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Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
The New Aesthetic and Art: Constellations of the Postdigital is an interdisciplinary analysis focusing on new digital phenomena at the intersections of theory and contemporary art. Asserting the unique character of New Aesthetic objects, Contreras-Koterbay and Mirocha trace the origins of the New Aesthetic in visual arts, design, and software, find its presence resonating in various kinds of digital imagery, and track its agency in everyday effects of the intertwined physical world and the digital realm. Contreras-Koterbay and Mirocha bring to light an original perspective that identifies an autonomous quality in common digital objects and examples of art that are increasingly an important influence for today's culture and society.
Set in the context of the Dieppe raid as a whole, Will Fowler studies the contribution of No. 4 Commando and Operation Cauldron. In August 1942, the Allies launched a raid against the German-held port of Dieppe on the French channel coast. It was largely a disaster, with the Canadian forces bearing the brunt of the catastrophe. However, it wasn't all a failure, and history has tended to overlook the role of 4 Commando, who, along with their US Ranger counter-parts, landed and successfully disabled the German guns threatening the rest of the landings. Their actions proved an excellent demonstration of the military adage “train hard, fight easy” and showed the advantage of proper operational planning and brilliant leadership. This controversial raid also included members of the Free French and it was the first time US land forces engaged the Germans on mainland Europe. Allies at Dieppe evaluates how and why they achieved their objectives in this daring Commando raid of World War II.
Accompanying CD-ROM provides short film clips that reinforce the key concepts and topics in each chapter.
How artists' magazines, in all their ephemerality, materiality, and temporary intensity, challenged mainstream art criticism and the gallery system.
"The celebration of network cultures as open, decentralized, and horizontal all too easily overshadows their political dimensions. Organized Networks sets out to destroy these myths by tracking the antagonisms that lurk within Internet governance debates, the exploitation of labor in creative industries, and the aesthetics of global finance capital. Cutting across the fields of media theory, political philosophy and cultural critique, Ned Rossiter diagnoses some of the key problematics facing network cultures today."--BOOK JACKET.
Discusses avant garde films produced during the sixties, and considers the work of Stan Brakhage and Andy Warhol
Based on a symposium held in 1999 during The Museum of Modern Art's retrospective, this volume presents nine critical essays offering dramatically different ways of understanding Pollock's art and influence. The essays reveal not just the richness of Pollock's work, but also the vitality and diversity of contemporary criticism. The essays were written by Robert Storr, Pepe Karmel, James Coddington and Carol Mancusi-Ungaro, Kirk Varnedoe, T. J. Clark, Jeremy Lewison, Rosalind Krauss, and Anne Wagner.
Unruly Media is the first book to account for the current audiovisual landscape across media and platform. It includes new theoretical models and close readings of current media as well as the oeuvre of popular and influential directors.
Charles Bernstein has described conceptual "poetry pregnant with thought." Against Expression, the premier anthology of conceptual writing, presents work that is by turns thoughtful, funny, provocative, and disturbing. Editors Craig Dworkin and Kenneth Goldsmith chart the trajectory of the conceptual aesthetic from early precursors such as Samuel Beckett and Marcel Duchamp through major avant-garde groups of the past century, including Dada, Oulipo, Fluxus, and language poetry, to name just a few. The works of more than a hundred writers from Aasprong to Zykov demonstrate a remarkable variety of new ways of thinking about the nature of texts, information, and art, using found, appropriated, and randomly generated texts to explore the possibilities of non-expressive language. --Book Jacket.