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In America, Babylon is often used as a metaphorical term referring to a city or a cultural phenomenon that represents excessive materialism, corruption, or moral decay; it is derived from the ancient city of Babylon in Mesopotamia known for opulence and decadence. In American literature and popular culture, Babylon is sometimes used to describe cities like New York or Las Vegas, which are seen as centers of commercialism, consumerism, and superficiality. It can also be used more broadly to critique societal values and the influence of money and power. Let us build our Black Babylon right here in America; we (Black people) are already a popular culture that everyone tries to mimic our music, style, and skin color. Every state in America has Black people living in Babylon, for which they have no power. So, let me tell you series of true short stories about my life that involve the history and plight of black people. Self-improvement, true crime, politics, economics, spirituality, and religion. I’ve heard Black folks always talking about being Kings and Queens in Africa. Well, we all weren’t Kings and Queens and I really never believed in royalty in any race, who decided their blood was royal. I’m just looking for Black excellence. The things I went through are how it was, and in some form or fashion still is; by the end of this book, I hope you can see how it should be in a Black Babylon filled with Black excellence. You can’t be free by yourself, and no amount of money will make you free without us all being free. I now know and understand how we can build our own power base right here in America. Then and only then will we be free. Just me being me Black, proud, and determined to be free. Bro Will Babylon Philly
A gripping portrait of black power politics and the struggle for civil rights in postwar Oakland As the birthplace of the Black Panthers and a nationwide tax revolt, California embodied a crucial motif of the postwar United States: the rise of suburbs and the decline of cities, a process in which black and white histories inextricably joined. American Babylon tells this story through Oakland and its nearby suburbs, tracing both the history of civil rights and black power politics as well as the history of suburbanization and home-owner politics. Robert Self shows that racial inequities in both New Deal and Great Society liberalism precipitated local struggles over land, jobs, taxes, and race within postwar metropolitan development. Black power and the tax revolt evolved together, in tension. American Babylon demonstrates that the history of civil rights and black liberation politics in California did not follow a southern model, but represented a long-term struggle for economic rights that began during the World War II years and continued through the rise of the Black Panthers in the late 1960s. This struggle yielded a wide-ranging and profound critique of postwar metropolitan development and its foundation of class and racial segregation. Self traces the roots of the 1978 tax revolt to the 1940s, when home owners, real estate brokers, and the federal government used racial segregation and industrial property taxes to forge a middle-class lifestyle centered on property ownership. Using the East Bay as a starting point, Robert Self gives us a richly detailed, engaging narrative that uniquely integrates the most important racial liberation struggles and class politics of postwar America.
The most comprehensive account available of the rise and fall of the Black Power Movement and of its dramatic transformation of both African-American and larger American culture. With a gift for storytelling and an ear for street talk, William Van Deburg chronicles a decade of deep change, from the armed struggles of the Black Panther party to the cultural nationalism of artists and writers creating a new aesthetic. Van Deburg contends that although its tactical gains were sometimes short-lived, the Black Power movement did succeed in making a revolution—one in culture and consciousness—that has changed the context of race in America. "New Day in Babylon is an extremely intelligent synthesis, a densely textured evocation of one of American history's most revolutionary transformations in ethnic group consciousness."—Bob Blauner, New York Times Winner of the Gustavus Myers Center Outstanding Book Award, 1993
For a decade and a half, since she first appeared in the Birmingham Centre’s collective volume The Empire Strikes Back, Hazel Carby has been on the frontline of the debate over multicultural education in Britain and the US. This book brings together her most important and influential essays, ranging over such topics as the necessity for racially diverse school curricula, the construction of literary canons, Zora Neale Hurston’s portraits of “the Folk,” C.L.R. James and Trinidadian nationalism and black women blues artists, and the necessity for racially diverse school curricula. Carby’s analyses of diverse aspects of contemporary culture are invariably sharp and provocative, her political insights shrewd and often against the grain. A powerful intervention, Culture in Babylon will become a standard reference point in future debates over race, ethnicity and gender.
