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Cade Bradbury. Billionaire island owner, at your service. I'm not used to people giving me the finger. Especially people I've just met. Especially when I'm standing in front of my own island resort. So I'm more than intrigued when cute but feisty Emma Clarke does just that...right after dumping a suitcase full of lingerie onto my sidewalk. Questionable lingerie. If this girl is who I think she is, then she's in big trouble. I won't even bother going to the police to report someone soliciting...er...clients in my resort. I'll run Emma off the island, and enjoy every second of it. Which is what I tell myself until I actually spend time with her. Now I'm thinking I might have made a mistake. I don't want Emma off my island. I want her in my bed. Which makes me wonder if she planned this every step of the way. Me chasing her. Me catching her. Me falling in love with every inch of her...right down to that naughty finger. The Billionaire Blooper is a spicy romantic comedy set in the charming small town of Hibiscus Bay. All books in this series are full-length, standalone romances with HEAs and NO cliffhangers and can be read in any order.
FROM EXCITING ROMANCE AUTHOR KATHERINE E HUNT Book one in the Sag Harbor series When a British journalist gets her dream job in The Hamptons she doesn't expect to find her dream man too. All Caitlyn has to do is catch a plane, move to Sag Harbor and start her new job as editor of a brand new society magazine. That's what she's promised herself. No more Mr. Wrong, no more pandering to everybody else's needs. New life, new Caitlyn. So when she meets a handsome gentleman on the plane, after a couple of drinks, she's going to walk away, right? She's certainly not going to try and join the mile-high club with him. If it turns out he's her new boss, Hank Baresi, the youngest son of one of the biggest media moguls in America, no matter, he doesn't appear to remember her, anyway. She's just going to do her job. No serenading him. No succumbing to his sweet charms and absolutely no falling in love with him. And, well, if he happens to fall in love with her, she's just going to say no, right?
Groundbreaking! Does for TV shows what Leonard Maltin’s guides do for movies! Forget movies! Sales of TV DVDs are outpacing all other categories, according to Video Store magazine. The Simpsons, 24, Lost, Desperate Housewives, Alias, even old chestnuts like Columbo and Home Improvement are blowing out of the stores as fans and collectors rush to buy their favorite shows, compact and complete. How do buyers know which shows are the best, which season contains that favorite moment, which episode features that guest star? They don’t—not without their trusty copy of 5,000 Episodes No Commercials which gives full information on every sitcom and drama released on DVD, whether in season-by-season sets, individual episodes, best-of compilations, specials, or made-for-TV movies. Almost 500 pages of listings include year of original airing, information on audio and video quality, extras, Easter eggs, and more. Every couch potato is sure to heave up off the sofa just long enough to buy 5,000 Episodes No Commercials!
The writing in this book is so bad, it deserves its own taxonomy of suckitude. Gillian Flynn, Mary Roach, Dave Eggers, Rick Moody, Chuck Palahniuk, Amy Tan, A.J. Jacobs, Daniel Clowes, Jeff Greenwald, Po Bronson…the list goes on. They all sucked once, and they all have the guts to share some of their crappiest early work in Drivel: an uplifting bit of voyeurism, based on the sold-out “Regreturature” stage shows in San Francisco, and brought to you by Litquake and the San Francisco Writers’ Grotto. Within these pages you’ll find abstruse and esoteric poetry (bad); incoherent and illogical short stories (worse); bumfuzzling proto-journalism (shameful); and pretentious, overwrought journal entries (we’ll not speak of this again). Thanks to these courageous but foolhardy writers, the world now knows the real meaning of a work-in-progress.
How do I hate thee? Let me count the ways… Aubrey Cash learned the hard way not to rely on love. After all, Webster Casey, the new boy next door she'd been falling for all summer, stood her up at homecoming in front of everyone with no explanation. Proving her theory that love never lasts seems easy when she's faced with parents whose marriage is falling apart and a best friend who thinks every boy she dates is "the one." But when sparks fly with a boy who turns out to be Webster's cousin, and then Webster himself becomes her lab partner for the rest of senior year, Aubrey finds her theory—and her commitment to stay single—put to the test. As she navigates the breakdown of her family, the consequences her cynicism has on her relationship with her best friend, and her own confusing but undeniable feelings for Webster, Aubrey has to ask herself: What really happened the night Webster stood her up? And if there are five ways to fall out of love…could there perhaps be even more ways to fall back in?
