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"Although the Devil still 'lives' in modern popular culture, for the past 250 years he has become marginal to the dominant concerns of Western intellectual thought. That life could not be thought or imagined without him, that he was a part of the everyday, continually present in nature and history, and active at the depths of our selves, has been all but forgotten. It is the aim of this work to bring modern readers to a deeper appreciation of how, from the early centuries of the Christian period through to the recent beginnings of the modern world, the human story could not be told and human life could not be lived apart from the 'life' of the Devil. With that comes the deeper recognition that, for the better part of the last two thousand years, the battle between good and evil in the hearts and minds of men and women was but the reflection of a cosmic battle between God and Satan, the divine and the diabolic, that was at the heart of history itself."—from The Devil Lucifer, Mephistopheles, Beelzebub; Ha-Satan or the Adversary; Iblis or Shaitan: no matter what name he travels under, the Devil has throughout the ages and across civilizations been a compelling and charismatic presence. In Christianity, Judaism, and Islam, the supposed reign of God has long been challenged by the fiery malice of his opponent, as contending forces of good and evil have between them weighed human souls in the balance. In The Devil, Philip C. Almond explores the figure of evil incarnate from the first centuries of the Christian era. Along the way, he describes the rise of demonology as an intellectual and theological pursuit, the persecution as witches of women believed to consort with the Devil and his minions, and the decline in the belief in Hell and in angels and demons as corporeal beings as a result of the Enlightenment. Almond shows that the Prince of Darkness remains an irresistible subject in history, religion, art, literature, and culture. Almond brilliantly locates the "life" of the Devil within the broader Christian story of which it is inextricably a part; the "demonic paradox" of the Devil as both God's enforcer and his enemy is at the heart of Christianity. Woven throughout the account of the Christian history of the Devil is another complex and complicated history: that of the idea of the Devil in Western thought. Sorcery, witchcraft, possession, even melancholy, have all been laid at the Devil's doorstep. Until the Enlightenment enforced a "disenchantment" with the old archetypes, even rational figures such as Thomas Aquinas were obsessed with the nature of the Devil and the specific characteristics of the orders of demons and angels. It was a significant moment both in the history of demonology and in theology when Benedict de Spinoza (1632–1677) denied the Devil's existence; almost four hundred years later, popular fascination with the idea of the Devil has not yet dimmed.
Publisher description
Talk of the Devil has become distinctly unfashionable. Our sceptical age has pensioned off Satan, for centuries the face and name put to the abstract reality of evil. However, the creation of Popes, archbishops and priests will not so easily accept his fate, and Satan continues to serve as a metaphor for evil throughout society. His scaly black skin, horns, cloven hoof and red eyes have become embedded in popular psyche. In The Devil: A Biography, Peter Stanford traces the development of the character and role of Satan through the ages and examines how we tackle evil today.
The book represents the first biography of Anderson "Devil Anse" Hatfield, by great grandson Dr. Coleman Hatfield and noted Mountain State historian Robert Y. Spence. Tale of the Devil is the story of Hatfield family patriarch Devil Anse Hatfield. It covers his service in the Civil War as a Confederate officer for the Wildcats. The volume features in-depth coverage of the feud years, as well as the years after the gunfire seized. In recognition of this undertaking and his exhaustive investigation of the subject matter, Dr. Coleman C. Hatfield was named Tamarack Author of the Year in 2004. This book has also been recognized throughout the nation by book reviewers and historians-as well as governors and dignitaries-for its exceptional content and meticulous research.
The Story of Satan's Many Struggles, Across the History of Human Existence, to Unshackle the Human Mind, and Open the Gates to Forbidden Knowledge. From the moment of his first emergence as a single spark in the dimness of prehistory, to the more enlightening force into which he evolves across the full span of human existence, Satan, as he now clearly illustrates, has been urging human beings to open their eyes to the world around them, and to continue seeking, with unfettered minds, for ultimate answers, yet to be found. To do so he must struggle against the persistent attempts to stifle that urge by the "spoon feeders," as he calls them, individuals who have insisted, within every age, and often with a bloody fist, that they, and they alone, are the possessors of the only beliefs that every human being should accept and live by, without question. As Satan traces the history of their many attempts to stop human beings from thinking for themselves, he also takes his readers on a search for the ultimate source of all evil in this world. Readers will obviously enter the book with the standard concept of Satan as a supernatural figure of evil. They will leave the book, however, with a better understanding of how such mind-twisting concepts have been used to keep people away from the "forbidden" knowledge that lies beyond the borders of entrenched beliefs.
This treasury of facts and lore on the philosophy and practice of evil traces the concept of Satan from ancient to modern times. A collection of 350 rare and compelling images illuminate the text.
The Penderyn 2020 Music Book Prize (UK edition) Living Blues Critics Choice Best Blues Book of 2019 Living Blues Readers Choice Best Blues Book of 2019 Certificate of Merit in the Best Historical Research in Recorded Blues, Soul, Gospel, or R&B category from ARSC (Association for Recorded Sound Collections) An essential story of blues lore, black culture, and American music history Robert Johnson's recordings, made in 1936 and 1937, have profoundly influenced generations of singers, guitarists, and songwriters. Yet until now, his short life—he was murdered at the age of 27—has been poorly documented. Gayle Dean Wardlow has been interviewing people who knew Johnson since the early 1960s, and he was the person who discovered Johnson's death certificate in 1967. Bruce Conforth began his study of Johnson's life and music in 1970 and made it his mission to fill in what was still unknown about him. In this definitive biography, the two authors relied on every interview, resource, and document, much of it material no one has seen before. This is the first book about Johnson that documents his lifelong relationship with family and friends in Memphis, details his trip to New York, uncovers where and when his wife Virginia died and the impact this had on him, fully portrays the other women Johnson was involved with and tells exactly how and why he died and who gave him the poison that killed him. Up Jumped the Devil will astonish blues fans worldwide by painting a living, breathing portrait of a man who was heretofore little more than a legend.
This is a new release of the original 1930 edition.
This lively and learned book traces the history of the concept of evil and its personification as the Devil from ancient times to the period of the New Testament and across cultures and civilizations.