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The Best Small Fictions anthology, now in its fifth year, presents one hundred and forty-­six pristinely crafted pieces from an array of authors representing twenty-­six nations and six continents. These short, elliptical works are varied and edgy, sorrowful and triumphant, provocative and visionary. The small fictions enclosed within this volume are always vibrant. They scintillate. They linger. With each story brief enough to savor at a stoplight or quick coffee break, the tales contained within 2019's The Best Small Fictions promise to leave a mark.
Ten years ago, Jerome Stern, director of the writing program at Florida State, initiated the World's Best Short Short Story Contest. Stories were to be about 250 words long; first prize was a check and a crate of oranges. Two to three thousand stories began to show up annually in Tallahassee, and National Public Radio regularly broadcast the winner. But, more important, the Micro form turned out to be contagious; stories of this "lack of length" now dot the literary magazines. The time seemed right, then, for this anthology, presenting a decade of contest winners and selected finalists. In addition, Stern commissioned Micros, persuading a roster of writers to accept the challenge of completing a story in one page. Jesse Lee Kercheval has a new spin on the sinking of the Titanic; Virgil Suarez sets his sights on the notorious Singapore caning; George Garrett conjures up a wondrous screen treatment pitch; and Antonya Nelson invites us into an eerie landscape. Verve and nerve and astonishing variety are here, with some wild denouements. How short can a Micro be, you wonder. Look up Amy Hempel's contribution, and you'll see.
Fiction. Poetry. THE BEST SMALL FICTIONS is the first contemporary anthology solely devoted to honoring the best short hybrid fiction published in a calendar year. The series, which began in 2015, has featured an international group of both seasoned and emerging authors who work in flash, micro fiction, prose poetry, haibun, and other hybrid forms. Tara L. Masih founded this annual series and now serves as consulting editor. For our 2018 edition, we welcomed Sherrie Flick as series editor and Pushcart Prize winning author Aimee Bender as guest editor. This latest edition includes 53 works by writers such as Lydia Davis, Rumaan Alam, Diane Williams, Kathy Fish, Matt Bell, Aleksandar Hemon, Maxim Loskutoff, Michael Parker, Meg Pokrass, Deb Olin Unferth, and Desiree Cooper. Past guest editors have included Pulitzer Prize-winning author Robert Olen Butler (2015), PEN/Malamud Award winner and O. Henry Prize winner Stuart Dybek (2016), Rea Award and PEN/Malamud Award winner Amy Hempel (2017).
The 2021 volume of Best Small Fictions presents its richest collection of stories yet. These short works capture in all their multifaceted glory, the singular times in which we live. At times hilarious, catastrophic, philosophical -- and ever original -- this year's Best Small Fictions is a must-have, must-read gem of an anthology.
It takes many small things to make something big. Fifty-five acclaimed and emerging writers-including Emma Bolden, Ron Carlson, Kelly Cherry, Stuart Dybek, Blake Kimzey, Roland Leach, Bobbie Ann Mason, Diane Williams, and Hiromi Kawakami-have made the debut of The Best Small Fictions 2015 something significant, something worthwhile, and something necessary. Featuring spotlights on Pleiades journal and Michael Martone, this international volume-with Pulitzer Prize-winning author Robert Olen Butler serving as guest editor and award-winning editor Tara L. Masih as series editor-is a celebration of the diversity and quality captured in fiction forms fewer than 1,000 words. Small fictions by Adam O Fallon Price, Anna Lea Jancewicz, Anya Yurchyshyn, Blake Kimzey, Bobbie Ann Mason, Brent Rydin, Casandra Lopez, Catherine Moore, Chris L. Terry, Claire Joanne Huxham, Dan Gilmore, Dan Moreau, Danielle McLaughlin, Dave Petraglia, David Mellerick Lynch, Dawn Raffel, Dee Cohen, Diane Williams, Emma Bolden, George Choundas, Hiromi Kawakami, J. Duncan Wiley, James Claffey, James Keegan, Jane Liddle, Jane Swan, Jeff Streeby, Jonathan Humphrey, Julia Strayer, Kathryn Savage, Kelly Cherry, Lauren Becker, Leesa Cross-Smith, Lindsey Drager, Lisa Marie Basile, Maureen Seaton, Michael Garriga, Michael Martone, Misty Ellingburg, Naomi Telushkin, Randall Brown, Roland Leach, Ron Carlson, Ron Riekki, Rusty Barnes, Seth Brady Tucker, Stefanie Freele, Stephen Orloske, Stuart Dybek, Valerie Vogrin, William Todd Seabrook, Yennie Cheung, Zack Bean"
Best Microfiction is an annual showcase for the world's best very short stories.
Fiction. Short Stories. Edited by Meg Pokrass and Gary Fincke with guest editor Amber Sparks. THE BEST MICROFICTION anthology series provides recognition for outstanding literary stories of 400 words or fewer. Co-edited by award-winning microfiction writer/editor Meg Pokrass; and Flannery O'Connor Prize-winning author Gary Fincke; the anthology features Amber Sparks serving as final judge; and one hundred and five of the world's best very short short stories.
A dazzling new anthology of the very best very short fiction from around the world. What is a flash fiction called in other countries? In Latin America it is a micro, in Denmark kortprosa, in Bulgaria mikro razkaz. These short shorts, usually no more than 750 words, range from linear narratives to the more unusual: stories based on mathematical forms, a paragraph-length novel, a scientific report on volcanic fireflies that proliferate in nightclubs. Flash has always—and everywhere—been a form of experiment, of possibility. A new entry in the lauded Flash and Sudden Fiction anthologies, this collection includes 86 of the most beautiful, provocative, and moving narratives by authors from six continents, including best-selling writer Etgar Keret, Zimbabwean writer Petina Gappah, Korean screenwriter Kim Young-ha, Nobel Prize winner Czeslaw Milosz, and Argentinian “Queen of the Microstory” Ana María Shua, among many others. These brilliantly chosen stories challenge readers to widen their vision and celebrate both the local and the universal.
"The Best Microfiction anthology series provides recognition for outstanding literary stories of 400 words or fewer. Co-edited by award-winning microfiction writer/editor Meg Pokrass, and Flannery O'Connor Prize-winning author Gary Fincke, and acclaimed author/editor Michael Martone serving as final judge."--Provided by publisher