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While on business on Florida's gorgeous Emerald Coast, Wendy Carnes spots a woman who unknowingly changes her life. "White Bikini Babe" is the personification of sex, clearly ready for action. Watching her makes Wendy wonder whether, by putting on a sexy bikini and getting a new attitude, she could land a hot beach guy of her own. Armed with a daring bikini and a new attitude--along with the journal in which she records her secret thoughts on the whole adventure--Wendy soon finds herself engaging in a wild and naughty affair with her perfect fantasy man, who pushes her to sexual extremes. But at what point does the game become reality? When does the person she pretends to be become the person she really is? And worse, what happens when her private diary falls into the wrong hands?
Four strippers plot to take control over their men and their futures.
Packed with hundreds of photographs, this title provides a history of the bikini, recording its progression from the French beaches in 1946 to the small strings of modern times.
Sparks fly when bad-boy cop Rogan Wolfe rescues attorney April Pediston from a Miami bar brawl.
Misty, Molly and Sally grew up together in Anaheim, CA. Misty and Molly moved to Nashville, NC. Sally stayed behind but they all get back together at Blackbeard's Museum in Beaufort after learning what life's all about. Misty became a dentist with a rural practice. She worked her way through dental school spending weekends flat on her back, delivering compensated sexual favors to the movers and shakers of Raleigh. Molly earned her Master's Degree in Cultural Anthropology and is gainfully employed as a glorified accountant for a chicken packing plant. She hates her job largely because she goes home nightly smelling of wet chicken feathers. She's always wanted to be a model. Sally attended U C Irving but dropped out when she became pregnant with Mac's child. Mac did the honorable thing and married Sally, much to the dismay of his wealthy parents in Boston. These are their stories.
When he turned sixty-five, playwright Simon Gray began to keep a diary in which he reflected on a life filled with cigarettes (continuing), alcohol (stopped), several triumphs and many more disasters, shame, adultery, friendship and love. Bringing together the four parts of The Smoking Diaries (The Smoking Diaries, The Year of the Jouncer, The Last Cigarette, and Coda) this beautiful volume is filled with comedy and serious reflection, sharp observation and painful self-disclosure. A brilliant and moving account of life's unsteady progress, it takes the reader to the heart of one man's brilliant struggle towards some kind of personal truth.
A riveting peek behind the locker room door of a beauty obsessed culture that reveals what women really think about their bodies
Part cultural history, part sociological critique, and part literary performance, Panic Diaries explores the technological and social construction of individual and collective panic. Jackie Orr looks at instances of panic and its “cures” in the twentieth-century United States: from the mass hysteria following the 1938 radio broadcast of H. G. Wells’s War of the Worlds to an individual woman swallowing a pill to control the “panic disorder” officially recognized by the American Psychiatric Association in 1980. Against a backdrop of Cold War anxieties over atomic attack, Orr highlights the entanglements of knowledge and power in efforts to reconceive panic and its prevention as problems in communication and information feedback. Throughout, she reveals the shifting techniques of power and social engineering underlying the ways that scientific and social scientific discourses—including crowd psychology, Cold War cybernetics, and contemporary psychiatry—have rendered panic an object of technoscientific management. Orr, who has experienced panic attacks herself, kept a diary of her participation as a research subject in clinical trials for the Upjohn Company’s anti-anxiety drug Xanax. This “panic diary” grounds her study and suggests the complexity of her desire to track the diffusion and regulation of panic in U.S. society. Orr’s historical research, theoretical reflections, and biographical narrative combine in this remarkable and compelling genealogy, which documents the manipulation of panic by the media, the social sciences and psychiatry, the U.S. military and government, and transnational drug companies.
A hilarious first novel that provides a peek into the world of the super-rich, super-connected African Americans in Manhattan. Lauren is trying to be an independent woman, starting her own documentary film company, but it's difficult when you're married to Ed Thomas, one of the wealthiest African-American businessmen in the country -- and particularly when he seems to have a roving eye. Manny is an up-and-coming gay real estate agent who arrived in Manhattan from Alabama with only the clothes on his back. He's made his way to the top of his profession--yet he still wants more. Tandy is one of the "ladies who lunch" -- but she's desperate to reinvent herself and find a new source of cash flow. As we follow these three and other characters in this compelling first novel, we see the fascinating world of New York City's upper-crust African American society with all their scandals, foibles and skeletons in the closet revealed.