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James Ellroy's identity as a crime writer is rooted in his extraordinary life story and relationship with his home city of Los Angeles. Beginning with the unsolved murder of his mother, Geneva Hilliker Ellroy, in 1958, Ellroy's early life played a large role in shaping his obsessions with murder, the criminal underworld of L.A. and the redemptive power of the feminine. Ellroy's life could be seen as a brutal, visceral and emotionally exhausting realisation of the American Dream, a theme he has explored in his writing to the extent that he is credited with reinventing crime fiction. The Big Somewhere: Essays on James Ellroy's Noir World is an in-depth, scholarly study of the work of James Ellroy, featuring leading Ellroy scholars such as Anna Flügge, Jim Mancall and Rodney Taveira. Moving from Ellroy's early detective novels to his later epic works of historical fiction, it explores how Ellroy found his place in the history of the genre by building on, and then surpassing, the works of authors who influenced him such as Dashiell Hammett, Raymond Chandler and Joseph Wambaugh. It also examines Ellroy's impact on contemporary writers and on the cultural perception of L.A., which has been his legacy through the L.A. Quartet novels. The 'Big Somewhere' is not a geographical location, but a conglomeration of the cinematic, historical and fictional worlds that influenced Ellroy, from film noir to the Kennedy era in American politics, and on which he, in turn, has left his mark.
James Ellroy's identity as a crime writer is rooted in his extraordinary life story and relationship with his home city of Los Angeles. Beginning with the unsolved murder of his mother, Geneva Hilliker Ellroy, in 1958, Ellroy's early life played a large role in shaping his obsessions with murder, the criminal underworld of L.A. and the redemptive power of the feminine. Ellroy's life could be seen as a brutal, visceral and emotionally exhausting realisation of the American Dream, a theme he has explored in his writing to the extent that he is credited with reinventing crime fiction. The Big Somewhere: Essays on James Ellroy's Noir World is an in-depth, scholarly study of the work of James Ellroy, featuring leading Ellroy scholars such as Anna Flügge, Jim Mancall and Rodney Taveira. Moving from Ellroy's early detective novels to his later epic works of historical fiction, it explores how Ellroy found his place in the history of the genre by building on, and then surpassing, the works of authors who influenced him such as Dashiell Hammett, Raymond Chandler and Joseph Wambaugh. It also examines Ellroy's impact on contemporary writers and on the cultural perception of L.A., which has been his legacy through the L.A. Quartet novels. The 'Big Somewhere' is not a geographical location, but a conglomeration of the cinematic, historical and fictional worlds that influenced Ellroy, from film noir to the Kennedy era in American politics, and on which he, in turn, has left his mark.
Reassures children that everyone is somewhere, even if you cannot see them.
Together is somewhere they long to be. Ash Gupta has a life full of possibility. His senior year is going exactly as he’s always wanted-- he's admired by his peers, enjoying his classes and getting the kind of grades that his wealthy, immigrant parents expect. There's only one obstacle in Ash's path: Eden Moore—the senior most likely to become class valedictorian. How could this unpopular, sharp-tongued girl from the wrong side of the tracks stand in his way? All Eden's ever wanted was a way out. Her perfect GPA should be enough to guarantee her a free ride to college -- and an exit from her trailer-park existence for good. The last thing she needs is a bitter rivalry with Ash, who wants a prized scholarship for his own selfish reasons. Or so she thinks. . .When Eden ends up working with Ash on a class project, she discovers that the two have more in common than either of them could have imagined. They’re both in pursuit of a dream -- one that feels within reach thanks to their new connection. But what does the future hold for two passionate souls from totally different worlds?
A counting book in rhyme presents various marine animals and their children, from a mother manatee and her little calf one to a mother octopus and her little babies ten. Complete with a glossary, musical score, and numbers hidden in the illustrations.
Structured like a sonata, this heartbreaking debut novel hits all the right notes. Dominique is a high school junior from gritty Trenton, barely getting by. Ben is a musical prodigy from the Upper East Side, a rising star at a top conservatory. When Dom’s class is taken to hear a concert at Carnegie Hall, she spots Ben in the front row, playing violin like his life depends on it — and she is transfixed. Posing as an NYU student, Dom sneaks back to New York City to track him down. Soon, the two are desperately in love, each seeing something in the other to complete them. But Ben’s genius, which Dominique so admires, conceals his struggle with mental illness — and the challenges of her own life may make it impossible for her to save him from himself.
Part 1. Genre and literary influences -- Part 2. Ellroy and noir -- Part 3. 'America was never innocent': Underworld and government power structures -- Part 4. Ellroy and after: The Ellrovian influence on authors and genre
A robust and timely investigation into the political and moral fault-lines that divide Brexit Britain and Trump's America -- and how a new settlement may be achieved. Several decades of greater economic and cultural openness in the West have not benefited all our citizens. Among those who have been left behind, a populist politics of culture and identity has successfully challenged the traditional politics of Left and Right, creating a new division: between the mobile "achieved" identity of the people from Anywhere, and the marginalized, roots-based identity of the people from Somewhere. This schism accounts for the Brexit vote, the election of Donald Trump, the decline of the center-left, and the rise of populism across Europe. David Goodhart's compelling investigation of the new global politics reveals how the Somewhere backlash is a democratic response to the dominance of Anywhere interests, in everything from mass higher education to mass immigration.
Some might call it a proposal. Violet Burton knows it's blackmail, and she refuses to give in. She won't marry the unscrupulous banker who holds the mortgage on her Virginia home. Instead, she'll find employment in New York City, earning enough to pay her debts before returning home. Virginia's where she belongs…even if reconnecting with childhood friend Michael Heaton makes her long to stay permanently at his mother's boardinghouse. The freckle-faced girl Michael knew is now a lovely woman. Helping Violet find her way is a simple act of friendship—at least at first. But soon he'll do anything to keep her safe, and hope she'll see that the home she seeks is one they can share together.