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How can African theology survive the self-repetition of mere cultural apologia or contextualization-stereotypes, and mature into a critical theoretical discipline responding to the challenges of the postmodern world-order? Dr. Humphrey M. Wawe contributes here a sound theological reflection using the hitherto unused methodological paradigm of mapping the inroads in the 'transaction' between the Bible and African culture.
Although the arrival of the Bible in Africa has often been a tale of terror, the Bible has become an African book. This volume explores the many ways in which Africans have made the Bible their own. The essays in this book offer a glimpse of the rich resources that constitute Africa's engagement with the Bible. Among the topics are: the historical development of biblical interpretation in Africa, the relationship between African biblical scholarship and scholarship in the West, African resources for reading the Bible, the history and role of vernacular translation in particular African contexts, the ambiguity of the Bible in Africa, the power of the Bible as text and symbol, and the intersections between class, race, gender, and culture in African biblical interpretation. The book also contains an extensive bibliography of African biblical scholarship. In fact, it is one of the most comprehensive collections of African biblical scholarship available in print. This publication has also been published in paperback, please click here for details.
The "curse of Ham" has been used to legitimize slavery. Both Ethiopians and Arabians claim the queen of Sheba. Could Moses and Jesus have been black? Edwin Yamauchi explores the historical and archaeological background of biblical texts that refer to Africa and traces the results of past interpretations and misinterpretations. He covers such topics as the curse of Ham's son Canaan, Moses' Cushite wife, Simon the Cyrene, and afrocentric biblical interpretation. Along the way, he dispels myths, interacts with current theories, and provides readers with sound judgments as to what the Bible does and does not say. Readers interested in the connections between Africa and the Bible will enjoy this insightful book. More then eighty photos, maps, and charts are included.
In this book, the well-known Kenyan theologian, John Mbiti, takes the reader on a pilgrimage of the mind and spirit as he examines the phenomenon of Christianity in Africa. This is a fascinating form of the Christian faith, combining certain characteristics of apostolic Christianity with the realities of African life in the present. It is fresh and fragile, dynamic, and domineering. It echoes the experiences of the early church while at the same time responding forcefully to the situation of today. The author explains how this form of Christianity while leaning heavily on the religious culture and background of the African peoples, seeks and finds its legitimation in the bible. He illustrates that it is both deeply African and committedly ecumenical and universal. A 16-page section of the photographs vividly underlines the theme.
The Talking Book casts the Bible as the central character in a vivid portrait of black America, tracing the origins of African-American culture from slavery’s secluded forest prayer meetings to the bright lights and bold style of today’s hip-hop artists. The Bible has profoundly influenced African Americans throughout history. From a variety of perspectives this wide-ranging book is the first to explore the Bible’s role in the triumph of the black experience. Using the Bible as a foundation, African Americans shared religious beliefs, created their own music, and shaped the ultimate key to their freedom—literacy. Allen Callahan highlights the intersection of biblical images with African-American music, politics, religion, art, and literature. The author tells a moving story of a biblically informed African-American culture, identifying four major biblical images—Exile, Exodus, Ethiopia, and Emmanuel. He brings these themes to life in a unique African-American history that grows from the harsh experience of slavery into a rich culture that endures as one of the most important forces of twenty-first-century America.
The Africa Study Bible brings together 350 contributors from over 50 countries, providing a unique African perspective. It's an all-in-one course in biblical content, theology, history, and culture, with special attention to the African context. Each feature was planned by African leaders to help readers grow strong in Jesus Christ by providing understanding and instruction on how to live a good and righteous life--Publisher.
Christian theologians in Africa are faced with three conflicting worlds: Christian faith, African culture and modern culture. In spite of the commitment of Christian theologians to live by biblical teaching, there is a tendency for them to become involved with issues in their environments, causing tension. The salient issues confronting Christianity in Africa are examined from an evangelical standpoint. Eighteen African scholars, from Ethiopia, Ghana, Kenya, Nigeria, Tanzania, together with colleagues from the US, contribute perspectives grouped into four parts: The Task of African Christian Theology; The Foundations of African Christian Theology; Christ and the Salvation in African Christian Theology; and The Spirit, the Church and the Future in African Christian Theology.
“Both enlightening and inspiring . . . a helpful resource for both Jews and Christians, conservatives and liberals, religious leaders and social reformers.” —Peter J. Paris, the Elmer G. Homrighausen Professor of Christian Social Ethics, emeritus, Princeton Theological Seminary In The Meaning of the Bible: What the Jewish Scriptures and Christian Old Testament Can Teach Us, preeminent biblical scholars Douglas A. Knight and Amy-Jill Levine deliver a broad and engaging introduction to the Old Testament—also known as the Tanakh or Hebrew Bible—offering a wealth of compelling historical background and context for the sacred literature that is at the heart of Judaism and Christianity. John Shelby Spong, author of Why Christianity Must Change or Die writes, “Levine and Knight have combined to write a book on the Bible that is as academically brilliant as it is marvelously entertaining. By placing our scriptures into their original Jewish context they have opened up startling and profound new insights. This is a terrific book.” “A winsome, accessible introduction to the theological thought of the Hebrew Bible. This sort of irenic, thoughtful linkage of criticism and interpretation within a confessing tradition is exactly what we most need in Scripture reading.” —Walter Brueggemann, Professor Emeritus, Columbia Theological Seminary “From its superb introduction to its perfectly worded conclusion, this book does it all. Whether your interest in the Bible is historical or literary, specific texts or broad themes, this book has it—and conveys its relevance for today.” —Richard Elliott Friedman, author of Commentary on the Torah “More than random facts about the Hebrew Bible . . . more than a historical overview . . . they are aiming for true understanding of the life, culture, and practices of the ancient Israelites.” —Booklist
This book provides a sophisticated new interdisciplinary interpretation of the formulation and evolution of African American religion and culture. Theophus Smith argues for the central importance of "conjure"--a magical means of transforming reality--in black spirituality and culture. Smith shows that the Bible, the sacred text of Western civilization, has in fact functioned as a magical formulary for African Americans. Going back to slave religion, and continuing in black folk practice and literature to the present day, the Bible has provided African Americans with ritual prescriptions for prophetically re-envisioning, and thereby transforming, their history and culture. In effect the Bible is a "conjure book" for prescribing cures and curses, and for invoking extraordinary and Divine powers to effect changes in the conditions of human existence--and to bring about justice and freedom. Biblical themes, symbols, and figures like Moses, the Exodus, the Promised Land, and the Suffering Servant, as deployed by African Americans, have crucially formed and reformed not only black culture, but American society as a whole. Smith examines not only the religious and political uses of conjure, but its influence on black aesthetics, in music, drama, folklore, and literature. The concept of conjure, he shows, is at the heart of an indigenous and still vital spirituality, with exciting implications for reformulating the next generation of black studies and black theology. Even more broadly, Smith proposes, "conjuring culture" can function as a new paradigm for understanding Western religious and cultural phenomena generally.