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A sterling collection of classic and contemporary fiction and nonfiction evoking the unique spirit of the West and its people, selected and introduced by one of today's premier chroniclers of the Western landscape and a New York Times bestselling author.
The Imaginary West, the Real West, the New West, and the Old West converge in this celebration of that fascinating landscape. Selected from over 100 periodicals, 16 contemporary stories by both established writers and relative newcomers tell of the contradictions of a landscape where cowboys may wear tennis shoes and limos park near pickups, but it's still a long way between towns.
We, in the West in general, and the United States in particular, have witnessed over the last twenty years a slow erosion of our civilizational self-confidence. Under the influence of intellectuals and academics in Western universities, intellectuals such as Gore Vidal, Susan Sontag, Edward Said, and Noam Chomsky, and destructive intellectual fashions such as post-modernism, moral relativism, and mulitculturalism, the West has lost all self-confidence in its own values, and seems incapable and unwilling to defend those values. By contrast, resurgent Islam, in all its forms, is supremely confident, and is able to exploit the West's moral weakness and cultural confusion to demand ever more concessions from her. The growing political and demographic power of Muslim communities in the West, aided and abetted by Western apologists of Islam, not to mention a compliant, pro-Islamic US Administration, has resulted in an ever-increasing demand for the implementation of Islamic law-the Sharia- into the fabric of Western law, and Western constitutions. There is an urgent need to examine why the Sharia is totally incompatible with Human Rights and the US Constitution. This book , the first of its kind, proposes to examine the Sharia and its potential and actual threat to democratic principles. This book defines and defends Western values, strengths and freedoms often taken for granted. This book also tackles the taboo subjects of racism in Asian culture, Arab slavery, and Islamic Imperialism. It begins with a homage to New York City, as a metaphor for all we hold dear in Western culture- pluralism, individualism, freedom of expression and thought, the complete freedom to pursue life, liberty and happiness unhampered by totalitarian regimes, and theocratic doctrines.
Best of the West: New Stories from the Wide Side of the Missouri, an annual anthology of exceptional short fiction rooted in the western United States, debuted in 1988 and continued publication until 1992. Recognizing that the West remains rewarding territory for literary explorations, James Thomas and D. Seth Horton revived the series in 2009. Best of the West 2011: New Stories from the Wide Side of the Missouri is the latest volume in what has become one of the nation's most important anthologies. Editors Horton and Thomas have chosen twenty stories by writers including Rick Bass, T. C. Boyle, Ron Carlson, Philipp Meyer, Dagoberto Gilb, Yiyun Li, Antonya Nelson, and Sam Shepard. Subjects vary from an Idaho family that breeds lions and tigers with disastrous results, to a Mormon veteran whose mind is taken over by a nineteenth-century consciousness, to a Texas boy who spends an afternoon with Bonnie and Clyde shortly before their deaths. Taken together, these stories suggest that the West has become one of the most exciting and diverse literary regions in the twenty-first century.
An Instant New York Times Bestseller! China has concentration camps now. Why do Westerners claim our sins are unique? It is now in vogue to celebrate non-Western cultures and disparage Western ones. Some of this is a much-needed reckoning, but much of it fatally undermines the very things that created the greatest, most humane civilization in the world. In The War on the West, Douglas Murray shows how many well-meaning people have been fooled by hypocritical and inconsistent anti-West rhetoric. After all, if we must discard the ideas of Kant, Hume, and Mill for their opinions on race, shouldn’t we discard Marx, whose work is peppered with racial slurs and anti-Semitism? Embers of racism remain to be stamped out in America, but what about the raging racist inferno in the Middle East and Asia? It’s not just dishonest scholars who benefit from this intellectual fraud but hostile nations and human rights abusers hoping to distract from their own ongoing villainy. Dictators who slaughter their own people are happy to jump on the “America is a racist country” bandwagon and mimic the language of antiracism and “pro-justice” movements as PR while making authoritarian conquests. If the West is to survive, it must be defended. The War on the West is not only an incisive takedown of foolish anti-Western arguments but also a rigorous new apologetic for civilization itself.
From Thomas Jefferson’s birth in 1743 to the California Gold Rush in 1849, America’s westward expansion comes to life in the hands of a writer fascinated by the way individual lives link up, illuminate one another, and collectively impact history. Jefferson, a naturalist and visionary, dreamed that the United States would stretch across the North American continent, from ocean to ocean. The account of how that dream became reality unfolds in the stories of Jefferson and nine other Americans whose adventurous spirits and lust for land pushed the westward boundaries: Andrew Jackson, John “Johnny Appleseed” Chapman, David Crockett, Sam Houston, James K. Polk, Winfield Scott, Kit Carson, Nicholas Trist, and John Quincy Adams. Their stories—and those of the nameless thousands who risked their lives to settle on the frontier, displacing thou- sands of Native Americans—form an extraordinary chapter in American history that led directly to the cataclysm of the Civil War. Filled with illustrations, portraits, maps, battle plans, notes, and time lines, Lions of the West is a richly authoritative biography of America—its ideals, its promise, its romance, and its destiny.
Showdown is a study of America's oldest, most representative film genre, the Western movie from the perspective of social allegory. It assesses scores of major and minor films to show how Westerns function as vehicles for contemporary social and political critiques of American life.
Westerns may have had their heyday, but they remain popular. The greatest films from 1914, when The Squaw Man and The Virginian were among the genre's best, through 2001, when American Outlaws and Texas Rangers were tops, are the subject of this work. For each year, the author names the outstanding western films in the following categories: picture, screenplay (original and adaptation), direction, cinematography, music, male and female leading roles, and male and female supporting roles. Also for each year, the author lists the westerns that received Academy Award nominations (and those that won), makes note of the births and deaths of notable actors, directors, producers, composers, cinematographers, authors and other such personalities, and describes the genre's significant achievements.
These 19 stories by the masters of Western fiction—including Louis L’Amour, John Jakes, and Elmer Kelton—recreate the hardships and heartbreaks of settling and surviving on the American frontier in the 19th century.
Here in this remarkable collection from American Heritage, such noted authors as Tom Brokaw, Wallace Stegner, John Lukacs, and others bring to life many of the most famous men and women of the Old West - from Lewis and Clark to Charles Frémont, Billy the Kid, Wyatt Earp, Chief Joseph, Frederick Remington, the defenders of the Alamo, the Texas Rangers, and the riders of the Pony Express. It also shines a light on topics such as the origins of scalping, the famous Lincoln County War, the grim medical reality of Western gunfights, cowboy jargon, and the first rodeo.