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Raw, scorned, and finally free from my disastrous marriage, I flee the lies, humiliation, and manipulation of my old life like a bat out of hell, leaving it all in my rearview mirror. Seduced by the sunny, diverse, laid-back Denver, Colorado, I settle in and set up a new life. New job. New house. New friends… Freedom. ​ The idea was to start over. Fresh. Anew. But I didn’t anticipate starting over with my twenty-year-old student. ​Nero Gunnar might be twelve years my junior, but he’s the manliest man I’ve ever met. He has his sights set on me and he’s not letting up. It’s wrong. Forbidden. A disaster waiting to happen. But sinful wrongs have never tasted so, so sweet. KEYWORDS: student teacher romance, age-gap romance, older woman younger man romance, black woman white man, MC romance, motorcycle romance, biker bad boy, bwwm, multicultural romance, interracial romance,
In 1947, 4,000 motorcycle hobbyists converged on Hollister, California. As images of dissolute bikers graced the pages of newspapers and magazines, the three-day gathering sparked the growth of a new subculture while also touching off national alarm. In the years that followed, the stereotypical leather-clad biker emerged in the American consciousness as a menace to law-abiding motorists and small towns. Yet a few short decades later, the motorcyclist, once menacing, became mainstream. To understand this shift, Randy D. McBee narrates the evolution of motorcycle culture since World War II. Along the way he examines the rebelliousness of early riders of the 1940s and 1950s, riders' increasing connection to violence and the counterculture in the 1960s and 1970s, the rich urban bikers of the 1990s and 2000s, and the factors that gave rise to a motorcycle rights movement. McBee's fascinating narrative of motorcycling's past and present reveals the biker as a crucial character in twentieth-century American life.
From The Wild Angels in 1966 until its conclusion in 1972, the cycle of outlaw motorcycle films contained forty-odd formulaic examples. All but one were made by independent companies that specialized in producing exploitation movies for drive-ins, neighborhood theaters, and rundown inner city theaters. Despised by critics, but welcomed by exhibitors denied first-run films, these cheaply and quickly produced movies were made to appeal to audiences of mobile youths. The films are repetitive, formulaic, and eminently forgettable, but there is a story to tell about all of the above, and it is one worth hearing. Hoodlum Movies is not only about the films, its focus is on why and how these films were made, who they were made for, and how the cycle developed through the second half of the 1960s and came to a shuddering halt in 1972.
​Owen “Onyx” Walsh tried to stop me from being great. Pity he didn’t know I'm more determined than a bull. He’s a dream-blocking jerk and I can’t stand his stupid freckled face. We despise each other, that much is clear. That’s why I’m spun confused when he starts looking at me like he doesn’t. I’m not a size two with a tiny waist, nor do I have bright blue eyes or perky tits—you know, the type he loves hanging around—so why does he want to be around me all of a sudden? Oh, right, because I tried to be nice to him once and made the mistake of fibbing to my family that he’s my boyfriend. Now he’s like a plague I can’t get rid of—not that I’ve been trying too hard. ​ I tried to stop him from winning my heart. Pity I didn’t know he's more determined than a starving lion. PLEASE NOTE: All MC happenings take place off-page. This is not a dark romance. This is not an erotica. Written in first-person present tense. Contains mature content. Tags: interracial romance, MC romance, MC series, motorcycle romance, biker bad boy, Indian heroine, series romance, set in Denver, series starter, romance series, romance saga, romantic family saga, tattooed heroes, forbidden romance, strong alpha, alpha hero, foster hero, top romance reads, outlaw heroes, lawless romance, sweet and sexy romance, multicultural romance, interracial romance, series to binge read, back from the military romance, sweet and funny romance, BBW, curvy woman romance, fun romance
The definitive collection of first-hand accounts of the world's outlaw motorcycle gangs, with contributions by Sonny Barger, Hunter S. Thompson, Ed Winterhalder, William Queen and many more Outlaw bikers consider themselves 'the last free people in society', unconstrained by the regulations that hem in ordinary citizens. And they guard their privacy jealously. Drawing on seventeen years of studying and participating in biker culture, the author has compiled this one-of-a-kind collection of original biker writing. Here are insider accounts of landmark incidents in biker folklore, including reprints of classic writing from biker-originated magazines, handouts, websites and books. Gangs featured include the Bandidos, the Hells Angels, Henchmen MC, the Outlaws, the Mongols, the Annihilators, the Diablos, the Gypsy Jokers, the Rebels, the Straight Satans and the Vagos. And with contributors such as Freewheelin' Frank (one-time secretary of the Hells Angels), Edward Winterhalder (among the most powerful members of the Bandidos) and Sonny Barger (founder of the Hells Angels). Also included are those rare accounts by outsiders who have succeeded in 'looking in' on the gangs: Hunter S. Thompson's Hells Angels: A Strange and Terrible Modern Saga; writing by William Queen, the undercover agent who infiltrated America's violent outlaw motorcycle gang the Mongols; and Daniel R. Wolf's account of riding with the Rebels.
