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This latest in Smith and Kraus's popular series is a terrific collection of scenes for two men, for two women, and for one man and one woman, all from plays first published and/or produced in 2006/2007 and most are appropriate for use by young actors. Scenes are taken from:ALL THAT I WILL EVER BE by Alan Ball ALL THIS INTIMACY by Rajiv Joseph ASYLUM by Keith Aisner BFF by Anna Ziegler BHUTAN by Daisy Foote BLUR by Melanie Marnich BYE, BYE, MARGARITA by Gavin Lawrence.CHECK PLEASE: TAKE 2 by Jonathan Rand THE DEAD GUY by Eric Coble DOG SEES GOD: CONFESSIONS OF A TEENAGED BLOCKHEAD by Bert V by Royal LEVITTOWN by Marc Palmieri LIFE SCIENCE by Anna ZieglerMANUSCRIPT by Paul GrellongTHE MISTAKES MADELINE MADE by Elizabeth Meriwether PUBLIC TRANSPORTATION by Warren C by Bowles STRAIGHT ON TIL MORNING by Trish Harnetiaux STRIKE/SLIP by Naomi Iizuka THEY'RE JUST LIKE US by Boo Killebrew VICTORIA MARTIN: MATH TEAM QUEEN by Kathryn Walat ASYLUM by Keith Aisner COUNTY LINE by Christina Hamm DARK PLAY; OR, STORIES FOR BOYS by Carlos Murillo DUES by Dwight Hobbes INDIAN BLOOD by A by R by Gurney LEADING LADIES by Ken Ludwig OVER THE TAVERN by Tom Dudzick POOF! Lynn Nottage THE RADIANT ABYSS by Angus MacLachlan SECRETARY OF SHAKE by Eisa Davis THE SPIRIT IS WILLING by Nicole Quinn Stage Directions - Off The Shelf, May 2008
Presents a collection of monologues and scenes from familiar plays and books for young actors to perform.
Covers plays produced in New York, theater awards, details of productions, prizes, people, and publications, as well as the editors' choices of the ten best plays.
This unique anthology provides a wealth of material for actors and acting students, and a wonderful overview of the best recent plays for anyone interested in theatre. The more than 150 monologues cover a diverse range of subjects, and offer a variety of dramatic styles and moods. Each monologue is introduced with a short description of the plot, setting, and character type by the leading plauwrights of our time. Featured dramatists include: Christopher Durang, Wendy Wasserstein, Lanford Wilson, Wallace Shawn, Tina Howe, Caryl Churchill, Athol Fugard, Beth Henley, Sam Shepard, David Henry Hwang, Harry Kondoleon, John Patrick Shanley, Larry Shue, Michael Weller, David Rabe, Marsha Norman, August Wilson, Albert Innaurato, Jules Feiffer, Harold Pinter, David Hare, Jose Rivera, Tom Stoppard, John Guare, David Mamet, Charles Fuller, William Matrosimone, Robert Patrick, Miguel Pinero
An anthology of dramatic writing from professionally produced plays. Offers young actors a broad spectrum of challenges with contemporary styles and relevant topics in a variety of lengths.
Selections from the “Until the Violence Stops” Festival Featuring writings by Abiola Abrams • Edward Albee • Tariq Ali • Maya Angelou • Periel Aschenbrand • Patricia Bosworth • Nicole Burdette • Kate Clinton • Kimberle Crenshaw • Michael Cunningham • Edwidge Danticat • Ariel Dorfman • Mollie Doyle • Slavenka Drakulic • Michael Eric Dyson • Dave Eggers • Kathy Engel • Eve Ensler • Jane Fonda • Carol Gilligan • Jyllian Gunther • Suheir Hammad • Christine House • Marie Howe • Carol Michèle Kaplan • Moisés Kaufman • Michael Klein • Nicholas Kristof • James Lecesne • Elizabeth Lesser • Mark Matousek • Deena Metzger • Susan Miller • Winter Miller • Susan Minot • Robin Morgan • Kathy Najimy • Lynn Nottage • Sharmeen Obaid-Chinoy • Sharon Olds • Hanan al-Shaykh • Anna Deavere Smith • Diana Son • Monica Szlekovics • Robert Thurman • Betty Gale Tyson • Alice Walker • Jody Williams • Erin Cressida Wilson • Howard Zinn This groundbreaking collection, edited by author and playwright Eve Ensler, features pieces from “Until the Violence Stops,” the international tour that brings the issue of violence against women and girls to the forefront of our consciousness. These diverse voices rise up in a collective roar to break open, expose, and examine the insidiousness of brutality, neglect, a punch, or a put-down. Here is Edward Albee on S&M; Maya Angelou on women’s work; Michael Cunningham on self-mutilation; Dave Eggers on a Sudanese abduction; Carol Gilligan on a daughter witnessing her mother being hit; Susan Miller on raising a son as a single mother; and Sharon Olds on a bra. These writings are inspired, funny, angry, heartfelt, tragic, and beautiful. But above all, together they create a true and profound portrait of this issue’s effect on every one of us. With information on how to organize an “Until the Violence Stops” event in your community, A Memory, a Monologue, a Rant, and a Prayer is a call to the world to demand an end to violence against women. “In the current era, it takes some brain racking to think of anyone else doing anything quite like Ensler. She’s a countercultural consciousness-raiser, an empowering figure, a truth-teller.” –Chicago Tribune
This new collection brings together plays and monologues from the National Black Theatre Festival, one of the most historic and culturally significant events—not only in the history of Black theater but in American theater. Held every two years in Winston-Salem, North Carolina, this gathering of Black theater companies and artists from around the country and across the globe features an extraordinary array of performances, workshops, films, spoken-word poetry, and more. Established in 1989 by Larry Leon Hamlin and the North Carolina Black Repertory Company, this volume includes three full-length plays produced at the Festival: Maid’s Door by Cheryl L. Davis Berta, Berta by Angelica Chéri Looking for Leroy by Larry Muhammad This collection also includes seventeen monologues and scenes selected from each year of the Festival, featuring the artists and playwrights: Jackie Alexander, Ifa Bayeza, Pearl Cleage, Kamilah Forbes, Endesha Ida Mae Holland, Javon Johnson, Rhodessa Jones, and others.
A sequel collection of winning monologues in the style and format of "100 Great Monologs" by the sane author. Rebecca Young knows how teenagers think and act -- and what they like to talk about. These monologues and duologues may be used for auditions, class assignments or contest competitions. With such a wide variety of topics, there is a monologue to fit any student's personality. All of the monologues are non-theatrical in style -- they speak as teenagers live. Easy to stage.