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DigiCat Publishing presents to you this special edition of "The Best British Short Stories of 1922" by Various. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Everyone's favourite troublemaker is back in Richmal Crompton's William the Bad – with a fun and contemporary cover illustrated by Chris Garbutt and an introduction by writer Anne Fine. William doesn't understand why he's not invited to Robert and Ethel's fancy-dress party – what could possibly go wrong? Desperate for an invite, his search for the perfect costume causes mayhem. Somehow nothing ever goes to plan when William the Bad is around! There is only one William. This tousle-headed, snub-nosed, hearty, lovable imp of mischief has been harassing his unfortunate family and delighting his admirers since 1922. Enjoy more of William's adventures in William's Happy Days and William Again.
Walter de la Mare was a 20th century writer whose most famous work was actually a kid's book, which is ironic because most of his works consisted of psychological horror stories, most notably "Seaton's Aunt" and "Out of the Deep".
Acclaimed stories by the influential Modernist author include "Prelude," a reminiscence of her New Zealand girlhood, in addition to "The Garden Party," "How Pearl Button Was Kidnapped," "Bliss," and others.
Lucas Malet is one of a number of forgotten female writers whose work bridges the gap between George Eliot and Virginia Woolf. Malet’s writing was intrinsically linked to her passion for art. This is the first book-length study of Malet’s novels.
A Companion to the British and Irish Short Story provides a comprehensive treatment of short fiction writing and chronicles its development in Britain and Ireland from 1880 to the present. Provides a comprehensive treatment of the short story in Britain and Ireland as it developed over the period 1880 to the present Includes essays on topics and genres, as well as on individual texts and authors Comprises chapters on women’s writing, Irish fiction, gay and lesbian writing, and short fiction by immigrants to Britain