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The northern word for hometown, 'toon', flickers in meaning between 'tune' and 'cartoon'. In Bill Herbert's big bumper book, the title toon is Troy: the first lost home. Exiled to a lighthouse on the River Tyne, the wily Scots maestro has written a book in love with lost and difficult things. Sometimes reflective, sometimes subversively mischievous, he registers or rails against displacement and resettlement, lamenting the passing of relatives, cities, furniture, and the odd lemur. Plugged in to the poetry zeitgeist as ever, Herbert has revived a medieval publishing craze: the Troybook. Painstaking excavation of old comics establishes that the original site of Troytoon is Dundee. Or Madrid. Or possibly St Petersburg. The search for traces of Troy leads to Donegal, Crete, and, at the heart of his grand tour, a vivid verse journal set in post-perestroika Moscow. Dust off your highest brow and fasten your seatbelt, we're flying Economy to Byzantium. The Big Bumper Book of Troy is driven by sudden shifts of register - English to Scots, free verse to antique stanza, page to performance, narrative to lyric. Everything has become a dialect, yet - cheekily borrowing the Russian composer Schnittke's term - Herbert aims at a disrespectful polystylist unity. It is his most unorthodox rebellion yet against the dictatorship of the slim volume. A riot of colourful humour, a revolution in poetic taste.
This stimulating workbook is aimed at committed writers and students of creative writing who want to engage with ideas about writing and develop their craft and practice. Drawing on the expertise of a range of professional and award-winning contributors, the focus is on writing as 'process', moving from practical guidance on 'form and style' through to using themes such as 'body' or 'house' as a creative springboard. Including specially designed writing exercises and illustrative extracts, this innovative guide will inspire and challenge. It is an essential resource for anyone who wishes to master the art and practice of creative writing and galvanise their talent to professional and publication level. Contributions by: Linda Anderson, Theodore Deppe, George Green, Graeme Harper (aka Brooke Biaz), William Herbert, Lee Martin, Jenny Newman, Jayne Steel and a Foreword by Patricia Duncker.
The comparative study of the literatures of Ireland and Scotland has emerged as a distinct and buoyant field in recent years. This collection of new essays offers the first sustained comparison of modern Irish and Scottish poetry, featuring close readings of texts within broad historical and political contextualisation. Playing on influences, crossovers, connections, disconnections and differences, the 'affinities' and 'opposites' traced in this book cross both Irish and Scottish poetry in many directions. Contributors include major scholars of the new 'archipelagic' approach, as well as leading Irish and Scottish poets providing important insights into current creative practice. Poets discussed include W. B. Yeats, Hugh MacDiarmid, Sorley MacLean, Louis MacNeice, Edwin Morgan, Douglas Dunn, Seamus Heaney, Ian Hamilton Finlay, Michael Longley, Medbh McGuckian, Nuala ni Dhomhnaill, Don Paterson and Kathleen Jamie. This book is a major contribution to our understanding of poetry from these islands in the twentieth and twenty-first centuries.
‘The Apothecary’s Chest: Magic, Art and Medication’ was a one-day symposium held at the University of Glasgow on November 24, 2007. The symposium called for a discussion on the evolution of the notions of mysticism, knowledge and superstition in the way they are intertwined in both science and the literary imagination in the figure of healers such as the apothecary, the alchemist, the shaman. There were three main areas of interest. The first involved traditional perceptions of physicians, who combined knowledge and superstition and thus bordered, in their practices, on the sphere of the occult. The second theme, evolving from the first, proposed an inquiry of the overlapping interests and processes of science, magic and prophesy, as well as of the implications and consequences of a privileged access to medical knowledge, while the third subject of discussion concentrated on the development of the symbolism of the healer in literature, history, philosophy of science, anthropology, theology, film and art. The twelve papers included in this volume, papers presented by doctoral candidates and young scholars from across a range of geographical regions and disciplines, result in a collection of approaches to an investigative field with topics ranging from mystical traits of mundane materials to the origins of the occult and gender struggles. The thirteenth and final essay included in the volume, Professor Bill Herbert’s ‘From Mere Bellies to the Bad Shaman’, is an exploration of the modern role of the contemporary poet in the form of an extended conversation initiated at the closing of the conference, when Professor Herbert was asked to combine a poetry reading with a few observations on the relationship between the poet and the shaman.
Creative Writing is a complete writing course that will jump-start your writing and guide you through your first steps towards publication. Suitable for use by students, tutors, writers’ groups or writers working alone, this book offers: a practical and inspiring section on the creative process, showing you how to stimulate your creativity and use your memory and experience in inventive ways in-depth coverage of the most popular forms of writing, in extended sections on fiction, poetry and life writing, including biography and autobiography, giving you practice in all three forms so that you might discover and develop your particular strengths a sensible, up-to-date guide to going public, to help you to edit your work to a professional standard and to identify and approach suitable publishers a distinctive collection of exciting exercises, spread throughout the workbook to spark your imagination and increase your technical flexibility and control a substantial array of illuminating readings, bringing together extracts from contemporary and classic writings in order to demonstrate a range of techniques that you can use or adapt in your own work. Creative Writing: A Workbook with Readings presents a unique opportunity to benefit from the advice and experience of a team of published authors who have also taught successful writing courses at a wide range of institutions, helping large numbers of new writers to develop their talents as well as their abilities to evaluate and polish their work to professional standards. These institutions include Lancaster University and the University of East Anglia, renowned as consistent producers of published writers.