It all started with a failed engine… I’ve seen them around. Preppy, sun-kissed Californians zigzagging about Denver in funky Jeep Wranglers. Ignored them. Until one of them walks through the doors of The Metal House Auto Repair Shop. Sure, he’s good-looking or whatever, but hideously dressed, a bit nerdy, and such a far cry from my type that it’s not even worth mentioning. So why can’t I stop staring? Captivated. Confused. And why does he keep staring? Like I’m a dream come to life. He offers me a deal too good to pass up, a deal that will get me one step closer to my dream to travel the world. I couldn’t have anticipated the turn my life would take when I said yes to Alec Vaughn. Tags: opposites attract, interracial romance
The story, outrageous but true, of John Hall, a Harley-riding hell raiser who founded the Pagans, a club the FBI called "the most violent criminal organization in America."
In all my years as a scientist, I never believed the experiments I was involved in would lead to so many people dying. I've even put my only son at risk. Our lives are inexorably changed, coursing down a path that may see the very destruction of us all, should this virogene escape the confines of its sealed environment. All my background, both moral and academic, tell me what I am doing is wrong, but how am I possibly going to stop it now? Can it be stopped? Will all this end in the loss of more lives? Cody Jenkins' father, Ben, is a prominent biophysicist working under a government contract for a private foundation. His realm of expertise lies in the development of biological compounds that will lead to the creation of a genetically engineered super virus. Once created, however, the virus proves so deadly that it defies all biological and chemical means of slowing its devastating effects on its host subjects. Because the research project that results in the discovery of the virus is government funded, the military believe they have the right to it, regardless of what the virus would mean for humanity; the Corsican Brotherhood wants to steal it for profit-thus begins a battle of wit, intrigue, and violence in which Cody becomes an innocent pawn.
The book presents the theory of motorcycle dynamics. It is a technical book for the engineer, student, or technically/mathematically inclined motorcycle enthusiast. Motorcycle Dynamics offers a wealth of information compiled from the most up-to-date research into the behavior and performance of motorcycles. The structure of the book and abundant graphs assist in understanding an exceptionally complicated subject. The book presents a large number of graphs and figures that make the understanding easy.
A book like no other, Paul Fournel's Need for the Bike conducts readers into a very personal world of communication and connection whose center is the bicycle, and where all people and things pass by way of the bike. In compact and suggestive prose, Fournel conveys the experience of cycling--from the initial charm of early outings to the dramas of the devoted cyclist. An extended meditation on cycling as a practice of life, the book recalls a country doctor who will not anesthetize the young Fournel after he impales himself on a downtube shifter, speculates about the difference between animals that would like to ride bikes (dogs, for instance) and those that would prefer to watch (cows, marmots), and reflects on the fundamental absurdity of turning over the pedals mile after excruciating mile. At the same time, Fournel captures the sound, smell, feel, and language of the reality and history of cycling, in the mountains, in the city, escaping the city, in groups, alone, suffering, exhausted, exhilarated. In his attention to the pleasures of cycling, to the specific "grain" of different cycling experiences, and to the inscription of these experiences in the body's cycling memory, Fournel portrays cycling as a descriptive universe, colorful, lyrical, inclusive, exclusive, complete.