Download Free The Best Political Cartoons Of The Year 2010 Edition Book in PDF and EPUB Free Download. You can read online The Best Political Cartoons Of The Year 2010 Edition and write the review.

The Best of the Year in Editorial Cartoons The best cartoonists in the world contributed to this collection of the best cartoons of 2009, from Daryl Cagle's Political Cartoonists Index, the most popular cartoon site on the Web (www.cagle.com). More than 600 cartoons cover the major topics of the historic year when America saw its first black president sworn into office. The economy sank despite humungous bailouts and unemployment hit new highs--not to mention the drama of Octomom, Sotomayor, Swine Flue, GM's bankruptcy, Iran's election chaos and the death of Michael Jackson. This cool book chronicles the history of the year 2009 with cartoons you'll never forget.
From Benjamin Franklin's drawing of the first American political cartoon in 1754 to contemporary cartoonists' blistering attacks on George W. Bush and initial love-affair with Barack Obama, editorial cartoons have been a part of American journalism and politics. American Political Cartoons chronicles the nation's highs and lows in an extensive collection of cartoons that span the entire history of American political cartooning."Good cartoons hit you primitively and emotionally," said cartoonist Doug Marlette. "A cartoon is a frontal attack, a slam dunk, a cluster bomb." Most cartoonists pride themselves on attacking honestly, if ruthlessly. American Political Cartoons recounts many direct hits, recalling the discomfort of the cartoons' targets and the delight of their readers.Through skillful combination of pictures and words, cartoonists galvanize public opinion for or against their subjects. In the process they have revealed truths about us and our democratic system that have been both embarrassing and ennobling. Stephen Hess and Sandy Northrop note that not all cartoonists have worn white hats. Many have perpetuated demeaning ethnic stereotypes, slandered honest politicians, and oversimplified complex issues.
The best cartoons from North American editorial cartoonists capture and preserve the news-making events of 2010.
'One book, in fact the only one we know of, where you can enjoy the best of the year in one place.' 'Hollywood Inside Syndicate. A plummeting global economy, a worldwide energy crisis, and the historic election of Barack Obama as the country's 44th president were the major issues in 2008. This annual compilation of more than 400 cartoons by some 165 editorial cartoonists showcases their finest works in exploring and offering pithy commentary on a wide range of political and cultural topics. From Barack Obama and Hillary Clinton to John McCain, from Joe Biden to Sarah Palin, these thought-provoking examples of the cartoonist's art span the spectrum from liberal to conservative and include the year's major award-winning cartoons.
Comic journalism at its best. In 2011, we said farewell to Elizabeth Taylor and Betty Ford and good riddance to Osama bin Ladin. The ever-waning reputation of Pres. Barack Obama prompted Rick Perry, Newt Gingrich, and Donald Trump to put in their bids for the presidential election. While gas prices and the national debt rose higher than the possibility of sending another manned craft into space, the scandalous Casey Anthony trial resurfaced memories of O. J. and Nicole Simpson. The latest annual edition of this collection contains these and many other controversial comments referencing politics, the economy, sports, foreign affairs, government, and pop culture.
Presents 110 cartoons from "The New Yorker" that depict politics in America.
Worldwide and national events generated a fountain of political commentary in 2010 from editorial cartoonists in North America. This fascinating collection features the winners and finalists for ten major editorial cartooning awards for that year. The Pulitzer, Fischetti, National Headliner, Berryman, and many more awards contests are included here, with information about those organizations, biographies and photos of the winning cartoonists, and a sampling of their outstanding cartoons.
This book belongs on the reference shelf of anyone interested in the interplay between cartoons, politics, and public opinion. It provides the reader a historic framework in which to understand the cartoons' meaning and significance.
A lavishly illustrated, witty, and original look at the awesome power of the political cartoon throughout history to enrage, provoke, and amuse. As a former editor of The New York Times Magazine and the longtime editor of The Nation, Victor S. Navasky knows just how transformative—and incendiary—cartoons can be. Here Navasky guides readers through some of the greatest cartoons ever created, including those by George Grosz, David Levine, Herblock, Honoré Daumier, and Ralph Steadman. He recounts how cartoonists and caricaturists have been censored, threatened, incarcerated, and even murdered for their art, and asks what makes this art form, too often dismissed as trivial, so uniquely poised to affect our minds and our hearts. Drawing on his own encounters with would-be censors, interviews with cartoonists, and historical archives from cartoon museums across the globe, Navasky examines the political cartoon as both art and polemic over the centuries. We see afresh images most celebrated for their artistic merit (Picasso's Guernica, Goya's "Duendecitos"), images that provoked outrage (the 2008 Barry Blitt New Yorker cover, which depicted the Obamas as a Muslim and a Black Power militant fist-bumping in the Oval Office), and those that have dictated public discourse (Herblock’s defining portraits of McCarthyism, the Nazi periodical Der Stürmer’s anti-Semitic caricatures). Navasky ties together these and other superlative genre examples to reveal how political cartoons have been not only capturing the zeitgeist throughout history but shaping it as well—and how the most powerful cartoons retain the ability to shock, gall, and inspire long after their creation. Here Victor S. Navasky brilliantly illuminates the true power of one of our most enduringly vital forms of artistic expression.