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From the mountains of Uttrakhand in India to the Rocky Mountain in Canada, the stories in this volume represent the multitude of Asian voices that capture the wishes, aspirations, dreams and conflicts of people inhabiting a vast region of our planet. While some contributions deal with the themes of migration, pandemics and climate change, others give us a peek into the inner workings of the human heart through the prism of these well-wrought stories. This volume is the expression of a community, "a community of Asian writing that stands on its own two - no, its own million - feet!", as novelist and critic Tabish Khair says in his 'Foreword'.
The Best Asian Short Stories 2021 brings together the work of twenty Asian writers residing in Asia and other countries, namely from Canada, India, Malaysia, Japan, Singapore, Philippines, United Kingdom and United States of America. A mix of Asian writing from some familiar names and newcomers are presented in this volume. Among the writers in this collection are Cyril Wong, Sudeep Sen, Elaine Chew, Danton Remoto, Ivy Ngeow, Terence Toh, Bhaswati Gosh, Andrew Innes and Jose Varghese. The broad theme for this collection is the new normal, revolving around the Covid-19 pandemic, with the inclusion of other stories set in the Asian region. The stories on the new normal theme explore how this world-wide pandemic has impinged on private lives and the public world.
Like any proper anthology of short fiction, Asian or not, this one is a celebration of, indeed a valentine to, the short story. One way we know we have read a great short story, as you will here again and again, is the recurrent, delicious mistake of feeling like we have actually just read an entire novel. Short stories are dense and compact; novels are, by definition, loose and baggy. To read a short story in one sitting, as we are so tempted to do here, is to have the artistic equivalent of expanding a compressed computer file: so much life comes pouring out, jack-in-the-box or clown- car style, of these meticulously crafted sentences and scenes. These brave, talented, unforgettable writers from the Philippines, Afghanistan, India, Japan, and Singapore have compressed so much life, so much hard-fought wisdom, battered grace, and sweet delight, into these seventeen moving stories in alluring voices.
This action-packed thriller follows a squad of 18-year-olds who must fight an army of Savages in a war they did not choose. Ren is an elite fighter who feels no emotions. That makes him the perfect soldier to battle the Savages, a feral army of half-animal, half-human species prowling outside the 18 walls protecting the city...at least that’s what the propaganda machine will have him believe. He and his motley squad are armed with genetic enhancements before venturing beyond the walls. They come to learn more about themselves and their enemies than they could have ever imagined.
What turns citizens into refugees and then immigrants? In this powerful middle-grade debut, Sami and his family embark on a harrowing journey to save themselves from the Syrian civil war. Sami loves his life in Damascus, Syria. He hangs out with his best friend playing video games; he's trying out for the football team; he adores his family and gets annoyed by them in equal measure. But his comfortable life gets sidetracked abruptly after a bombing in a nearby shopping mall. Knowing that the violence will only get worse, Sami's parents decide they must flee their home for the safety of the UK. Boy, Everywhere chronicles their harrowing journey and struggle to settle in a new land. Forced to sell all their belongings and leave their friends and beloved grandmother behind, Sami and his family travel across the Middle East to Turkey, where they end up in a smuggler's den. From there, they cross the treacherous waters of the Mediterranean and manage to fly to England, only to be separated and detained in an immigration prison for the crime of seeking asylum. Yet the transition from refugee to immigrant in a new life will be the greatest challenge Sami has ever faced. Based on the experiences of real Syrian refugees, this thoughtful middle-grade novel is the rare book to delve deeply into this years-long crisis. Portions of the proceeds of this book will be used to benefit Syrian refugees in the UK and to set up a grant to support an unpublished refugee or immigrant writer in the US. Sami's story is one of survival, of family and friendship, of bravery and longing ... Sami could be any one of us.
