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From California Governor Gavin Newsom comes an empowering picture book about a young boy with dyslexia who discovers a new way to look at reading. Ben loves baseball. He loves the lines of diamond-shaped field and the dome of the pitcher's mound. What Ben doesn't like is reading. Ben has dyslexia, which means letters and sounds get jumbled up in his brain, and then the words don't make sense. But when Ben starts looking at reading like he looks at baseball, he realizes that if he keeps trying, he can overcome any obstacle that comes his way. In this empowering story by California Governor Gavin Newsom, inspired by his own childhood diagnosis of dyslexia, readers will learn that kids with the determination to try (and try again) can do big things. *This book is set in a font specifically designed to be easier for people with dyslexia to read.
In Harvey’s first new thriller in more than fifteen years, a starlet’s murder draws an NYPD detective into a cross-country manhunt Mongo wakes up, brushes his teeth, and prepares to kill a movie star. He needs a wig and a phony press pass, as well as a very special tape recorder that holds two fléchettes, one of which is earmarked for screen siren Catherine Delure. A bit of smooth talk takes Mongo past Delure’s security and into her hotel room, where he completes his assignment with ease. The hit was simple, he thinks. But it is about to go terribly wrong. Delure appears to have been shot during a robbery, but homicide detective Jeb Barker is not fooled. Tracking the self-assured assassin leads the PI first to Las Vegas, then to California—where blue sky and palm trees cannot distract him from the darkness within the hit man’s heart.
Designed to be used by children in their first six months of school PM Starters One and Two
James Gong is training for his black belt in taekwondo. One night a camera crew turns up at training for an episode of My Life. James is sparring a white belt who gets carried away and hammers James' foot. Sparks fly in James' brain and he gasps – all caught on national TV. James responds with a jumping spinning sidekick which obliterates his opponent. This is the beginning of James' woes at the club, for he has disgraced Mr Cho, the head instructor. Hollywood Productions just loves James' jumping , spinning sidekick. They decide to star him in their small budget flick, Big Action in Little Town. Unbeknown to James, Hollywood Productions is a scam company that basically produces B grade ‘loser’ movies to offset huge tax bills. Meanwhile James, who lusts after his sister Caitlin’s best friend, Amber, thinks his sudden film career will curry favour. Not so. If anything, Amber shuns him even more. Determined to win the love of his life, James tries to learn how to skate, because he knows that Amber fancies a local skater named Spiros. He only succeeds in showing himself up, but James is pathetically immune to the irony and subtleties of life. He figures that all is well with the world and that he’s making vast progress. To Hollywood Productions’ great horror the flick is so bad that it’s good. People have queued at the premiere and national TV stations have got wind of the huge success of this little budget movie. Big Action in Little Town is going to be a blockbuster!
BOOM. That's the sound from the football field when Knox Lynch takes down the offense. He's big and strong, the best defensive end in the league. Tough. Scary. Dumb. At least, that's all that most people seem to see of him. Except... BOOM. That's also the sound Daisy McKenzie's heart makes when it beats hard against her ribs when she's anxious and worried. She's doing great now--she's moved beyond her past and is focused on her future, taking steps to lead her to independence and happiness, like getting her degree and working as an art conservator. Yes, she's doing great. Except... BOOM. That's the sound of two lives colliding when Daisy and Knox meet. And the sound of both of their hearts, when they start to beat for each other.
Why the future of popular culture will revolve around ever bigger bets on entertainment products, by one of Harvard Business School's most popular professors What's behind the phenomenal success of entertainment businesses such as Warner Bros., Marvel Entertainment, and the NFL—along with such stars as Jay-Z, Lady Gaga, and LeBron James? Which strategies give leaders in film, television, music, publishing, and sports an edge over their rivals? Anita Elberse, Harvard Business School's expert on the entertainment industry, has done pioneering research on the worlds of media and sports for more than a decade. Now, in this groundbreaking book, she explains a powerful truth about the fiercely competitive world of entertainment: building a business around blockbuster products—the movies, television shows, songs, and books that are hugely expensive to produce and market—is the surest path to long-term success. Along the way, she reveals why entertainment executives often spend outrageous amounts of money in search of the next blockbuster, why superstars are paid unimaginable sums, and how digital technologies are transforming the entertainment landscape. Full of inside stories emerging from Elberse's unprecedented access to some of the world's most successful entertainment brands, Blockbusters is destined to become required reading for anyone seeking to understand how the entertainment industry really works—and how to navigate today's high-stakes business world at large.
When Evita opened on Broadway during the 1979-1980 season, it was (as one of its songs said) "High Flying Adored." But in the 1970-71 season, the producers of Lolita, My Love saw their show (as one of its songs said) "Going, Gone, Gone" after its torturous Philadelphia and Boston tryouts. It didn't even try to brave Broadway, although the bookwriter-lyricist of My Fair Lady had written it. It happens every season. Broadway has one, two, or a few hit musicals, but many, many more flops. Here's a look at the extreme cases from each season of the past half-century. The musicals that everyone knew would be hits - The Sound of Music, The Phantom of the Opera, The Producers - and were. The tuners that sounded terrible from the moment they were announced - Via Galactica, The Civil War, Lestat - and turned out to be even worse than anyone expected. The shows that were destined to succeed - Breakfast at Tiffany's, 1600 Pennsylvania Avenue, Merrily We Roll Along - but didn't. The ones that didn't have a chance - Man of La Mancha, 1776, Grease - but went on to household-name status. Yes, Broadway is the oldest established permanent non-floating crap game in New York, and Peter Filichia takes a look at 100 shows that met either the most glorious or the most ignominious fates.
Charlie the guinea pig becomes a Hollywood star but finds that stardom does not compare to the comforts of home.
Boston Red Sox and All-Star David Ortiz, a.k.a. Big Papi, opens up on life and the Big Leagues in this dramatic and compelling rags-to-riches story of a baseball dream coming true.