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Chicago Tribune's Printers Row: Interviews, Reviews and Features 2012 is a collection of interviews with authors, reviews of the year's best books, and fascinating features published in the Chicago Tribune's weekly Printers Row literary supplement. Early in 2012, the Chicago Tribune launched its "Printers Row" membership program for those who love books, authors, and conversations about the ideas they generate. The centerpiece is a weekly journal that includes author profiles, book reviews, and Printers Row Fiction in a separate booklet. Chicago Tribune's Printers Row: Interviews, Reviews and Features 2012 is composed of engaging, entertaining, and enlightening profiles, book reviews, as well as extended author interviews and features.
At Westish College, a small school on the shore of Lake Michigan, baseball star Henry Skrimshander seems destined for big league stardom. But when a routine throw goes disastrously off course, the fates of five people are upended. Henry's fight against self-doubt threatens to ruin his future. College president Guert Affenlight, a longtime bachelor, has fallen unexpectedly and helplessly in love. Owen Dunne, Henry's gay roommate and teammate, becomes caught up in a dangerous affair. Mike Schwartz, the Harpooners' team captain and Henry's best friend, realizes he has guided Henry's career at the expense of his own. And Pella Affenlight, Guert's daughter, returns to Westish after escaping an ill-fated marriage, determined to start a new life. As the season counts down to its climactic final game, these five are forced to confront their deepest hopes, anxieties, and secrets. In the process they forge new bonds, and help one another find their true paths. Written with boundless intelligence and filled with the tenderness of youth, The Art of Fielding is an expansive, warmhearted novel about ambition and its limits, about family and friendship and love, and about commitment--to oneself and to others.
Chicago Tribune's Printers Row: Fiction 2012 is a fiction anthology of 32 short stories and novel excerpts collected from the Chicago Tribune's weekly Printers Row literary supplement. Writers included in this anthology are Edie Meidav, Karen E. Bender, Claire Vaye Watkins, Lawrence Norfolk, Benjamin Percy, Scott Kaukonen, and more. Early in 2012, the Chicago Tribune launched its "Printers Row" membership program for those who love books, authors, and conversations about the ideas they generate. The centerpiece is a weekly journal that includes author profiles, book reviews, and Printers Row Fiction in a separate booklet. Chicago Tribune's Printers Row: Fiction 2012 is composed of selections published in the Printers Row Fiction supplement during 2012.
Chronicles the history and evolution of one of Chicago's most unique neighborhoods, from its emergence after the Great Chicago Fire as a notorious crime and vice neighborhood, to its change by 1905 into housing the city's new booming printing industry, to its current desireable residential status.
Hannah Morrissey's Hello, Transcriber is a captivating mystery suspense debut featuring a female police transcriber who goes beyond the limits to solve a harrowing case. Every night, while the street lamps shed the only light on Wisconsin's most crime-ridden city, police transcriber Hazel Greenlee listens as detectives divulge Black Harbor's gruesome secrets. As an aspiring writer, Hazel believes that writing a novel could be her only ticket out of this frozen hellscape. And then her neighbor confesses to hiding the body of an overdose victim in a dumpster. The suspicious death is linked to Candy Man, a notorious drug dealer. Now Hazel has a first row seat to the investigation and becomes captivated by the lead detective, Nikolai Kole. Intrigued by the prospects of gathering eyewitness intel for her book, Hazel joins Kole in exploring Black Harbor's darkest side. As the investigation unfolds, Hazel will learn just how far she'll go for a good story—even if it means destroying her marriage and luring the killer to her as she plunges deeper into the city she's desperate to claw her way out of.
A globetrotting, time-bending, wildly entertaining masterpiece hailed by the New York Times Book Review as "Audaciously well written...the book I was raving about to my friends before I'd even finished it." Publishers Weekly raved that "with near-universal appeal . . . Seay’s debut novel is a true delight, a big, beautiful cabinet of wonders that is by turns an ominous modern thriller, a supernatural mystery, and an enchanting historical adventure story." Set in three cities in three eras, The Mirror Thief calls to mind David Mitchell and Umberto Eco in its mix of entertainment and literary bravado. The core story is set in Venice in the sixteenth century, when the famed makers of Venetian glass were perfecting one of the old world's most wondrous inventions: the mirror. An object of glittering yet fearful fascination—was it reflecting simple reality, or something more spiritually revealing?—the Venetian mirrors were state of the art technology, and subject to industrial espionage by desirous sultans and royals world-wide. But for any of the development team to leave the island was a crime punishable by death. One man, however—a world-weary war hero with nothing to lose—has a scheme he thinks will allow him to outwit the city's terrifying enforcers of the edict, the ominous Council of Ten . . . Meanwhile, in two other Venices—Venice Beach, California, circa 1958, and the Venice casino in Las Vegas, circa today—two other schemers launch similarly dangerous plans to get away with a secret . . . All three stories will weave together into a spell-binding tour-de-force that is impossible to put down—an old-fashioned, stay-up-all-night novel that, in the end, returns the reader to a stunning conclusion in the original Venice . . . and the bedazzled sense of having read a truly original and thrilling work of art.
Best of Chicago is the definitive guide to America's third-largest city, created each year, for nineteen years running, by Chicago's only locally owned and operated alternative weekly, Newcity. Unlike other city guides that trot out the same-old same-old tourist traps, Best of Chicago is equally a resource for visitors, newcomers and lifelong Chicagoans. Readers will still learn the basics like who has the best hotdog, but so too, the best place to nonchalantly check out the opposite sex. Sure, Best of Chicago will tell readers who has the best holiday-themed theatrical production. But it also has the best hipster-free bar in Wicker Park. The best Middle Eastern restaurant, the best Montreal-style poutine in Chicago, the best place to drink in the forest preserves, the best unrecognized landmark to Chicago’s gay community, the best place to meet strangers over breakfast, and so on, through more than 500 entries. Entries are organized in five broad categories, including City Life, Culture & Nightlight, Food & Drink, Goods & Services, and Sports & Recreation. And not only will readers discover places to go in Chicago, but they'll learn about the city's history while enjoying a laugh or two throughout.
Gary Soto is a widely published author of children's and young adult fiction, and he is an acclaimed poet--often referred to as one of the nation's first Chicano poets. With a sharp sense of storytelling and a sly wit, What Poets Are Like is a memoir of the writing life that shares the keen observation, sense of self and humor of such writers as Sherman Alexie and Nora Ephron. In some 60 short episodes, this book captures moments of a writer's inner and public life, close moments with friends and strangers, occasional reminders of a poet's generally low place in the cultural hierarchy; time spent with cats; the curious work of writing. He tells the stories of his time spent in bookstores and recounts the glorious, then tragic, arc of Cody's Bookstore in Berkeley, ending with the author whose scheduled event fell on the day after the business shut down, but who stood outside the locked door and read aloud just the same. As all writers do, Soto suffers the slings and arrows of rejection, often from unnamed Midwest poetry journals, and seeks the solace of a friendly dog at such moments. Soto jabs at the crumbs of reward available to writers--a prize nomination here, a magazine interview there--and notes the toll they take on a frail ego. The pleasure Soto takes in the written word, a dose of comic relief plus his appreciation of the decisive moment in life make this an engaging and readable writer's confession.
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