In Chains of Babylon, Daryl J. Maeda presents a cultural history of Asian American activism in the late 1960s and early 1970s, showing how the movement created the category of "Asian American" to join Asians of many ethnicities in racial solidarity. Drawing on the Black Power and antiwar movements, Asian American radicals argued that all Asians in the United States should resist assimilation and band together to oppose racism within the country and imperialism abroad. As revealed in Maeda's in-depth work, the Asian American movement contended that people of all Asian ethnicities in the United States shared a common relationship to oppression and exploitation with each other and with other nonwhite peoples. In the early stages of the civil rights era, the possibility of assimilation was held out to Asian Americans under a model minority myth. Maeda insists that it was only in the disruption of that myth for both African Americans and Asian Americans in the 1960s and 1970s that the full Asian American culture and movement he describes could emerge. Maeda challenges accounts of the post-1968 era as hopelessly divisive by examining how racial and cultural identity enabled Asian Americans to see eye-to-eye with and support other groups of color in their campaigns for social justice. Asian American opposition to the war in Vietnam, unlike that of the broader antiwar movement, was predicated on understanding it as a racial, specifically anti-Asian genocide. Throughout he argues that cultural critiques of racism and imperialism, the twin "chains of Babylon" of the title, informed the construction of a multiethnic Asian American identity committed to interracial and transnational solidarity.
Babylon Girls is a groundbreaking cultural history of the African American women who performed in variety shows—chorus lines, burlesque revues, cabaret acts, and the like—between 1890 and 1945. Through a consideration of the gestures, costuming, vocal techniques, and stagecraft developed by African American singers and dancers, Jayna Brown explains how these women shaped the movement and style of an emerging urban popular culture. In an era of U.S. and British imperialism, these women challenged and played with constructions of race, gender, and the body as they moved across stages and geographic space. They pioneered dance movements including the cakewalk, the shimmy, and the Charleston—black dances by which the “New Woman” defined herself. These early-twentieth-century performers brought these dances with them as they toured across the United States and around the world, becoming cosmopolitan subjects more widely traveled than many of their audiences. Investigating both well-known performers such as Ada Overton Walker and Josephine Baker and lesser-known artists such as Belle Davis and Valaida Snow, Brown weaves the histories of specific singers and dancers together with incisive theoretical insights. She describes the strange phenomenon of blackface performances by women, both black and white, and she considers how black expressive artists navigated racial segregation. Fronting the “picaninny choruses” of African American child performers who toured Britain and the Continent in the early 1900s, and singing and dancing in The Creole Show (1890), Darktown Follies (1913), and Shuffle Along (1921), black women variety-show performers of the early twentieth century paved the way for later generations of African American performers. Brown shows not only how these artists influenced transnational ideas of the modern woman but also how their artistry was an essential element in the development of jazz.
What if the Antichrist were an American leader? What if he were alive today and living in the U.S.A? What if he were only a few years away from revealing himself to the world? Instead of being omitted from Bible prophecy as many of the major eschatology scholars have taught for decades, what if America were at the very center of Bible prophecy? What if the U.S.A., rather than Europe, Rome, or Babylon, were the power base of Satan's conspiracy against the Kingdom of God? These three authors, Douglas W. Krieger, Dene McGriff, and S. Douglas Woodward, argue just that. Together, they have written what may be seen as a landmark book rethinking the traditional prophetic scenario in light of developments in America and the Middle East. Combined, these authors bring over 100 years of study, teaching, and writing to the subject of Bible prophecy. The amazing blend of their respective backgrounds in the foreign services, evangelical ministries, and corporate America, lends unsurpassed credibility to their stunning and remarkably fresh presentation. In some respects, The Final Babylon is a classic prophecy book, rich in exegesis of key scriptures most often overlooked or misinterpreted. The implications are life changing. Reading The Final Babylon, America and the Coming of Antichrist will awaken you to what has been happening right in front of our eyes that we simply couldn't see due to our love of country and our faulty assumptions concerning the antagonists in the traditional prophetic scenario. This book may change your politics, your view of the Bible, and what you do day-to-day.
America, the Daughter of Babylon deals with the prophetic future of the United States of America. The Bible reveals that there will be a second nation of Babylon, which is described in detail throughout scripture and can be identified as America. The bible not only identifies America, but also gives detailed accounts of future events concerning her. God has much to say to us today about our relationship to Babylon and the Babylonian religion. This book reveals that many of the symbols of the Babylonian religion that was created by Lucifer himself, King of Babylon, are displayed as American symbols throughout her Capitol. The American Capitol itself is linked directly to the founding of Babel by its cornerstone.
"The Mystery of the Ages." God the father told Daniel to seal the words till the time of the end. Daniel chapter 12:4 & 9. What did Daniel seal? You will be amazed.