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Comic book version of seventies history and popular culture in the United States.
Epstein takes readers on a funky ride through baseball and America in the swinging '70s in this wild pop-culture history of baseball's most colorful and controversial decade. Includes 8-page photo insert.
Do you sometimes find yourself longing for "the good old days"? Do you laugh at yourself for even thinking this because - after all - you're not even 50 yet? And - upon seeing some of the things the kids of today have, or when you see how easy they have it, do you catch yourself thinking out loud "When I was a kid..." only to cover your mouth in horror as you realize that you sound just like your parents? Do you feel a jolt of... you're not sure what... when you realize that you're thinking of the '70s? How good things were in the '70s? Join the author as he recounts his own experiences growing up in this avocado green and burnt orange decade. The things we had and the things we didn't have; the things we took for granted and what family life was like in those years. Remember the music, the movies, the cars, the toys, the fashions, and so much more as your sentimental recollections play once again before you like a worn out 8mm movie in your mind. We were kids in the '60s, teens in the '70s, and now we're almost 50. This is a humorous, nostalgic, pensive, and fun-filled look at what it was like to grow up in this generation. Try to keep up with the fun as you revisit your childhood memories, and don't be surprised if you, like the author, find yourself longing once again for "the good old days." DARRYLL SHERMAN lives in Pullman, Washington with his wife and their two children. He is a licensed Architect and works at Washington State University. He also has his own business designing private residences in the greater Palouse area. He is a pianist, songwriter and singer and is involved in the music department at his local church. Growing up in beautiful western Washington, Darryll attributes his appreciation of nature to the many family vacations spent in the Cascades and the surrounding areas. His interests also include carpentry, gardening, fishing, hiking, racquetball and art.
At some point between Watergate and The Love Canal, between Nixon and Carter, between Vietnam and Afghanistan, between POWs and Americans Held Hostage, between Robert Altman and Steve Martin, between The Supremes and The Ramones, between Helen Reddy and Blondie, between Joe Namath and Pete Rose ... the 1970s happened. And TV tried to keep up. Or did the country try to keep up with TV?From Archie to Kunta Kinte and from "Helter Skelter" to Jiggle TV, ALL IN THE DECADE recounts ten years in the life of television.
It is the year 4022; all of the ancient country of Usa has been buried under many feet of detritus from a catastrophe that occurred back in 1985. Imagine, then, the excitement that Howard Carson, an amateur archeologist at best, experienced when in crossing the perimeter of an abandoned excavation site he felt the ground give way beneath him and found himself at the bottom of a shaft, which, judging from the DO NOT DISTURB sign hanging from an archaic doorknob, was clearly the entrance to a still-sealed burial chamber. Carson's incredible discoveries, including the remains of two bodies, one of then on a ceremonial bed facing an altar that appeared to be a means of communicating with the Gods and the other lying in a porcelain sarcophagus in the Inner Chamber, permitted him to piece together the whole fabric of that extraordinary civilization.
"Minnesota forged an identity during the 1970s that would persist, rightly or wrongly, for decades to come. It was a place of note and consequence--a state of presidential candidates, grassroots activism, civic engagement, environmental awareness, and Mary Tyler Moore. All these subjects and more are covered in this book"--
Describes the various activities of fathers at home and away.
The impact of The Late Great Planet Earth cannot be overstated. The New York Times called it the "no. 1 non-fiction bestseller of the decade." For Christians and non-Christians of the 1970s, Hal Lindsey's blockbuster served as a wake-up call on events soon to come and events already unfolding -- all leading up to the greatest event of all: the return of Jesus Christ. The years since have confirmed Lindsey's insights into what biblical prophecy says about the times we live in. Whether you're a church-going believer or someone who wouldn't darken the door of a Christian institution, the Bible has much to tell you about the imminent future of this planet. In the midst of an out-of-control generation, it reveals a grand design that's unfolding exactly according to plan. The rebirth of Israel. The threat of war in the Middle East. An increase in natural catastrophes. The revival of Satanism and witchcraft. These and other signs, foreseen by prophets from Moses to Jesus, portend the coming of an antichrist . . . of a war which will bring humanity to the brink of destruction . . . and of incredible deliverance for a desperate, dying planet.
'Spaghetti in aspic, anyone? Revel in astonishing dishes from yesteryear: Stuffed Cocktail Grapes, Savoury Sausage Salad, a spunky Shrimp-Salmon Mould and so much more. Anna Pallai was brought up on 1970s stalwarts of stuffed peppers, meatloaf and platters of slightly greying hardboiled eggs. When she rediscovered her mother's grease-stained 70s cookbooks, she knew she needed to share them with the world, and so the hit Twitter account @70s_Party was born. Harking back to a simpler pre-Instagram, pre-clean-eating era, when the only concern for your dinner party was whether your aspic would set in time, this is a joyful celebration of food that can give you gout just by looking at it. Covering all the essentials, from starters through to desserts, dinner party etiquette (just how does one start to eat a swan fashioned from a hardboiled egg?) and the dreaded 'foreign' food, there's no potato-fashioned-as-a-stone left unturned.
New York in The 70s is a remarkable body of work produced by photographer Allan Tannenbaum while he was photo editor of the SoHo Weekly News in Manhattan. Based mainly on news and feature stories assigned by the paper, the photographs encompass many aspects of New York life while capturing the heady exuberance of the 1970s and early 1980s. SoHo and the art world were his primary subjects, yet the images also provide a broad chronicle of the city's politics and society. Entertainment - especially the music scene - and night life became a large part of the editorial mix. The collision of continuing 1960s counterculture with the remnants of Nixon, Watergate, and Vietnam, coupled with a stagnant economy, was a catalytic force that resulted in an explosion of creativity. By photographing everything from street gangs to disco divas, from homeless to Hollywood stars, Tannenbaum had assembled a personal diary of his journey as a photojournalist and raconteur through a strange era in New York. His studio portraits, night-time flashes, and street photography paint an unique and often unseen picture of the 1970s.