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What do two pestiferous girls, a journalist on the hunt for a scoop, a slightly crazy uncle and even a ghost have in common? To find out all you need is to enter a bewitched theatre which has a dark and mysterious past. Per conoscere o contattare l'autrice: www.librarsi.net
Each title in The Applause Libretto Library Series presents a Broadway musical with fresh packaging in a 6 x 9 trade paperback format. Each Complete Book and Lyrics is approved by the writers and attractively designed with color photo inserts from the Broadway production. All titles include introduction and foreword by renowned Broadway musical experts. Long before Dorothy dropped in, two other girls meet in the Land of Oz. One, born with emerald green skin, is smart, fiery, and misunderstood. The other is beautiful, ambitious, and very popular. The story of how these two unlikely friends end up as the Wicked Witch of the West and Glinda the Good Witch makes for the most spellbinding new musical in years.
Revised & updated version of The Omni-Directional Three-Dimensional Vectoring Paper Printed Omnibus for Bewitched Analysis a.k.a. The Bewitched History Book. For fifty years the beloved 1960s sitcom Bewitched has been enchanting television audiences. Created at a turbulent time in American history, Bewitched offered a brief respite from the worries of the day. Before now, there has never been a book written that ties in the events of the times with each episode. But more important, there has never been a book about the show which breaks down each episode in depth. There is now. Within these pages you will learn everything about America's favorite witch, Samantha Stephens, her dreary mortal husband, Durwood, er, Darrin, and the grand host of witches, warlocks, and marvelous mortals who accompanied them on their journey from newlyweds to the parents of a little witch and warlock of their own. Each of the 254 episodes are described in humorous detail and reviewed by one of the biggest fans of the show, David Pierce (otherwise known as Dr. Bombay), from the premiere Bewitched website www.harpiesbizarre.com, based on his popular "40 Years Ago..." weekly posts. Rare trivia and photos accompany the episodes as you learn which witch went which way along with what mortal madness materialized in the swinging 60s of suburbia! About the Author David Pierce should have gotten a Master's Degree in Bewitched, but, instead, got an Associates in Science, majoring in Commercial Art. He currently works as a customer service operations agent in the health care profession and lives in Holladay, Utah.
'The Bewitched', first performed at London's Aldwych Theatre in 1974, tells the story of Spain's ill-fated King Carlos II. In the 17th century, Spain's political stability hinged on the continuation of the sovereign bloodline. Unfortunately Carlos, the son conceived by the elderly King Philip IV in the opening scene, has epilepsy, distorted limbs, impaired speech and mental confusion, the tragic result of centuries of royal inbreeding. The play traces the grim attempts of his court to engineer the conception of an heir.
THE STORY: Gillian Holroyd is one of the few modern people who can actually cast spells and perform feats of supernaturalism. She casts a spell over an unattached publisher, Shepherd Henderson, partly to keep him away from a rival and partly becaus
An engaging book spanning the fields of drama, literary criticism, genre, and performance studies, Drama: Between Poetry and Performance teaches students how to read drama by exploring the threshold between text and performance. Draws on examples from major playwrights including Shakespeare, Ibsen, Beckett, and Parks Explores the critical terms and controversies that animate the performance and study of drama, such as the status of language, the function of character and plot, and uses of writing Engages in a theoretical, disciplinary, and cultural repositioning of drama, by exploring and contesting its position at the threshold between text and performance
Presents 15 essays from an interdisciplinary research project, offering a comparative analysis of the forms and functions of theater in countries governed by fascist and para-fascist regimes. Topics include the cultural politics of fascist governments; the theater of politics in fascist Italy; Mussolini's "Theater of the Masses"; the influence of the Reich's Ministry of Propaganda on German theater and drama; and Jaques Copeau and popular theater in Vichy France. Annotation copyright by Book News, Inc., Portland, OR
First Published in 1943, The New Soviet Theatre presents Joseph Macleod’s take on the development and rapid changes in the Soviet Theatre since late 1930s. Through scattered articles and reports, books and bulletins, and his own visits to the USSR, Macleod showcases what we know as ‘Socialist Realism’. He brings themes like the shortcomings of the old theatre; the audience beyond the Caucasus; new socialist audiences; Alexey Popov of the Central Theatre of the Red Army; new writers and new plays; and popularity of Shakespeare both in the central theatres and in remoter and unexpected places. Written graphically but founded on scholarship this book will be an essential read for scholars and researchers of history of theatre, European theatre, theatre and performance studies.