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An opera singer intent on writing the Most Beautiful Song In The World goes on a magical journey with the help of some songbirds, a librarian seeking a magical book, and a gardener who can grow anything.
Sonya raises her three chickens from the time they are tiny chicks. She feeds them, shelters them and loves them. Everywhere Sonya goes, her chicks are peeping at her heels. Under her care, the chicks grow into hens and even give Sonya a wonderful gift: an egg! One night, Sonya hears noises coming from the chicken coop and discovers that one of her hens has disappeared. Where did the hen go? What happened to her? When Sonya discovers the answers, she learns some important truths about the interconnectedness of nature and the true joys and sorrows of caring for another creature.
"When the curtain goes up on The Teapot Opera there is no music. There are no people, either. But there are plenty of characters: there's the teapot, of course, and a white plastic stallion, a china harpist, a skull, an expresso machine, chess pieces, fruit, the Michelin Tire man, fragments of a classical sculpture, ancient books, a souvenir bust of Teddy Roosevelt, valves and gauges of all kinds, a Shriner's fez, a glass eyeball, billiard balls, and so much more."--Jacket flap.
Munchie is a mischievous but lovable chartreuse parakeet who lives with red-haired “Grandmommie,” as her grandchildren call her. Munchie has spent his life inside as a pet, but one special day, he gets to go out on the patio while Grandmommie gardens. There, he becomes more enamored with the majestic blue jay. The blue jay is Munchie’s favorite bird. He loves their brilliant blue wings and stark, white breast. Blue jays are unmistakably brave, are scared of nothing, and appear to have appointed themselves leaders of the backyard birds. Yes, Munchie wants to be just like a blue jay. He dreams of joining their ranks and flying free from Grandmommie’s back porch. When his dream of freedom comes true, though, things aren’t quite as wonderful as Munchie imagined. He causes Grandmommie great worry and finds unforseen danger at every turn. However, during his grand adventure, Munchie also learns a very important lesson about God’s plan for him and about the love of a best friend.
When I looked up, I shivered. How many stars were in the sky? A million? A billion? Maybe the number was as big as infinity. I started to feel very, very small. How could I even think about something as big as infinity? Uma can't help feeling small when she peers up at the night sky. She begins to wonder about infinity. Is infinity a number that grows forever? Is it an endless racetrack? Could infinity be in an ice cream cone? Uma soon finds that the ways to think about this big idea may just be . . . infinite.
Describes the life and times of the Nobel Prize-winning Chilean poet.
An intimate, revealing biography of a talented artist who lived life on her own terms. Pablo Picasso called Françoise Gilot “The Woman Who Says No.” Talented, and feisty, and an accomplished artist in her own right, Gilot left Picasso after a ten-year relationship, the only woman to escape his intense attentions unscathed. From 2012 to 2014, German journalist and author Malte Herwig dropped by her ateliers in Paris and New York to chat with her about life, love, and art. She shared trenchant observations, her sharp sense of humor, and over ninety years of experience, much of it in the company of men who changed the world: Picasso, Matisse, and her second husband, the famous virologist Jonas Salk, developer of the polio vaccine. Never one to stand in the shadows, Gilot engaged with ground-breaking artists and scientists on her own terms, creating from these vital interactions an artistic style all her own, translated into an enormous collection of paintings and drawings held by private collectors and public museums around the world. In her early nineties, she generously shared her hospitality and wisdom with Herwig, who started out as an interviewer but found himself drawn into the role of pupil as Gilot, whom he called “a philosopher of joy,” shared with him different ways of seeing the world.
The Zodiac by Degrees provides symbols and interpretations for each of the 360 degrees of the zodiac. These symbols make a direct connection with your basic spiritual energies and penetrate the private language of your personal mythology. For this second edition, every one of the 360 degrees has been reexamined from extensive lists of examples. In the end, about ninety degrees have undergone major changes and all of the rest have been clarified and sharpened. The result is a symbol system of unparalleled accuracy, and an indispensable tool for both amateur and practicing astrologers. The Zodiac by Degrees gave me serious goose bumps on several occasions. Inside of half an hour, the text had cleared up my ambivalence about the exact degree of my Ascendant and given me a new understanding of my Sun degree#8212one vastly more evocative than the traditional Sabian interpretation. Martin Goldsmith is a poet in the old sense of the word: he's on fi re with imagery and the fire is contagious." #8212Steven Forrest, author of The Inner Sky "At last! An astrologer who has undertaken the huge workload of intensive research into the individual degrees of the zodiac. Thanks to his years of work, Goldsmith has finally taken this area of astrology out of the misty, intuitive, 'channeled' area of the Sabian symbols onto the firmer and more reliable footing of good, grounded research. This long-needed book is therefore and essential reference work for any serious astrologer."#8212Bernadette Brady, author of Predictive Astrology
“An intriguing amalgam of personal memoir, philosophical speculation, natural lore, cultural history, and art criticism.” —Los Angeles Times From the award-winning author of Orwell's Roses, a stimulating exploration of wandering, being lost, and the uses of the unknown Written as a series of autobiographical essays, A Field Guide to Getting Lost draws on emblematic moments and relationships in Rebecca Solnit's life to explore issues of uncertainty, trust, loss, memory, desire, and place. Solnit is interested in the stories we use to navigate our way through the world, and the places we traverse, from wilderness to cities, in finding ourselves, or losing ourselves. While deeply personal, her own stories link up to larger stories, from captivity narratives of early Americans to the use of the color blue in Renaissance painting, not to mention encounters with tortoises, monks, punk rockers, mountains, deserts, and the movie Vertigo. The result is a distinctive, stimulating voyage of discovery.