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In Thoughts on Preaching and Pastoral Ministry, James M. Garretson provides a detailed narrative of James W. Alexander’s life in order to better understand his approach to gospel labors. Garretson draws deeply from Alexander’s correspondence, tracking the spiritual development of his life as it shaped his practice of pastoral ministry. In addition, assessments of Alexander’s sermons, books, and especially reviews provide valuable personal statements that shed light on his character and convictions. Throughout, Alexander is allowed to speak for himself so that the reader may enter into the spiritual pulse that animated his life and actions. Bracing, heartening, and at times frustrating, Alexander’s growth as a Christian and development as a minister is the story of a man subdued by God’s grace and a life marked by a growing conformity to the likeness of Christ. For those whose privilege it is to serve as ministers of the gospel, Alexander’s life and instruction provide inspiration and wisdom for how to do pastoral ministry well and with all of one’s heart.
From his death in 1761 through the American Civil War, Samuel Davies was a recognized name among American Presbyterians, yet for more than a century he has remained far more obscure in discussions of American religion. During the mid-Eighteenth Century, New Side Presbyterian evangelist and preacher Samuel Davies was a pioneer for religious toleration in Colonial America, yet to date no single work has examined Davies' vision for the interior life. Theology and Spirituality in the Works of Samuel Davies is the first monograph-length analysis of Davies' conception of Christian spirituality. After a decade of pastoral ministry to congregations in Virginia, Davies followed eminent American theologian Jonathan Edwards as the fourth President of the College of New Jersey (Princeton University), a tenure cut short by his early death at age thirty-seven. J.C. Harrod examines various aspects of Davies' own personal piety as well as the place that Scripture, conversion, holiness, and the means of grace played in his formulation of Christian piety.
Charles Hodge (1797-1878) was one of nineteenth-century America's leading theologians, whom some have called the "Pope of Presbyterianism." Paul Gutjahr's book is the first modern critical biography of this towering figure.
B. B. Warfield ranks among America’s greatest theologians and Reformed theology’s most ardent defenders. As a prolific writer and accomplished scholar, Warfield defended Reformed confessionalism against the extremes of nineteenth century modernist and revivalist theology, and defined the parameters of theological method for the twentieth century. The 10-volume B. B. Warfield Collection includes Warfield’s works on biblical inspiration and authority, textual criticism, Calvinism, biblical theology, and Christian perfectionism. The B. B. Warfield Collection from Christian Classics Reproductions includes the entire 10-volume Works of Benjamin B. Warfield, published in the decade following Warfield’s death in 1921, plus ten additional volumes which contain books, articles, and lectures not found in the original ten volumes. The entire 10-volume B. B. Warfield Collection is fully searchable and easily accessible. The Scripture references in Warfield’s books are there to check in your favorite Bible translations and Greek texts, and important theological concepts are linked to dictionaries, encyclopedias, and the wealth of resources at your fingertips.
Educated people have become bereft of sophisticated ways to develop their religious inclinations. A major reason for this is that theology has become vague and dull. In The Character of God, author Thomas E. Jenkins maintains that Protestant theology became boring by the late nineteenth century because the depictions of God as a character in theology became boring. He shows how in the early nineteenth century, American Protestant theologians downplayed biblical depictions of God's emotional complexity and refashioned his character according to their own notions, stressing emotional singularity. These notions came from many sources, but the major influences were the neoclassical and sentimental literary styles of characterization dominant at the time. The serene benevolence of neoclassicism and the tender sympathy of sentimentalism may have made God appealing in the mid-1800s, but by the end of the century, these styles had lost much of their cultural power and increasingly came to seem flat and vague. Despite this, both liberal and conservative theologians clung to these characterizations of God throughout the twentieth century. Jenkins argues that a way out of this impasse can be found in romanticism, the literary style of characterization that supplanted neoclassicism and sentimentalism and dominated American literary culture throughout the twentieth century. Romanticism emphasized emotional complexity and resonated with biblical depictions of God. A few maverick religious writers-- such as Harriet Beecher Stowe, W. G. T. Shedd, and Horace Bushnell--did devise emotionally complex characterizations of God and in some cases drew directly from romanticism. But their strange and sometimes shocking depictions of God were largely forgotten in the twentieth century. s use "theological" as a pejorative term, implying that an argument is needlessly Jenkins urges a reassessment of their work and a greaterin understanding of the relationship between theology and literature. Recovering the lost literary power of American Protestantism, he claims, will make the character of God more compelling and help modern readers appreciate the peculiar power of the biblical characterization of God.