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All 37 songs from the recording that spans the most popular songs of this gospel quartet's 23-year history. Includes: At the Cross * A Brand New Star * Good, Good News * He Touched Me * I Bowed on My Knees * The King Is Coming * Loving God, Loving Each Other * Mary, Did You Know? * O Love That Will Not Let Me Go * A Picture of Grace * Singing with the Saints * When We All Get Together with the Lord * and more.
(Piano/Vocal/Guitar Artist Songbook). This folio celebrates the Gaithers' long career in Christian music with 30 of their best-loved songs, including: Abide in Me * Because He Lives * He Started the Whole World Singing * I Am Loved * I Will Praise Him * The King Is Coming * Something Beautiful * There's Something About That Name * Upon This Rock * We'll Be There * Worthy the Lamb * and more.
With the comfortable warmth of a fireside chat, renowned gospel musician Bill Gaither invites us to relax with old friends such as The Happy Goodmans, The Cathedrals, Jake Hess, The Speer Family, The Blackwood Brothers, and others to hear stories of southern gospel music as seen through the eyes of its performers. A heartwarming journey from the 1930s to today.
What do you think Heaven will be like? How do you describe Heaven to your kids? What are you going to ask Jesus? Bill and Gloria Gaither gathered friends to discuss these questions and more about their eternal home. The responses were all that you might imagine...and more. Releasing simultaneously with a video of the same name, this companion book brims with laughter, tears, and a treasure chest of recollections and insights. Of course, you don't need to be reminded of the Gaithers' tremendous fan base. With over 8 million of their popular Homecoming videos sold, the potential for this comforting gift book is nothing short of heavenly. The Gaithers are constantly on best-seller lists with their videos and music. They have also sold well over 300,000 books.
Choral collection for the adult choir, arranged in SATB format.
(Piano/Vocal/Guitar Artist Songbook). This songbook includes all 15 songs from the 2006 release, Jackson's first ever gospel album. Songs: Blessed Assurance * How Great Thou Art * I'll Fly Away * In the Garden * The Old Rugged Cross * Softly and Tenderly * What a Friend We Have in Jesus * and more.
I Still Believe is a story that spans decades of multiple Grammy winner and Christian music icon Russ Taff's life, told from the first-hand perspective of Russ and his wife, Tori. You’ve seen the movie; now get the complete, unflinchingly honest details of the journey from childhood abuse to massive success with music, from the searing pain of addiction to his hard-won recovery. Russ opens up in-depth for the first time about the shame and trauma that irrefutably impacted his faith, his family, and his career. But woven throughout I Still Believe is a miraculous testament to the power of love—from God, family, and friends, but especially from Tori, who was fierce in her love for her best friend who was slowly disappearing before her eyes. But this relentless love and a lot of hard work helped Russ move out of hiding and into the light of recovery and acceptance. Above all, this is a story about hope. Hope for anyone who feels they have been hurt too badly, fallen too far, or caused too much damage along the way. This memoir stands as a testament that in spite of seemingly insurmountable odds, there is always reason to keep believing. Russ and Tori’s beautifully broken story will encourage any reader that there is no need to be defined or held back by the trauma of the past; instead, life can be rooted in and restored through faith, recovery, love, and the promise that God will never let you go.
In The Gaithers and Southern Gospel, Ryan P. Harper examines songwriters Bill and Gloria Gaither's Homecoming video and concert series--a gospel music franchise that, since its beginning in 1991, has outperformed all Christian and much secular popular music on the American music market. The Homecomings represent "southern gospel." Typically that means a musical style popular among white evangelical Christians in the American South and Midwest, and it sometimes overlaps in style, theme, and audience with country music. The Homecomings' nostalgic orientation--their celebration of "traditional" kinds of American Christian life--harmonize well with southern gospel music, past and present. But amidst the backward gazes, the Homecomings also portend and manifest change. The Gaithers' deliberate racial integration of their stages, their careful articulation of a relatively inclusive evangelical theology, and their experiments with an array of musical forms demonstrate that the Homecoming is neither simplistically nostalgic, nor solely "southern." Harper reveals how the Gaithers negotiate a tension between traditional and changing community norms as they seek simultaneously to maintain and expand their audience as well as to initiate and respond to shifts within their fan base. Pulling from his field work at Homecoming concerts, behind the scenes with the Gaithers, and with numerous Homecoming fans, Harper reveals the Homecoming world to be a dynamic, complicated constellation in the formation of American religious identity.