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How do reality television programs shape our view of the world and what we perceive as real and normal? This book explores the bizarre and highly controversial world of reality television, including its early history, wide variety of subject matter, and social implications. In recent decades, reality television shows ranging from Keeping up with the Kardashians to Duck Dynasty have become increasingly popular. Why are these "unscripted" programs irresistible to millions of viewers? And what does the nearly universal success of reality shows say about American culture? This book covers more than 100 major and influential reality programs past and present, discussing the origins and past of reality programming, the contemporary social and economic conditions that led to the rise of reality shows, and the ways in which the most successful shows achieve popularity with both male and female demographics or appeal to specific, targeted niche audiences. The text addresses reality TV within five, easy-to-identify content categories: competition shows, relationship/love-interest shows, real people or alternative lifestyle and culture shows, transformation shows, and international programming. By examining modern reality television, a topic of great interest for a wide variety of readers, this book also discusses cultural and social norms in the United States, including materialism, unrealistic beauty ideals, gender roles and stereotypes in society, dynamics of personal relationships, teenage lifestyles and issues, and the branding of people for financial gain and wider viewership.
Reality television is shown worldwide, features people from all walks of life and covers everything from romance to religion. It has not only changed television, but every other area of the media. So why has reality TV become such a huge phenomenon, and what is its future in an age of streaming and social media?
Named a Best Nonfiction Book of 2022 by Esquire A sociological study of reality TV that explores its rise as a culture-dominating medium—and what the genre reveals about our attitudes toward race, gender, class, and sexuality What do we see when we watch reality television? In True Story: What Reality TV Says About Us, the sociologist and TV-lover Danielle J. Lindemann takes a long, hard look in the “funhouse mirror” of this genre. From the first episodes of The Real World to countless rose ceremonies to the White House, reality TV has not just remade our entertainment and cultural landscape (which it undeniably has). Reality TV, Lindemann argues, uniquely reflects our everyday experiences and social topography back to us. Applying scholarly research—including studies of inequality, culture, and deviance—to specific shows, Lindemann layers sharp insights with social theory, humor, pop cultural references, and anecdotes from her own life to show us who we really are. By taking reality TV seriously, True Story argues, we can better understand key institutions (like families, schools, and prisons) and broad social constructs (such as gender, race, class, and sexuality). From The Bachelor to Real Housewives to COPS and more (so much more!), reality programming unveils the major circuits of power that organize our lives—and the extent to which our own realities are, in fact, socially constructed. Whether we’re watching conniving Survivor contestants or three-year-old beauty queens, these “guilty pleasures” underscore how conservative our society remains, and how steadfastly we cling to our notions about who or what counts as legitimate or “real.” At once an entertaining chronicle of reality TV obsession and a pioneering work of sociology, True Story holds up a mirror to our society: the reflection may not always be pretty—but we can’t look away.
From early first-wave programs such as Candid Camera, An American Family, and The Real World to the shows on our television screens and portable devices today, reality television consistently takes us to cities—such as New York, Los Angeles, and Boston—to imagine the place of urbanity in American culture and society. Jon Kraszewski offers the first extended account of this phenomenon, as he makes the politics of urban space the center of his history and theory of reality television. Kraszewski situates reality television in a larger economic transformation that started in the 1980s when America went from an industrial economy, when cities were home to all classes, to its post-industrial economy as cities became key points in a web of global financing, expelling all economic classes except the elite and the poor. Reality television in the industrial era reworked social relationships based on class, race, and gender for liberatory purposes, which resulted in an egalitarian ethos in the genre. However, reality television of the post-industrial era attempts to convince viewers that cities still serve their interests, even though most viewers find city life today economically untenable. Each chapter uses a key theoretical concept from spatial theory—such as power geometries, diasporic nostalgia, orientalism, the imagination of social expulsions, and the relationship between the country and the city—to illuminate the way reality television engages this larger transformation of urban space in America.
Is reality TV a coherent genre? This book addresses this question by examining the characteristics, contexts and breadth of reality TV through a history of its programming trends. Paying attention to stylistic connections as well as key concepts, this study breaks reality television down into three main 'generations': the camcorder generation, the competition generation and the celebrity generation. Beginning with a consideration of the applicability of the term 'genre' for this televisual hybrid, the book takes a transnational approach to investigating the forms and formats of reality TV framed by relevant popular and critical discourses.
