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Fiction of the New Statesman is the first study of the short stories published in the renowned British journal theNew Statesman. This book argues that New Statesman fiction advances a strong realist preoccupation with ordinary, everyday life, and shows how British domestic concerns have a strong hold on the working-class and lower-middle-class imaginative output of this period.
This scholarly study of the formation of the Irish literary canon in the first half of the twentieth century provides fascinating and often surprising insights into the ways in which different educational institutions responded to the political and historical changes taking place as Ireland moved from colonial to postcolonial status. Dr Wei H. Kao discusses not only what was included on school and university curriculum but also writers who were excluded, in particular women writers who appeared to interrogate a male nationalist agenda for the representation of Ireland.– Emeritus Professor C.L. Innes The writers discussed include Daniel Corkery, J.G. Farrell, Denis Johnston, Mary Lavin, Iris Murdoch, Kate O’Brien, Frank O’Connor, Liam O’Flaherty, and James Plunkett.
The short story was a commercial phenomenon which took off in the late nineteenth century and lasted through to the rise of television and film. Baldwin uses a wide variety of sources to show how economic factors helped to dictate how and what a wide variety of authors wrote.
This biography provides a balanced assessment of the true achievement of this complex and work-driven personality, who played an essential role as a discerning editor at a time when the short story scene in America was undergoing a radical evolution. In April 1916, Edward J. O'Brien published The Best Short Stories of 1915, which proved to be the first of the series of annual anthologies of the short stories he considered the cream of those appearing in US magazines during the preceding 12 months. It continued under his guidance until the 1941 volume published posthumously in his name. In the eyes of many young writers -Sherwood Anderson, Ernest Hemingway and William Saroyan, for example - he became regarded as a respected authority, providing them with encouragement and inspiration by reprinting their stories in his anthologies. He loyally supported the so-called little magazines and was instrumental in drawing the attention of both readers and writers to their existence. In Oxford, he co-edited the short-lived New Stories as an anticipated British equivalent of Story.
Comprising new work by leading scholars, this book traces the history of American short fiction and provides original avenues for research.
From Anglo-Saxon runes to postcolonial rap, this undergraduate textbook covers the social and historical contexts of the whole of the English literature.