Business and industry leaders are eager to find ways to spark the creative instinct in their work forces. The creation, implementation, and sustainability of new ideas is the lifeblood ensuring the growth and viability of any organization. Without continuing innovation, competitive advantage and global market share are endangered. Once-thriving organizations can find themselves unprepared for the future. This newly translated work examines the multi-layered environment of innovation by melding the thoughts of business management pundits like Peter Senge with the views of artist, politicians, and other non-traditional thinkers like Tao Ho, Peter Greenaway, and Wolfgang Rihm. These thought leaders share their insights and help us to understand the process of creativity and construction and the methods to move organizations forward in an ever-changing climate.
From the author of Limitless, now a major motion picture, a “wheels-within-wheels conspiracy novel [that] is both insidious and ingenious” (Laura Wilson, The Guardian). Danny Lynch didn’t sign up for this, but right now, it’s all he’s got. Three weeks ago, he was working at a chow hall in Afghanistan and—more or less—doing fine. Sure, this meant living in a war zone, but he was never in the line of fire and, frankly, the money was hard to resist. Then Danny saw something he shouldn’t have, and now he’s back in New York City, haunted by what sent him home and lucky to be employed at all, even if that means dicing carrots for ten hours a day in a stuffy Midtown restaurant. The job’s one saving grace? A sight line from his prep station in the kitchen to a coveted corner table in the main room. For Danny, this is a window into the lives of some of Barcadero’s flashy clientele—and one evening, he sees a man who looks exactly like him. Teddy Trager is the visionary founder of the billion-dollar investment firm Paradime Capital. He has everything Danny never knew he wanted—cashmere suits, a sleek sports car . . . privilege, power—and the closer Danny looks at Trager the more fixated he becomes. “A paranoid conspiracy thriller with a significant twist . . . The result is a powerful psychological thriller of institutional corruption braided with ancient folkloric motifs.” —The Irish Times (Best Crime Fiction of the Year) “No one spins 21st Century facts into high-tech fantasies like Glynn.” —Jane Ciabattari, BBC (Ten Books to Read This Month) “Deliciously creepy.” —Kirkus Reviews
From New York Times bestselling author Naomi Wolf, Outrages explores the history of state-sponsored censorship and violations of personal freedoms through the inspiring, forgotten history of one writer’s refusal to stay silenced. Newly updated, first North American edition--a paperback original In 1857, Britain codified a new civil divorce law and passed a severe new obscenity law. An 1861 Act of Parliament streamlined the harsh criminalization of sodomy. These and other laws enshrined modern notions of state censorship and validated state intrusion into people’s private lives. In 1861, John Addington Symonds, a twenty-one-year-old student at Oxford who already knew he loved and was attracted to men, hastily wrote out a seeming renunciation of the long love poem he’d written to another young man. Outrages chronicles the struggle and eventual triumph of Symonds—who would become a poet, biographer, and critic—at a time in British history when even private letters that could be interpreted as homoerotic could be used as evidence in trials leading to harsh sentences under British law. Drawing on the work of a range of scholars of censorship and of LGBTQ+ legal history, Wolf depicts how state censorship, and state prosecution of same-sex sexuality, played out—decades before the infamous trial of Oscar Wilde—shadowing the lives of people who risked in new ways scrutiny by the criminal justice system. She shows how legal persecutions of writers, and of men who loved men affected Symonds and his contemporaries, including Christina and Dante Gabriel Rossetti, Algernon Charles Swinburne, Walter Pater, and the painter Simeon Solomon. All the while, Walt Whitman’s Leaves of Grass was illicitly crossing the Atlantic and finding its way into the hands of readers who reveled in the American poet’s celebration of freedom, democracy, and unfettered love. Inspired by Whitman, and despite terrible dangers he faced in doing so, Symonds kept trying, stubbornly, to find a way to express his message—that love and sex between men were not “morbid” and deviant, but natural and even ennobling. He persisted in various genres his entire life. He wrote a strikingly honest secret memoir—which he embargoed for a generation after his death—enclosing keys to a code that the author had used to embed hidden messages in his published work. He wrote the essay A Problem in Modern Ethics that was secretly shared in his lifetime and would become foundational to our modern understanding of human sexual orientation and of LGBTQ+ legal rights. This essay is now rightfully understood as one of the first gay rights manifestos in the English language. Naomi Wolf’s Outrages is a critically important book, not just for its role in helping to bring to new audiences the story of an oft-forgotten pioneer of LGBTQ+ rights who could not legally fully tell his own story in his lifetime. It is also critically important for what the book has to say about the vital and often courageous roles of publishers, booksellers, and freedom of speech in an era of growing calls for censorship and ever-escalating state violations of privacy. With Outrages, Wolf brings us the inspiring story of one man’s refusal to be silenced, and his belief in a future in which everyone would have the freedom to love and to speak without fear.