American viewers are attracted to what they see as the non-scripted, unpredictable freshness of reality television. But although the episodes may not be scripted, the shows are constructed within a deliberately designed framework, reflecting societal values. The political, economic and personal issues of reality TV are in many ways simply an exaggerated version of everyday life, allowing us to identify (perhaps more closely than we care to admit) with the characters onscreen. With 16 essays from scholars around the world, this volume discusses the notion of representation in reality television. It explores how both audiences and producers negotiate the gulf between representations and truth in reality shows such as Survivor, The Apprentice, Big Brother, The Nanny, American Idol, Extreme Makeover, Joe Millionaire and The Amazing Race. Various identity categories and character types found in these shows are discussed and the accuracy of their television portrayal examined. Dealing with the concept of reality, audience reception, gender roles, minority portrayal and power issues, the book provides an in-depth look at what we see, or think we see, in "reality" TV. Instructors considering this book for use in a course may request an examination copy here.
Tracing the history of reality TV from Candid Camera to The Osbournes, Understanding Reality Television examines a range of programmes which claim to depict 'real life'.
The Tribe Has Spoken crystallizes the wisdom of reality TV, explaining how to use its lessons to avoid being voted off your own metaphorical island. The book includes nuggets from The Real World, Survivor, Paradise Hotel, The Amazing Race, What Not to Wear, The Osbournes, Joe Millionaire, The Apprentice, and more! Through quotes and recounts of outrageous on-camera events, author David Volk extracts gems of advice from tales of the bizarre, wacky, shocking, and indigestible. The Tribe Has Spoken will amuse and fascinate all reality TV fans -- even those who watch with guilty pleasure (you know who you are). Book jacket.
The origins of, and in many ways the prototype for, modern reality programming can be traced to Real People, a show that premiered on the NBC network in April of 1979. An instant ratings success, Real People appealed to an audience that clamored for stories about “everyday” men and women. However, many of the vignettes focused on individuals who were far from average—eccentric collectors, allegedly talented performers, and inspirational overachievers—many of whom could be called quirky, if not just plain weird. In the wake of the show’s success, a rash of imitators followed. What had started out as a counter-programming gamble became the norm, and now the television airwaves are littered with reality shows. In Real People and the Rise of Reality Television, Michael McKenna looks at the show that started a trend in television viewing, one that now permeates not only the major networks but almost all of cable channels as well. McKenna traces the history of reality programming back to the early days of television up to the late 1970s when networks were beginning to take a chance on non-scripted prime time shows. The author provides an in-depth look at how Real People evolved from profiles of peculiar characters to an almost weekly display of hyper-patriotism, largely fueled by a desperate desire to recover from the disappointments of the 1970s. McKenna also charts the rise of shows that aimed to duplicate Real People’s success: That’s Incredible!, The People’s Court, COPS, America’s Funniest Home Videos, and MTV’s The Real World. Though Real People was cancelled in 1984, reality-themed programming flourished and this look at the show’s history makes for a fascinating read. Fans of nonfiction programs owe a debt to the show that started it all, and Real People and the Rise of Reality Television provides readers with insights into how and why one show changed the cultural landscape forever.
This book provides an up-to-date account of how reality TV has developed, why it has become the most popular genre on television today, and how the explosion in reality TV signals new developments in American media culture. The reasons behind reality TV's continued popularity go beyond the sensationalism and low production cost of these programs: there is much more to the genre's continued success than just escapism or "guilty pleasure" TV. The Triumph of Reality TV: The Revolution in American Television identifies and explores five key media trends reality TV has used to continually draw in viewers and ensure success. These media trends include innovations in storytelling, making emotional appeals to viewers, and applying content from television to other media such as films, music albums, webisodes, online games, and smart phone apps. Author Leigh H. Edwards also analyzes how reality TV shows target themes of social conflict, such as changing ideas of the American family, and address common anxieties and tensions in American society such as gender, race, class, and economic struggle. A wide variety of reality shows—including American Idol, Celebrity Rehab, Jackass, Run's House, Survivor, and The Hills—are profiled. An appealing read for students, scholars, and general readers alike, this book provides fascinating insights into the complexities of a seemingly simplistic form of mass entertainment.