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Renowned editor Lawrence Harbison brings together approximately one hundred never-before-published women’s monologues for actors to use for auditions and in class, all from recently produced plays. The selections include monologues from plays by both well-known playwrights such as Don Nigro, Saviana Stanescu, and Len Jenkin and future stars such as Lia Romeo, Steven Hayet, Lori Fischer, Will Arbery, and Carey Crim. There are terrific comic and dramatic pieces, and all represent the best of contemporary playwriting. This collection is an invaluable resource for aspiring actors hoping to ace their auditions and impress directors and teachers with contemporary pieces.
Renowned editor Lawrence Harbison brings together approximately one hundred never-before-published women’s monologues for actors to use for auditions and in class, all from recently produced plays. The selections include monologues from plays by both well-known playwrights and future stars, including Michael Ross Albert, Don Nigro, Daniel Damiano, Molly Goforth, Seth Svi Rosenfeld, Brian Dykstra, Michael A. Jones, Sam Graber, Penny Jackson, Christi Stewart-Brown, George Sapio, Sarah M. Chichester, Constance Congdon, Steven Hayet, and Ashlin Halfnight. There are terrific comic pieces (laughs) and terrific dramatic pieces (no laughs), and all represent the best of contemporary playwriting. This collection is an invaluable resource for aspiring actors hoping to ace their auditions and impress directors and teachers with contemporary pieces.
Audition monologues selected from plays first published in American theatre magazine since 1985.
Renowned editor Larwrence Harbison brings together approximately one hundred never-before-published men’s monologues for actors to use for auditions and in class, all from recently produced plays. The selections include monologues from plays by both well-known playwrights and future stars, including Jonathan Yukitch, Don Nigro, Lloyd Su, Daniel Damiano, Molly Goforth, Carlyle Brown, Seth Svi Rosenfeld, Brian Dykstra, Steven Hayet, David MacGregor, and Nat Cassidy. There are terrific comic pieces (laughs) and terrific dramatic pieces (no laughs), and all represent the best of contemporary playwriting. This collection is an invaluable resource for aspiring actors hoping to ace their auditions and impress directors and teachers with contemporary pieces.
So well-liked was the first collection of these contemporary monologues that we offer this sequel by popular demand. The monologues are wildly funny, tragically sad and yet courageous. The ultimate journey for this collection is to create the possibility of living lovingly as equals in our modern world. The monologues are organised in chapter themes with brief sketches to set the scene. The collection features well-known playwrights - Arthur Miller, Wendy Wasserstein, August Wilson - and many superb, emerging new writers. There are several original monologues written especially for classroom discussion and exploration. Sample titles include: "The Last Yankee" by Arthur Miller, "Boy Meets Girl" by Wendy Wasserstein, "The Underpants" adapted by Steve Martin, "Romantic Fools2 by Rich Orloff, "Voices from September 11" by Lavonne Mueller, "Funnylogues for Women" by Mort Kaufman, Roger Karshner and Zelda Abel, "W.A.C. Iraq" by Mel Nieves and many more.
(Applause Acting Series). Lawrence Harbison has selected 100 terrific monologues for men from contemporary plays, all by characters between the ages of 18 and 35 perfect for auditions or class. There are comic monologues (laughs) and dramatic monologues (no laughs). Most have a compelling present-tense action for actors to perform. A few are story monologues and they're great stories. Actors will find pieces by star playwrights such as Don Nigro, Itamar Moses, Stephen Adly Guirgis, and Terence McNally; by exciting up-and-comers such as Nicole Pandolfo, Peter Sinn Nachtrieb, Crystal Skillman, Greg Kalleres, Reina Hardy, and J. Thalia Cunningham; and information on getting the complete text of each play. This is a must-have resource in the arsenal of every aspiring actor hoping to knock 'em dead with his contemporary piece after bowling over teachers and casting directors alike with a classical excerpt.
