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When a great antiquities collector is forced to donate his entire collection to the Hebrew University in Jerusalem, Nili Broshi sees her last chance to finish an archaeological expedition begun decades earlier—a dig that could possibly yield the most important religious artifact in the Middle East. Motivated by the desire to reinstate her father’s legacy as a great archaeologist after he was marginalized by his rival, Nili enlists a ragtag crew—a religious nationalist and his band of hilltop youths, her traitorous brother, and her childhood Palestinian friend, now an archaeological smuggler. As Nili’s father slips deeper into dementia, warring factions close in on and fight over the Ark of the Covenant! Backed by extensive research into this real-world treasure hunt, Rutu Modan sets her affecting novel at the center of a political crisis. She posits that the history of biblical Israel lies in one of the most disputed regions in the world, occupied by Israel and contested by Palestine. Often in direct competition, Palestinians and Israelis dig alongside one another, hoping to find the sacred artifact believed to be a conduit to God. Two-time Eisner Award winner Rutu Modan’s third graphic novel, Tunnels, is her deepest and wildest yet. Potent and funny, Modan reveals the Middle East as no westerner could. Ishai Mishory is a longtime New York City—and newly Bay Area—based translator and sometimes illustrator. He is currently conducting research for a PhD dissertation on 16th century Italian printing.
THE COMPLETE "THE BEYOND"In the 1950's horror comics came in many forms and styles, and Ace Magazines carried the torch with many great horror titles, including THE BEYOND. This great series ran for over 4 years, giving us 30 issues of mind-bending, heart-thumping, and good-taste-testing comics!We're bringing you all 30 issues:As individual issues;In a 10-volume collection;In 2 giant 350-plus page volumes CLASSIC COMICS LIBRARY #129 & 130!RARE COMICS CAN BE HARD TO FIND IN EXCELLENT CONDITION. These books are reprinted from the best available images, and the books will be updated as new copies are uncovered. Sometimes the early and rarer books reflect the age and the condition of the originals. Many people enjoy these authentic characteristics. If you are not entirely happy, please contact us for exchange or refund at any time!ALL STORIES - NO ADSGet the complete catalog by contacting [email protected]
With the dangers of this zombie filled world safely on the other side of the prison walls our band of survivors finally has time to explore their new home. Unfortunately there's still more than enough conflict on the inside of the walls.
PULP FICTION LIBRARY: MYSTERY IN SPACE collects 33 of the greatest sciencefiction comic book stories ever told. Reprinting classic and nostalgic talesfrom 1946 through 1981, these short stories feature unforgettable adventurersfrom yesteryear such as Tommy Tomorrow, Space Cabby, Captain Comet, SpaceRanger, Star Hawkins, Adam Strange, Ultra the Multi-Alien, and the AtomicKnights. These sci-fi thrillers are enjoyable for both their retro campy natureas well as their historical value.
Distinguishing the graphic novel from other types of comic books has presented problems due to the fuzziness of category boundaries. Against the backdrop of prototype theory, the author establishes the graphic novel as a genre whose core feature is complexity, which again is defined by seven gradable subcategories: 1) multilayered plot and narration, 2) multireferential use of color, 3) complex text-image relation, 4) meaning-enhancing panel design and layout, 5) structural performativity, 6) references to texts/media, and 7) self-referential and metafictional devices. Regarding the subcategory of narration, the existence of a narrator as known from classical narratology can no longer be assumed. In addition, conventional focalization cannot account for two crucial parameters of the comics image: what is shown (point of view, including mise en scène) and what is seen (character perception). On the basis of François Jost’s concepts of ocularization and focalization, this book presents an analytical framework for graphic novels beyond conventional narratology and finally discusses aspects of subjectivity, a focal paradigm in the latest research. It is intended for advanced students of literature, scholars, and comics experts.
The finale of Dan Jurgens’s iconic run on Batman Beyond finds Terry McGinnis accused of crimes he didn’t commit! When one of his greatest rogues, the formidable Inque, poses as Batman and causes havoc around Gotham City, Wonder Woman will stop by to confront Batman Beyond. Will Terry be able to convince her that he’s innocent or will he find himself the enemy of one of the DC Universe’s greatest heroes? The epic conclusion of the series is here!
Contributions by Mitchell Adams, Frederick Luis Aldama, Jason Bainbridge, Djoymi Baker, Liam Burke, Octavia Cade, Hernan David Espinosa-Medina, Dan Golding, Ian Gordon, Sheena C. Howard, Aaron Humphrey, Naja Later, Cormac McGarry, Angela Ndalianis, Julian Novitz, Alexandra Ostrowski Schilling, Maria Lorena M. Santos, Jack Teiwes, and Enrique Uribe-Jongbloed In recent years, superheroes on the page and screen have garnered increasing research and wider interest. Nonetheless, many works fall back on familiar examples before arriving at predictable conclusions. Superheroes Beyond moves superhero research beyond expected models. In this innovative collection, contributors unmask international crimefighters, track superheroes outside of the comic book page, and explore heroes whose secret identities are not cisgender men. Superheroes Beyond responds to the growing interest in understanding the unique appeal of superheroes by reveling in the diversity of this heroic type. Superheroes Beyond explores the complexity and cultural reach of the superhero in three sections. The first, “Beyond Men of Steel,” examines how the archetype has moved beyond simply recapitulating the “man of steel” figure to include broader representations of race, gender, sexuality, and ableness. The second section, “Beyond Comic Books,” discusses how the superhero has become a transmedia phenomenon, moving from comic books to toys to cinema screens and beyond. The final section, “Beyond the United States,” highlights the vibrant but often overlooked history of global superhero figures. Together, the essays in this collection form important starting points for taking stock of the superhero’s far-reaching appeal, contributing the critical conversations required to bring scholarship into the present moment and beyond.
From its origins in academic discourse in the 1970s to our collective imagination today, the concept of “rape culture” has resonated in a variety of spheres, including television, gaming, comic book culture, and college campuses. Beyond Blurred Lines traces ways that sexual violence is collectively processed, mediated, negotiated, and contested by exploring public reactions to high-profile incidents and rape narratives in popular culture. The concept of rape culture was initially embraced in popular media – mass media, social media, and popular culture – and contributed to a social understanding of sexual violence that mirrored feminist concerns about the persistence of rape myths and victim-blaming. However, it was later challenged by skeptics who framed the concept as a moral panic. Nickie D. Phillips documents how the conversation shifted from substantiating claims of a rape culture toward growing scrutiny of the prevalence of sexual assault on college campuses. This, in turn, renewed attention toward false allegations, and away from how college enforcement policies fail victims to how they endanger accused young men. Ultimately, she successfully lends insight into how the debates around rape culture, including microaggressions, gendered harassment and so-called political correctness, inform our collective imaginations and shape our attitudes toward criminal justice and policy responses to sexual violence.
Superman has recovered from the devastating attack against him. After the life-changing events of issue #5, Jon Kent and his new ally Jay Nakamura are ready to strike back. They are on a collision course with the type of power that is used to swatting problems out of the way. But Superman is not so easily swatted.