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Jesus was a king of Edessa 600 pages of gnosis. Colour Images. This is the book that the Catholic Church has been dreading for the last 1700 years. This is the book that will end Christianity as we know it. And this is not advertising hyperbole, this really is the end of the Christian fairytale. We now know who Jesus was. Visit his city, see the ruins of his citadel, gaze upon his statue, handle his coins. In reality, Jesus was a son of King Abgarus of Edessa, a king with a small realm, a large treasury, and even bigger ambitions. Thus Jesus' true history undermines much of the biblical fairystory that the gospel authors crafted, and so Christianity will never be the same again. The jacket image shows Jesus wearing his Crown of Thorns, the ceremonial crown of the Edessan monarchy. We suggest that readers start with 'Cleopatra to Christ' and then 'King Jesus'. The wait before arriving at the last episode in the trilogy will be worthwhile, for if a book could be valued on its 'eureka moments' then this final book would be priceless. The 'King Jesus Trilogy' Latest version v12.1 2024 Book three of the King Jesus Trilogy (in four parts). Followed by 'The Grail Cypher'. .
The Gorgias Encyclopedic Dictionary of the Syriac Heritage (GEDSH) is the first major encyclopedia-type reference work devoted exclusively to Syriac Christianity, both as a field of scholarly inquiry and as the inheritance of Syriac Christians today. In more than 600 entries it covers the Syriac heritage from its beginnings in the first centuries of the Common Era up to the present day. Special attention is given to authors, literary works, scholars, and locations that are associated with the Classical Syriac tradition. Within this tradition, the diversity of Syriac Christianity is highlighted as well as Syriac Christianity's broader literary and historical contexts, with major entries devoted to Greek and Arabic authors and more general themes, such as Syriac Christianity's contacts with Judaism and Islam, and with Armenian, Coptic, Ethiopian, and Georgian Christianities.
“Both the knowledge of a scholar and the imagination of a poet are brought to bear upon Jesus as child, boy, and man. . . . A bold speculative adventure” (Harold Brighouse, Manchester Guardian). In Robert Graves’s unique retelling, Jesus is very much a mortal and the grandson of King Herod the Great. When his father runs afoul of the king’s temper and is executed, Jesus is raised in the house of Joseph the Carpenter. The kingdom he is heir to, in this version of the story, is very much a terrestrial one: the Kingdom of Judah. Graves tells of Jesus’s rise as a philosopher, scriptural scholar, and charismatic speaker in sharp detail, as well as his arrest and downfall as a victim of pitiless Roman politics. Bringing together his unparalleled narrative skill and in-depth expertise in historical scholarship, renowned classicist and historical novelist Robert Graves brings the story of Jesus Christ to life in a strikingly unorthodox way, making this one of the most hotly contested novels Graves ever wrote—and possibly one of the most controversial ever written. It provides a fascinating new twist to a well-known story, one that fans of this historical period are sure to love. “This is not reading for the easily shocked; it definitely presents Jesus as a sage and a [poet], if not divine. It moves, as does all Mr. Graves’ writing, at a brilliant fast pace, and with a tremendous style.” —Kirkus Reviews
This comprehensive study offers a critical, comparative analysis of the sources available on Bardaisan and a reinterpretation of his thought. The study highlights the profound points of contact between Bardaisan, Origen, and their schools; the role of Plato's Timaeus and Middle Platonism in Bardaisan's thought, and Stoicism. Bardaisan's thought emerges as a deeply Christian one, depending on the exegesis of Scripture read in the light of Greek philosophy. Positive ancient sources present him as a deacon or even a presbyter, as an author of refutations of Marcionism and Gnosticism, and as a confessor of the faith during persecution.
Jacob of Edessa (c.640-708) is considered the most learned Christian of the early days of Islam. In all fifteen contributions to this volume, written by prominent specialists, the interaction between Christianity, Judaism, and the new religion is an important issue. The articles discuss Jacoba (TM)s biography as well as his position in early Islamic Edessa, and give a full picture of the various aspects of Jacob of Edessaa (TM)s life and work as a scholar and clergyman. Attention is paid to his efforts in the fields of historiography, correspondence, canon law, text and interpretation of the Bible, language and translation, theology, philosophy, and science. The book, which marks the 1300th anniversary of Jacoba (TM)s death, also contains a bibliographical clavis.
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The Image of Edessa was an image of Christ, which, according to tradition, was of miraculous origin. It was taken from Edessa to Constantinople in 944, and disappeared from known history in the aftermath of the Fourth Crusade in 1204. It generated, however, a vast amount of literature and hundreds of copies in churches all over the Byzantine world. This book is a study of the literature, paintings, icons and other aspects related to the Image of Edessa. It examines how it was used as a tool to express Christ’s humanity and for various other purposes, and how some of the related literature became completely decontextualised and used as a magical charm, especially in the West.