From Treasure Island to Trainspotting, Scotland's rich literary tradition has influenced writing across centuries and cultures far beyond its borders. Here, for the first time, is a single volume presenting the glories of fifteen centuries of Scottish literature. In Scotland's Books the much loved poet Robert Crawford tells the story of Scottish imaginative writing and its relationship to the country's history. Stretching from the medieval masterpieces of St. Columba's Iona - the earliest surviving Scottish work - to the energetic world of twenty-first-century writing by authors such as Ali Smith and James Kelman, this outstanding account traces the development of literature in Scotland and explores the cultural, linguistic and literary heritage of the nation. It includes extracts from the writing discussed to give a flavor of the original work, and its new research ranges from specially made translations of ancient poems to previously unpublished material from the Scottish Enlightenment and interviews with living writers. Informative and readable, this is the definitive single-volume guide to the marvelous legacy of Scottish literature.
A unique collaboration between leading poets and scientists, Contemporary Poetry and Contemporary Science demonstrates through its form, and through practice as well as reflection, that poetry and science can meet with productive results. Crossing between disciplines, and between prose and verse, the book shows how modes of scientific knowledge and of poetic making continue to be intertwined. Often drawing on Scottish intellectual traditions, rather than on the notorious 'two cultures' argument, Contemporary Poetry and Contemporary Science argues through examples for a more open and mutually sympathetic engagement of poetry and science in contemporary culture. Provocative, nimble, and surprising, this book is in several senses a crossover volume. In its gathering of essays as well as poems, it is the first book of its kind. Readers can see how a poet and a solar physicist may share working assumptions; how poetic insight may inform psychiatric practice; how a poet's encounter with an MRI scanner leads to a fresh neurological experiment. As well as new essays by internationally distinguished poets, scientists, and literary critics including Simon Armitage, Gillian Beer, Jocelyn Bell Burnell, Miroslav Holub, Kay Redfield Jamison, and Edwin Morgan, the book includes a series of specially commissioned poems by John Burnside, Michael Donaghy, Sarah Maguire, Paul Muldoon, Don Paterson, and others. Each poem is introduced by the scientist whose work prompted the poem. Though Contemporary Poetry and Contemporary Science exposes and investigates strains between the way poets and scientists see and reinvent the world, the book is most arresting and enjoyable when it shows just how often poets and scientists agree.
Whaleback City is a unique anthology of poems inspired by the city of Dundee and its surroundings. In it you will find poems about the city, its history, its architecture and its landscape. There are poems spanning six centuries, capturing the spirit and temperament of its people, both celebrated and ordinary. Poets range from Sir Walter Scott and William McGonagall through to contemporary voices such as Douglas Dunn and Don Paterson. The poems themselves speak of subjects as diverse as the Tay and its bridges, the Jute industry, Liz McColgan, the People's Friend, Dens Road Market and a hundred other things that are uniquely Dundonian. Whether you love poetry or you love Dundee, this is a very special collection saluting Scotland's most industrious and enterprising city.
Intended To Serve The Academic Needs Of The Students Of English Literature, The Companion Is An Ultimate Literary Reference Source, Providing An Up-To-Date, Comprehensive And Authoritative Biographies Of Novelists, Poets, Playwrights, Essayists, Journalists And Critics Ranging From Literary Giants Of The Past To Contemporary Writers Like Peter Burnes (1931-2004), Anthony Powell (1905-2000), Patrick O Brian (1914-2000), Iris Murdoch (1919-1999), Grace Nicholas (1950- ) And Douglas Adams (1952-2001). Over The Last Few Decades English Literary Canon Has Become Relatively More Extensive And Diverse. In Recognition Of The Significance Of The New Literatures In English, Special Emphasis Has Been Given On The Writers Of These Literatures. In Addition, The Indian Writers Writing In English Have Been Given A Prominent Place In The Book, Thereby Making It Particularly Useful For The Students Of Indian English Literature. The Companion Is Unique Of Its Kind As It Gives A Broad Outline Of The Story And Not Merely A Brief Account Of The Plot Structure Of A Literary Work So As To Enable The Students To Have A Fairly Good Idea Of The Story. Likewise, Before Getting Down To The Writings Of An Author, The Companion Provides An Invaluable And Authoritative Biographical Note Believing That An Author S Biography Facilitates Proper Understanding Of His/Her Contributions.On Account Of Its Clear And Reliable Plot Summaries And Descriptive Entries Of Major Works And Literary Journals And Authentic Biographical Details, The Companion Is A Work Of Permanent Value. It Is Undoubtedly An Indispensable And Path-Breaking Handy Reference Guide For All Those Interested In Literatures In English Produced In The United Kingdom, The United States, Canada, Australia, Africa, The Caribbean, India And Other Countries.
"IN PERSON presents contemporary poetry to readers in a totally new way, with short films of 30 living poets reading their work on two DVDs. [...] an anthology/DVD combination with all the poems from the films includes in the book.