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Since publishing A Woman’s World in 1995, Travelers’ Tales has been the recognized leader in women’s travel literature, and with the launch of the annual series The Best Travel Writing in 2004, the obvious next step was an annual collection of the best women’s travel writing of the year. This title is the seventh in an annual series—The Best Women’s Travel Writing—that presents inspiring and uplifting adventures from women who have traveled to the ends of the earth to discover new places, peoples, and facets of themselves. The common threads are a woman’s perspective and compelling storytelling to make the reader laugh, weep, wish she were there, or be glad she wasn’t. In The Best Women's Travel Writing 2011, readers Have lunch with a mobster in Japan and drinks with an IRA member in Ireland Learn the secrets of flamenco in Spain and the magic of samba in Brazil Deliver a trophy for best testicles in a small town in rural Serbia Fall in love while riding a camel through the Syrian Desert Ski a first descent of over 5,000 feet in Northern India Discover the joy of getting naked in South Korea Leave it all behind to slop pigs on a farm in Ecuador...and much more.
A collection of thirty-three true travel stories from around the world written by women.
Since publishing the original edition of A Woman’s World in 1995, Travelers’ Tales has been the recognized national leader in women’s travel literature, and with the launch of the annual series The Best Travel Writing in 2004, the obvious next step was an annual collection of the best women’s travel writing of the year. This title is the tenth in that series—The Best Women’s Travel Writing—presenting stimulating, inspiring, and uplifting adventures from women who have traveled to the ends of the earth to discover new places, peoples, and facets of themselves. The common threads connecting these stories are a female perspective and fresh, compelling storytelling to make the reader laugh, weep, wish she were there, or be glad she wasn’t. The points of view and perspectives are global, and themes are as eclectic as in all of our books, including stories that encompass spiritual growth, hilarity and misadventure, high adventure, romance, solo journeys, stories of service to humanity, family travel, and encounters with exotic cuisine.
This 12th volume in the popular series presents the best travel writing by women for women that's been done in the past few years. Adventures range from a trip into a new neighborhood to expeditions to the far corners of the globe, always with the inner journey close at hand to give perspective and meaning. The voices are diverse, intimate, and engaging, as are the stories.
Concise and practical, Travel Writing is the ideal introduction for those new to the subject, as well as a crucial overview of the terminology, history and debates within the field.
Traveling from the highland desert of northern Mexico to the steaming jungles of Honduras to the seashore of the Caribbean, Mary Morris confronts the realities of place, of poverty, of machismo, and of self. "One gutsy woman and one fantastic writer".--"Cosmopolitan".
Designed to accompany, awaken, and inspire the journal-writing traveller. Includes more than fifty lively, experimental exercises to keep you interested in journaling and channel you experience into fulfilling projects that also preserve memories.
Leave the Lipstick, Take the Iguana is the ninth book in the best-selling Travelers' Tales humor series, which began with There's No Toilet Paper on the Road Less Traveled and blossomed into the now classic "underwear" women's humor series, including the top sellers Sand in My Bra and More Sand in My Bra. This laugh-out-loud collection will resonate with experienced travelers and novices alike and includes hilarious misadventures with packing, travel fashion, border crossings, language faux pas, weird encounters with exotic cuisine, and romantic overtures abroad.
Real ladies do not travel - or so it was once said. This collection of women's travel writing dispels the notion by showing how there are few corners of the world that have not been visited by women travellers. There are also few difficulties, physical or emotional, real or imagined, thathave not been met and usually overcome by thesesame women.Jane Robinson's first book,Wayward Women, was a guide to women travellers and their writing, and having read over a thousand of their books she is uniquely qualified to compile this anthology. Life is never dull for her intrepid women, whether diving to the bed of the Timor Sea or reaching thesummit of Annapurna. From an encounter with a snake in the Amazon jungle to shipwreck and kidnap on the Barbary Coast, there are tales of adventure, derring-do, and great danger. There are also moving accounts of unimaginable hardship, includingcaring for a family in an ammunition cart during the siege of Delhi and a journey through Tibet that leaves its author childless and widowed.There is no such thing as a typical woman traveller--and there never has been--as this exhilarating anthology shows on a journey of its own through sixteen centuries of travel writing, aboard almost anything from a Bugatti to a Bath chair. You are taken as far afield as it is possible to go, in thecompany of some of the most extraordinary characters you are ever likely to meet.
A collection of travel writing by some of the genre’s finest authors, from Paul Theroux to Sara Wheeler, voyaging from Mississippi to Malawi and Thailand. The New Granta Book of Travel Writing represents a sea change in writers’ approaches to the craft. The 1980s were the culmination of a golden age, when writers including Bruce Chatwin, James Hamilton-Paterson and James Fenton set out to document life in largely unfamiliar territory, bringing back tales of the beautiful, the extraordinary and the unexpected. By the mid 1990s, travel writing seemed to change, as a younger generation of writers appeared in the magazine, making journeys for more complex and often personal reasons. Decca Aitkenhead reported on sex tourism in Thailand, and Wendell Steavenson moved to Iraq as a foreign correspondent. What all these pieces have in common is a sense of engagement with the places they describe, and a belief that whether we are in Birmingham or Belarus, there is always something new to be discovered.