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James B. Donovan (1916-70) was an intrepid lawyer and a skillful negotiator. In his defence of unpopular causes he has been likened to Thomas Erskine, who represented Thomas Paine during the French Revolution and Harold Medina, who defended an accused accomplice of Nazi saboteurs during World War II. His courage was apparent in facing down demonstrators, hecklers, racists, and pickets, and in dealing with calculating Russian agents, hostile Cuban officers, and angry students, writes Phil Bigger, in this exciting tale of Donovan's life.
In this cultural history of evangelical Christianity and popular music, David Stowe demonstrates how mainstream rock of the 1960s and 1970s has influenced conservative evangelical Christianity through the development of Christian pop music. For an earlier
“A historical compilation to savor” (Los Angeles Times) that is “invaluable…irresistible” (The New York Times)—the ultimate collection of interviews and encounters with Nobel Laureate Bob Dylan, spanning his entire career from 1962 to today. Bob Dylan: The Essential Interviews features over two dozen of the most significant and revealing conversations with the singer, gathered in one definitive collection that spans his career from street poet to Nobel Laureate. First published in 2006, this acclaimed collection brought together the best interviews and encounters with Bob Dylan to create a multi-faceted, cultural, and journalistic portrait of the artist and his legacy. This edition includes three additional pieces from Rolling Stone that update the volume to the present day. Among the highlights are the seminal Rolling Stone interviews—anthologized here for the first time—by Jann Wenner, Jonathan Cott, Kurt Loder, Mikal Gilmore, Douglas Brinkley, and Jonathan Lethem—as well as Nat Hentoff’s legendary 1966 Playboy interview. Surprises include Studs Terkel’s radio interview in 1963 on WFMT in Chicago, the interview Dylan gave to screenwriter Jay Cocks when he was a student at Kenyon College in 1964, a 1965 interview with director Nora Ephron, and an interview Sam Shepard turned into a one-act play for Esquire in 1987. Introduced by Rolling Stone editor Jonathan Cott, these intimate conversations from America’s most celebrated street poet is a “priceless collection with honest, open, and thoughtful musings…a fascinating window into his one-of-a-kind mind” (Publishers Weekly).
Thirty-one of the most significant and revealing conversations with Dylan have been compiled in this volume. Among the highlights are the seminal "Rolling Stone" interviews by Jann Wenner, Jonathan Cott, Kurt Loder, and Mikal Gilmore.
Dylan on Dylan features 31 of the most significant and revealing conversations with the singer, stretching over forty years from 1962 through to 2004.
Woody Guthrie's songs about the Dust Bowl Migration and the Great Depression give expression to one of the bleakest periods in the history of the United States, bearing witness both to the economic and political turmoil and to the human erosion of the 1930s. Following a New Historicist approach, this study, incorporating a variety of previously unpublished materials, sets out to reconstruct the social and cultural potential of Guthrie's songs by exploring their manifold and intricate relationships with the cultural environment in which they were composed and performed. As a result, Guthrie's songs are shown to be deeply ingrained in the decade's culture: they criticize the deplorable social and political situation at the time, make sense of the incomprehensible and hint at those responsible for the disaster, thus amplifying the unheard voices of the down and out. By revealing that Guthrie's oeuvre was not only culturally produced, but also culturally productive in that it took an active part in shaping, perpetuating or undermining elements and patterns of the decade's cultural knowledge, the study also sheds new light on the social and cultural significance of the sung word.
In 1892 the first production of Bernard Shaw's first play, Widowers' Houses, heralded the birth of modern drama in the English language. One hundred years later a group of Shavians gathered to examine the significance and influence of Shaw's drama in the English-speaking world. The conference, sponsored by Virginia Polytechnic Institute and State University, brought together theater scholars, critics, and artists from Canada, England, Ireland, and the United States. The conference also featured productions of The Shewing-up of Blanco Posnet, The Man of Destiny, and Farfetched Tales, each followed by a symposium. The centennial conference not only marked the importance of the event but also stimulated new ways of regarding that historic moment, reexaminations of the significance of Shaw's plays, and explorations of their consequences. Some speakers reevaluated the genesis of the first production of Widowers' Houses and its social, cultural, and theatrical context. Some brought to bear on the subject of Shavian drama recent critical perspectives, such as feminism, deconstructionism, and the type of close textual and intertextual scrutiny seldom accorded Shaw. Others explored his impact in England, America, Ireland, and the Antipodes. Still others examined the relationship of comedy and ideas, subtext, and how this Victorian dramatist remains pertinent today. The conference concluded with a symposium that aimed to assess what might lie ahead for Shaw on page and stage in the next hundred years. This volume records the proceedings of the conference as well as reviews and the continuing checklist of Shaviana. Contributors are Peter Barnes, Charles A. Berst, Montgomery Davis, Bernard F. Dukore, Martin Esslin, Joanne E. Gates, Nicholas Grene, Christopher Innes, Katherine E. Kelly, Frederick P. W. McDowell, Rhoda Nathan, Christopher Newton, Michael O'Hara, Jean Reynolds, Irving Wardle, Stanley Weintraub, and J. L. Wisenthal.