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Presents step-by-step instructions for drawing the human form, including the basics of anatomy, proportion, and light; relating the figure to its environment; and variations in color and style.--
The human body is truly an amazing thing. Capable of awe- inspiring feats of speed and agility, while being mind-blowing in complexity, our bodies are unmatched by any other species on Earth. In The Big Book of the Human Body, we explore our amazing anatomy in fine detail before delving into the intricacies of the complex processes, functions and systems that keep us going. For instance, did you know you really have 16 senses? We also explain the weirdest and most wonderful bodily phenomena, from blushing to hiccuping, cramps to jaundice. We will tour the human body from skull to metatarsal, using anatomical illustrations, amazing photography and authoritative explanations to teach you more. This book will help you understand the wonder that is the human body and in no time you will begin to see yourself in a whole new light!
Now you can draw from your own life model anytime you want without paying expensive models' fees! This handy volume contains over 600 detailed anatomical photographs for artists to study and draw from. Subjects included are male and female, and the models range in age from two years old to ninety years old. All together, seventeen different models were photographed, in the most useful and instructive poses for the artist. They are shown clothed and unclothed, full-figure and in closeup, in classical poses and in action, and in a wide variety of views--the standing male and female models, for instance, were photographed from eight different angles in a 360-degree circle. Sections one and two, covering the male and female nude figure, include photographic representation of running, walking, standing, sitting, and reclining, as well as detail studies of head, hands, and feet. Section three shows close-ups of facial expressions: joy, pain, surprise, etc., as well as sequences of expressions such as the transition from slight annoyance to great anger. In this section too are found details of a variety of heads, hands, eyes and noses, mouths, and ears. Section four is composed of photographs of a two-year-old child.
Classic treatment by a master teacher features 430 pencil and charcoal illustrations depicting fundamental features of human anatomy. Topics include shading, curvature, proportion, foreshortening, muscular tension, and much more.
This book offers hundreds of illustrations and useful instructions by Hungarian master András Szunyoghy.
Following the success of the bestselling New Fashion Illustration comes this exciting visual bible for illustrators and graphic designers. Featuring nearly 1,000 new and innovative images, it provides an unprecedented variety of approaches to the field. An international array of artists offer inspirational examples of every technique, from traditional watercolors, acrylics, and pencil drawings to cutting-edge designs using the latest technology from Adobe Photoshop, Macromedia FreeHand, and digital photography. The fabulous fashions include womenswear (including couture and bridal); menswear (from t-shirts to bespoke); children's clothing (tots to teens); and the hottest youth styles. Plus, there's stuff for sport and leisure, cool accessories, and beauty and glamour illustrations. This eye-catching resource is a must-have for any designer--and for anyone who loves fashion.
Excerpt from The Human Figure Successfully to build up the human figure in a drawing, painting or statue, either from imagination or from a model, the artist or sculptor must be possessed of a keen sense of construction. The human body, with its varied beauty of construction, character and action, is so complex that it is essential for the student, artist and sculptor not only to have a clear knowledge of its intricate forms, but a comprehensive understanding and a habit of simple treatment in order to apply this knowledge to its artistic end. The artist is immediately concerned with the external and the apparent. He views nature as color, tone, texture and light and shade, but back of his immediate concern, whether he be figure painter or illustrator, in order to render the human form with success, he stands in need of skill in the use of his knowledge of structure, of his understanding of action and of his insight into character. These things require a period of profound academic study. When we consider the infinite variety of action of the human form, its suppleness, grace and strength of movement in the expression of the fleeting action, and farther consider that the surface of the body is enveloped in effects of light and shade, iridescent color and delicate tone, it is not to be wondered at that the student's eye is readily blinded to the hidden construction of the form. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.