John Carpenter’s In the Mouth of Madness meets Chuck Palahniuk’s Lullaby in this terrifyingly dangerous tale of the descent of humankind where reality and fantasy collide. Collects the entire smash 8-issue series. For fans of Stephen Graham Jones, Stephen King, Chuck Palahniuk, Alma Katsu, The Ring, and The Ninth Gate. "I truly hope this terrific horror comic is in no way prescient or timely." - Patton Oswalt “…perfectly disturbing and mysterious.” – The Beat
From 1968 to 1972, St. Louis was home to the Black Artists' Group (BAG), a seminal arts collective that nurtured African American experimentalists involved with theater, visual arts, dance, poetry, and jazz. Inspired by the reinvigorated black cultural nationalism of the 1960s, artistic collectives had sprung up around the country in a diffuse outgrowth known as the Black Arts Movement. These impulses resonated with BAG's founders, who sought to raise black consciousness and explore the far reaches of interdisciplinary performance--all while struggling to carve out a place within the context of St. Louis history and culture.A generation of innovative artists--Julius Hemphill, Oliver Lake, and Emilio Cruz, to name but a few--created a moment of intense and vibrant cultural life in an abandoned industrial building on Washington Avenue, surrounded by the evisceration that typified that decade's "urban crisis." The 1960s upsurge in political art blurred the lines between political involvement and artistic production, and debates over civil rights, black nationalism, and the role of the arts in political and cultural struggles all found form in BAG. This book narrates the group's development against the backdrop of St. Louis spaces and institutions, examines the work of its major artists, and follows its musicians to Paris and on to New York, where they played a dominant role in Lower Manhattan's 1970s "loft jazz" scene. By fusing social concern and artistic innovation, the group significantly reshaped the St. Louis and, by extension, the American arts landscape.
""It's a big thing,"" said Loveday Brooke, addressing Ebenezer Dyer, chief of the well-known detective agency in Lynch Court, Fleet Street; ""Lady Cathrow has lost £30,000 worth of jewellery, if the newspaper accounts are to be trusted."" ""They are fairly accurate this time. The robbery differs in few respects from the usual run of country-house robberies. The time chosen, of course, was the dinner-hour, when the family and guests were at table and the servants not on duty were amusing themselves in their own quarters. The fact of its being Christmas Eve would also of necessity add to the business and consequent distraction of the household. The entry to the house, however, in this case was not effected in the usual manner by a ladder to the dressing-room window, but through the window of a room on the ground floor - a small room with one window and two doors, one of which opens into the hall, and the other into a passage that leads by the back stairs to the bedroom floor....""