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(Best American Short Plays). A collection of eleven short plays from 1989. Includes: "The Author's Voice" Richard Greenberg; "San Antonio Sunset" Willy Holtzman; "There Is No John Garfield" Ernest A. Joselovitz; "The Mask of Hiroshima" Ernest Ferlita; "Penguin Blues" Ethan Phillips; "Haiku" Katherine Snodgrass; "Chemical Reactions" Andrew Foster; "Dolores" Edward Allan Baker; "April Snow" Romulus Linney; "Trout" William R. Lewis; "A Poster of the Cosmos" Lanford Wilson.
(Applause Books). A collection of eleven short plays from 1989. Includes: "The Author's Voice," "San Antonio Sunset," "There is No John Garfield," "The Mask of Hiroshima," "Penguin Blues," "Haiku," "Chemical Reactions," "Dolores," "April Snow," "Trout" and "A Poster of the Cosmos."
This second volume of the best monologues from the Best American Short Plays series features a diverse selection drawn from the outstanding works from many of today's best American playwrights. In these monologues, the playwrights capture much of the flavors, feelings, and thoughts of American culture over the past several decades. The result is a collection of taught, engaging monologues offering fascinating perspectives. They are written with an eye toward the stage that makes them excellent source material for actors young and old alike. And they offer a freshness and directness that make them excellent companions for readers attracted to good, often quirky, and always engaging contemporary literature.
(Applause Books). Lose yourself in a universe of forces familiar and frightening in the 21 plays presented in this exclusive volume. The playwrights included here succeed in pushing back the boundaries of conventional dramatic expression. Among them, Lanford Wilson dissects a survivor's anguish after his lover's death in A Poster of the Cosmos and Deborah Pryor spins an eerie tale of spellbinding romance in The Love Talker . Richard Greenberg plots a battle of wills between a young writer and his elusive muse, while Sheila Walsh examines the exchange of a woman's soul for her husband's fame in Molly and James . From the starkly realistic to the fantastic, these plays challenge their audiences to confront the universal from a new perspective.
A collection of one-act plays from American playwrights, which cover such themes as love, fantasy, politics, grief, marriage, crime, and deceit.
A collection of one-act plays from American playwrights, which cover such themes as love, fantasy, politics, grief, marriage, crime, and deceit.
A collection of one-act plays from American playwrights, which cover such themes as love, fantasy, politics, grief, marriage, crime, and deceit.
A collection of one-act plays from American playwrights, which cover such themes as love, fantasy, politics, grief, marriage, crime, and deceit.
(Best American Short Plays). Applause is proud to continue the series that for over 60 years has been the standard of excellence for one-act plays in America. Our editor Barbara Parisi has selected the following 16 plays: DEBOOM: WHO GIVES THIS WOMAN? , by Mark Medoff; And Then , by Amelia Arenas; The Cleaning , by Zilvinas Jonusas; Breakfast and Bed , by Amy Fox; The News from St. Petersburg , by Rich Orloff; Double Murder , by Scott Klavan; Running in Circles Screaming , by Jeni Mahoney; Witness , by Peter Maloney; Asteroid Belt , by Lauren Feldman; Glass Knives , by Liliana Almendarez; Hearts and Minds , by Adam Kraar; In Conclusive Woman , by Julie (Pratt) Mollenkamp; Mixed MeSSages , by Mike Pasternack; Amoureque and Arabesque , by Victor Gluck; and The Birth of Theater , by Jules Tasca.
A collection of one-act plays from American playwrights, which cover such themes as love, fantasy, politics, grief, marriage, crime, and deceit.