An Oprah Daily Top 25 Fantasy Book of 2022 From an award-winning team of authors, editors, and translators comes a groundbreaking short story collection that explores the expanse of Chinese science fiction and fantasy. In The Way Spring Arrives and Other Stories, you can dine at a restaurant at the end of the universe, cultivate to immortality in the high mountains, watch roses perform Shakespeare, or arrive at the island of the gods on the backs of giant fish to ensure that the world can bloom. Written, edited, and translated by a female and nonbinary team, these stories have never before been published in English and represent both the richly complicated past and the vivid future of Chinese science fiction and fantasy. Time travel to a winter's day on the West Lake, explore the very boundaries of death itself, and meet old gods and new heroes in this stunning new collection. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
The essential annual guide to the newest voices in short fiction, selected this year by Deesha Philyaw, Emily Nemens, and Sabrina Orah Mark This anthology celebrates the most recent winners of the PEN/Robert J. Dau Short Story Prize for Emerging Writers, which recognizes twelve writers who have made outstanding fiction debuts in literary magazines. This year’s selections were made by Sabrina Orah Mark, Emily Nemens, and Deesha Philyaw. The stories in Best Debut Short Stories 2022 explore the dangers and possibilities of protest in Multan, Pakistan, in 1978; in the well-to-do neighborhoods of Melbourne, Australia, at the end of the millennium; and in the outskirts of Ramallah, Palestine, in the present day. They describe toxic homes and precarious lives and refuge sought in unlikely places: a bowling alley, a work affair, a noisy club, a neoclassical sanatorium, a school-turned-hostel near a flooded brownfield. They feature a pork bun made with a perfect spiral of dough, a bucket of eggs swarmed by crows, a drink made of chilled chicken blood and rose water, and a pale pink worm with five hearts who lives at the edge of the universe. Each story is accompanied by a letter from the editor who first published it, providing insight about what's new and exciting in fiction today and recognizing the vital work of literary journals in nurturing new voices in literature.
Another deluxe edition of new writing and neglected perspectives. Asian ghosts, from India to China, Japan to Thailand, Korea to the Philippines, can be both terrifying and comforting. Underpinned by strong cultural beliefs in the cycles of life and ancestor worship, the nature of Asian spirits differs from that of their counterparts in other areas of the world. The possibility is more instinctually accepted that ghosts remain with us, as part of the world, whether we can see them or not. In Saigon The Daughter of Hui Bi Hua roams the corridors of the Ho Chi Minh City Museum of Art, in Japan the Kappa displays an insatiable appetite for cucumbers, in Indonesia the Kuntilanak is a wicked spirit, feared by all, and in Thailand the Preta is a disgusting, hungry ghost. The Flame Tree Gothic Fantasy, Classic Stories and Epic Tales collections bring together the entire range of myth, folklore and modern short fiction. Highlighting the roots of suspense, supernatural, science fiction and mystery stories, the books in Flame Tree Collections series are beautifully presented, perfect as a gift and offer a lifetime of reading pleasure.
In this "delightfully uncanny" collection of feminist retellings of traditional Japanese folktales (The New York Times Book Review), humans live side by side with spirits who provide a variety of useful services—from truth-telling to babysitting, from protecting castles to fighting crime. A busybody aunt who disapproves of hair removal; a pair of door-to-door saleswomen hawking portable lanterns; a cheerful lover who visits every night to take a luxurious bath; a silent house-caller who babysits and cleans while a single mother is out working. Where the Wild Ladies Are is populated by these and many other spirited women—who also happen to be ghosts. This is a realm in which jealousy, stubbornness, and other excessive “feminine” passions are not to be feared or suppressed, but rather cultivated; and, chances are, a man named Mr. Tei will notice your talents and recruit you, dead or alive (preferably dead), to join his mysterious company. With Where the Wild Ladies Are, Aoko Matsuda takes the rich, millenia-old tradition of Japanese folktales—shapeshifting wives and foxes, magical trees and wells—and wholly reinvents them, presenting a world in which humans are consoled, guided, challenged, and transformed by the only sometimes visible forces that surround them.
A stunning, powerful debut novel set against the backdrop of the Cambodian War, perfect for fans of Chris Cleave and Chimamanda Ngozi Adichie For seven-year-old Raami, the shattering end of childhood begins with the footsteps of her father returning home in the early dawn hours bringing details of the civil war that has overwhelmed the streets of Phnom Penh, Cambodia's capital. Soon the family's world of carefully guarded royal privilege is swept up in the chaos of revolution and forced exodus. Over the next four years, as she endures the deaths of family members, starvation, and brutal forced labour, Raami clings to the only remaining vestige of childhood - the mythical legends and poems told to her by her father. In a climate of systematic violence where memory is sickness and justification for execution, Raami fights for her improbable survival. Displaying the author's extraordinary gift for language, In the Shadow of the Banyanis testament to the transcendent power of narrative and a brilliantly wrought tale of human resilience. 'In the Shadow of the Banyanis one of the most extraordinary and beautiful acts of storytelling I have ever encountered' Chris Cleave, author of The Other Hand 'Ratner is a fearless writer, and the novel explores important themes such as power, the relationship between love and guilt, and class. Most remarkably, it depicts the lives of characters forced to live in extreme circumstances, and investigates how that changes them. To read In the Shadow of the Banyan is to be left with a profound sense of being witness to a tragedy of history' Guardian 'This is an extraordinary debut … as beautiful as it is heartbreaking' Mail on Sunday