Here you will find a rich and varied selection of monologues for women, most of which are from plays which were produced and/or published in the 2017-2018 theatrical season. Many are for younger performers (teens through 30s) but there are some excellent pieces for older women as well. The age of the character is indicated in each monologue, but you will find that many may be done by actors of different ages. Some are comic, some dramatic. Some are rather short, some rather long. All represent the best in contemporary playwriting. The monologues include those by Anna Ziegler, Chelsea Marcantel, Joshua James, Lindsey Ferrentino, Tira Palmquist, Clare Lizzimore, Greg Kalleres, Jacqueline Goldfinger, Don Nigro, Clare Barron, Joshua James, Deborah Laufer, Dominque Morisseau, Boni Alvarez, Sandra Daley-Sharif, Julie Myatt, Molly Metzler, Aaron Posner, Tanya Saracho, Rinne Groff, Steven Haworth, Anton Dudley, Meghan Gambling, Libby Emmonds, Gerry Sheridan, Sarah Ruhl, Kayla Cagan, Brooke Berman, Anna Wilcoxen, Torben Betts, Catherine Filloux, Guillermo Calderon, Andre Biss, Adam Szymkowicz, Alena Smith, Irene Kapustina, John Cariani, C.S. Hanson, Emma Goldman-Sherman, Sam Graber, Meghan Kennedy, Maura Campbell, Beau Willimon, Jeff Tabnick, Lauren Ferebee, Karen JP Howes, A.J. Ciccotelli, Susan Eve Haar, David Simpatico, Chisa Hutchinson, Susan Soon He Stanton, Mora Harris, Greg Kalleres, Merridith Allen, Deborah Savadge, Dana Goldstein, Lynn Nottage, Cayenne Douglas, Susan Bernfield, Paola Lazaro, Martha Patterson, Amy witting, Catherine Weingarten, Daniel Guyton, Bara Swain, David MacGregor, Nandita Shenoy, Wendy MacLeod.
A diverse collection of monologues featuring the voices of women through the ages Drawn from poetry, fiction, diaries, journals, and documents of public record, these selections, although not originally intended for theatrical or cinematic performances, offer unique dramatic opportunities for actors, speakers, students, or anyone interested in women’s studies. Stefan Rudnicki has brought together selections from well-known as well as obscure authors, providing a tremendous range of women’s perspectives from a variety of sources: poems by Elizabeth Barrett Browning, Emily Dickinson, Christina Rossetti, and Sappho, among others; passages from Mary Shelley’s journal, the diaries of Anais Nin, and the memoirs of Isadora Duncan; polemics from Mary Wollstonecraft and Joan of Arc, as well as Susan B. Anthony’s “On Woman’s Right to Suffrage”; and selections from the novels of Emily and Charlotte Bronte, Jane Austen, Ursula K. LeGuin, and others.
The Best New Ten-Minute Plays, 2020 presents thirty new ten-minute plays, selected by renowned editor Lawrence Harbison. This volume is ideal for theater enthusiasts looking for new and compelling short pieces from some of the finest playwrights of our time. Selections include: Beta Testing by Jenny Lyn Bader The Fourteenth Annual Foot Puppet Festival by Holly Hepp-Galvan Glasstown by Don Nigro Incident on the Golden Gate Bridge by David MacGregor Oxycontin Follies by Steve Gold Two Artists Trying to Pay Their Bill by Lucy Wang The Scottish Loo by J. Thalia Cunningham
New Monologues for Women features forty monologues from plays published by Bloomsbury Methuen Drama recently. The monologues are selected by the editor, Geoffrey Colman, on account of their relevance to drama school students and recent graduates entering the profession. Each monologue is preceded by an introductory paragraph, written by the editor, outlining the setting, character type, and point in the plot. Suggestions are offered for staging, character interpretation, points of significance in the text, and how to draw from decisions made in professional productions. This collection is the go-to resource for the auditioning actor with an insatiable appetite for new, original and excellent material.