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(Piano/Vocal/Guitar Songbook). We've made this book even better with songs from Broadway's latest blockbusters over 80 songs in all arranged for piano and voice with guitar chord frames! Highlights include: Always Look on the Bright Side of Life * I Wanna Be a Producer * The Last Night of the World * On My Own * Popular * Seasons of Love * The Sound of Music * Younger Than Springtime * dozens more!
In these stories inspired by the hit animated TV series Young Justice, Superboy, Robin, Kid Flash, Aqualad, Miss Martian, and Artemis make their way to Atlantis to foil Ocean-Master’s plan to purify the underwater city. Then, the team must fight off the menace known as Kobra, as well as defeat an army of warrior gorillas in the dangerous Gorilla City! Plus, the Young Justice team adds to its ranks in an effort to battle the impending invasion by the Collector of Worlds, and one of the DC Universe’s favorite villains, Brainiac! Collects Young Justice #14-25.
"Composer Alec Wilder's American Popular: The Great Innovators, 1900-1950 is widely recognized as the definitive book on American popular song. In this volume, which achieved immediate praise and recognition upon its publication, Wilder discusses some 800 songs from the American Songbook, offering a composer's insight, acceccible music analysis, as well has his strong personal biases. Nearly fifty years later, this classic study has received a much-needed revision. While leaving Wilder's colorful prose and brazen opinions intact, language, style, and musical nomenclature have been updated to reflect current usage. The musical examples mostly remain, but piano score has been replaced with lead-sheet notation: melody, chords, and lyrics. Rhythmic notation has also been adjusted to follow present-day norms. Additionally, a final chapter has been added, which includes more than fifty songs that were not in the original, seeking to achieve greater representation for women and African American composers, as well as including several of Wilder's own songs"--
“A music-snob’s dream come true . . . One of the best multi-subject music books to come down the pike in years . . . a fresh and deeply informed approach.” —Variety A great cover only makes a song stronger. Jimi Hendrix’s version of Bob Dylan’s “All Along the Watchtower.” The Beatles rocking out with “Twist and Shout.” Aretha Franklin demanding “Respect.” Without covers, the world would have lost many unforgettable performances. This is the first book to explore the most iconic covers ever, from Elvis’s “Hound Dog” and Joe Cocker’s “With a Little Help from My Friends” to the Talking Heads’ “Take Me to the River” and Adele’s “Make You Feel My Love.” Written by the founder of the website covermesongs.com, each of the nineteen chapters investigates the origins of a classic cover—and uses it as a framework to tell the larger story of how cover songs have evolved over the decades. Cover Me is packed with insight, photography, and music history. “Delves into the complicated legacy of artists performing other people’s music . . . his research adds fresh context and intriguing background to many of these songs . . . Astute ruminations on evolving cultural perceptions of the cover’s place in the music canon.” —AV Club “This engaging nostalgia trip is sure to appeal to discophiles and cultural historians.” —Library Journal
The torch song has long been a vehicle for expression—perhaps American song's most sheerly visceral one. Two artists in particular have built upon this tradition to express their own unique outlooks on their lives and the world around them. Joni Mitchell, Elvis Costello, and the Torch Song Tradition combines biographical material, artist commentary, critical interpretation, and selected exemplars of the writers' work to reveal the power of authorship and the creative drive necessary to negotiate an artistic vision in the complicated mechanisms of the commercial music industry. Author Larry David Smith, as in his Bob Dylan, Bruce Springsteen, and American Song, considers the complicated intersection of biography, creative philosophy, artistic imperative, and stylistic tendencies in the work of both Joni Mitchell and Elvis Costello—two songwriters with seemingly nothing in common, one famously confessional and one famously confrontational. Yet, as Smith shows so incisively, they are two personalities that prove fascinatingly complementary. Mitchell and Costello both yielded bodies of work that are cohesive, coherent, and rich in meaning. Both have made historic contributions to the singer-songwriter model, two rebellious respones to the creative and commercial compromises associated with their chosen field, and two distinct thematic responses to the torch song tradition. Smith examines these responses, offering a unique and invaluable exploration of the craft of two of the last century's most towering musical figures.
"Thanks for the Memory." "Swinging on a Star." "The Way You Look Tonight." Three great and popular standards of the American songbook--and all three won Oscars for best song. But who wrote these songs? What movies were they written for? Which stars introduced them? In the 25 years covered by this book, 160 songs were nominated for Academy Awards. Some are well known, but many are nearly forgotten. They deserve more lasting recognition. Best Songs of the Movies tells the stories behind all these songs, year by year. After announcing the nominated songs, the text describes the way each song was presented and performed, critiques the lyrics and melody, and provides appropriate historical and biographical insights. One appendix presents brief biographies of all the lyricists and composers responsible for these songs; another lists the Oscar-nominated and winning songs from 1959 through 2003. A bibliography and index complete the volume.
Originally published in 1973, when it won the ASCAP Deems Taylor Award , reprinted and revised several times since, They're Playing Our Song is a classic oral history of American popular music. Now further updated with new material and new photographs, this book is indispensable for anyone interested in the Great American Songbook of the 20th Century, original, classic and timeless songs and lyrics as popular today as ever.
(Piano/Vocal/Guitar Songbook). One of our most popular songbooks ever is now available as a 5th Edition with 69 top holiday favorites, including: Auld Lang Syne * Blue Christmas * The Christmas Song (Chestnuts Roasting on an Open Fire) * Coventry Carol * Frosty the Snow Man * Grandma Got Run Over by a Reindeer * Grown-Up Christmas List * Happy Holiday * A Holly Jolly Christmas * I Saw Mommy Kissing Santa Claus * I'll Be Home for Christmas * It Came Upon the Midnight Clear * It's Beginning to Look like Christmas * Jingle-Bell Rock * Let It Snow! Let It Snow! Let It Snow! * O Holy Night * Pretty Paper * Rockin' Around the Christmas Tree * Rudolph the Red-Nosed Reindeer * Silver Bells * We Need a Little Christmas * What Child Is This? * You're All I Want for Christmas * and more!
Classic American Popular Song: The Second Half-Century, 1950-2000 addresses the question: What happened to American popular song after 1950? There are numerous books available on the so-called Golden Age of popular song, but none that follow the development of popular song styles in the second half of the 20th century. While 1950 is seen as the end of an era, the tap of popular song creation hardly ran dry after that date. Many of the classic songwriters continued to work through the following decades: Porter was active until 1958; Rodgers until the later 1970s; Arlen until 1976. Some of the greatest lyricists of the classic era continued to do outstanding and successful work: Johnny Mercer and Dorothy Fields, for example, continued to produce lyrics through the early '70s. These works could be explained as simply the Golden Age's last stand, a refusal of major figures to give in to a new reality. But then, how can we explain the outstanding careers of Frank Loesser, Cy Coleman, Jerry Herman, Jerry Bock and Sheldon Harnick, Fred Kander and John Ebb, Jule Styne, Alan Jay Lerner and Frederick Loewe, and several other major figures? Where did Stephen Sondheim come from? For anyone interested in the development of American popular song -- and its survival -- this book will make fascinating reading.