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The definitive source for how to write and publish in the field of biblical studies The long-awaited second edition of the essential style manual for writing and publishing in biblical studies and related fields includes key style changes, updated and expanded abbreviation and spelling-sample lists, a list of archaeological site names, material on qur’anic sources, detailed information on citing electronic sources, and expanded guidelines for the transliteration and transcription of seventeen ancient languages. Features: Expanded lists of abbreviations for use in ancient Near Eastern, biblical, and early Christian studies Information for transliterating seventeen ancient languages Exhaustive examples for citing print and electronic sources
In popular culture, the Bible is generally associated with films: The Passion of the Christ, The Ten Commandments, Jesus of Montreal, and many others. Less attention has been given to the relationship between the Bible and other popular media such as hip-hop, reggae, rock, and country and western music; popular and graphic novels; animated television series; and apocalyptic fantasy. This collection of essays explores a range of media and the way the Bible features in them, applying various hermeneutical approaches, engaging with critical theory, and providing conceptual resources and examples of how the Bible reads popular culture—and how popular culture reads the Bible. This useful resource will be of interest for both biblical and cultural studies. The contributors are Elaine M. Wainwright, Michael Gilmour, Mark McEntire, Dan W. Clanton Jr., Philip Culbertson, Jim Perkinson, Noel Leo Erskine, Tex Sample, Roland Boer, Terry Ray Clark, Steve Taylor, Tina Pippin, Laura Copier, Jaap Kooijman, Caroline Vander Stichele, and Erin Runions.
In works whose subjects range from the religious to the carnal, the whimsical to the foreboding,Jennifer Maier’s debut collection of poems,Dark Alphabet, explores the everyday mysteries of our common experience with humor, lucidity, and an unblinking yet compassionate eye. Whether occasioned by a song overheard on the car radio, a packet of risqué postcards from the 1920's, a conversation with a dead parent, or the behavior of ducks in mating season, each poem sets off on a journey that ranges far from its origins, arriving with the reader in a clearing at dusk, in a place of wise good humor and somber grace.
Looks at story-patterns and themes which Greek and Latin literature share with the Hebrew scriptures and the New Testament. This work considers the subject from the classical side: Homer, the Greek tragedians, Plato, and Virgil. It also focuses on the New Testament, and on the aspects of later reception.
A stunning new translation—“the best in a century, without a doubt”—of the Hebrew Bible that restores the creativity and poetry of the original text (New Republic). Whether rendering the Bible as wondrous or as strangely familiar, David Rosenberg’s “brilliant” and “truly fresh” translation forces us to ask again—and at last in literary terms—why the Bible remains a crucial foundation of our culture (Booklist). Until today, translators have presented a homogeneous Bible in uniform style—even as the various books within it were written by different authors, in diverse genres and periods, stretching over many centuries. Now, Rosenbergs artful translation restores what has been left aside: the essence of imaginative creation in the Bible. In A Literary Bible, Rosenberg presents for the first time a synthesis of the literary aspects of the Hebrew Bible—restoring a sense of the original authors and providing a literary revelation for the contemporary reader. Rosenberg himself brings a finely tuned ear to the original text. His penetrating scholarship allows the reader to encounter inspired biblical prose and verse, and to experience each book as if it were written for our time.
Many Christians view the Bible as an instruction manual. While the Bible does provide instruction, it can also captivate, comfort, delight, shock, and inspire. In short, it elicits emotion--just like poetry. By learning to read and love poetry, says literature professor Matthew Mullins, readers can increase their understanding of the biblical text and learn to love God's Word more. Each chapter includes exercises and questions designed to help readers put the book's principles and practices into action.
A literary history of our most influential book of all time, by an Oxford scholar and Anglican priest In our culture, the Bible is monolithic: It is a collection of books that has been unchanged and unchallenged since the earliest days of the Christian church. The idea of the Bible as "Holy Scripture," a non-negotiable authority straight from God, has prevailed in Western society for some time. And while it provides a firm foundation for centuries of Christian teaching, it denies the depth, variety, and richness of this fascinating text. In A History of the Bible, John Barton argues that the Bible is not a prescription to a complete, fixed religious system, but rather a product of a long and intriguing process, which has inspired Judaism and Christianity, but still does not describe the whole of either religion. Barton shows how the Bible is indeed an important source of religious insight for Jews and Christians alike, yet argues that it must be read in its historical context--from its beginnings in myth and folklore to its many interpretations throughout the centuries. It is a book full of narratives, laws, proverbs, prophecies, poems, and letters, each with their own character and origin stories. Barton explains how and by whom these disparate pieces were written, how they were canonized (and which ones weren't), and how they were assembled, disseminated, and interpreted around the world--and, importantly, to what effect. Ultimately, A History of the Bible argues that a thorough understanding of the history and context of its writing encourages religious communities to move away from the Bible's literal wording--which is impossible to determine--and focus instead on the broader meanings of scripture.
Historians have credited--or blamed--Calvinism for many developments in the modern world, including capitalism, modern science, secularization, democracy, individualism, and unitarianism. These same historians, however, have largely ignored John Calvin the man. When people consider him at all, they tend to view him as little more than the joyless tyrant of Geneva who created an abstract theology as forbidding as himself. This volume, written by the eminent historian William J. Bouwsma, who has devoted his career to exploring the larger patterns of early modern European history, seeks to redress these common misconceptions of Calvin by placing him back in the proper historical context of his time. Eloquently depicting Calvin's life as a French exile, a humanist in the tradition of Erasmus, and a man unusually sensitive to the complexities and contradictions of later Renaissance culture, Bouwsma reveals a surprisingly human, plausible, ecumenical, and often sympathetic Calvin. John Calvin offers a brilliant reassessment not only of Calvin but also of the Reformation and its relationship to the movements of the Renaissance.