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The hottest collection of 10-minute plays by American playwrights for 2009, The Best Ten-Minute Plays of 2008 for 2 Actors is part of the essential 2-book set for producers looking for high-quality plays and professors who need relevant and engaging material for their class work. Lawrence Harbison has assembled the most compelling comedies, dramas, fantasies, and mysteries of the year a chronicle of what this year's playwrights had to say about the world around them.Plays for One Man and One WomanApricot Sunday by Ed Cardona, Jr.The A-Word by Linda Faigao-HallBride on the Rocks by David WienerCell Mates by Molly Best TinsleyThe Charm of the British by Laura CottonDrury Lane by Don NigroEinstein + the Angels by Laura HarringtonEsla and Frinz Go Partying by Bruce ShearerFlooding by Jami BrandliFuck Tori Amos by Caitlin Montanye ParrishA Funeral Home in Brooklyn by David JohnstonGodfrey by Ian AugustA Great-Looking Boat by Joan AckermannHappy No-Lidays by Keythe FarleyI Have It by Bekah BrunstetterParis Snatch by Brian DykstraThe Passion of Merlin and Vivien in the Forest of Broceliande byDon NigroSigns of Life by Frederick StroppelSkin & Bones by Julian SheppardSpecter (or, Broken Down by Age & Sex) by Neena BeberThat Thing by John ShanahanTongue, Tied by M. Thomas CooperPlays for Two MenDownstairs, Upstairs by Wendy MacLeodRats by Ron FitzgeraldThe Train Ride by Daniel TalbottTwo from the Line by Michael Louis WellsPlays for Two WomenFarewell and Adieu by Jack NearyFemale Dogs by Barbara LindsayThe Giftbox by Francine VolpeHollywood Hills by Stephanie Alison WalkerAbout the AuthorFor over thirty years Lawrence Harbison was in charge of new play acquisition for Samuel French, Inc., during which time he was responsible for the first publication of such luminaries as Jane Martin, Don Nigro, Tina Howe, Theresa Rebeck, Jose Rivera, William Mastrosimone, Charles Fuller, and Ken Ludwig, among many others; and the acquisition of musicals such as SMOKE ON THE MOUNTAIN, PUMP BOYS AND DINETTES, A...MY NAME IS ALICE, and THREE GUYS NAKED FROM THE WAIST DOWN. He is currently Senior Editor for Smith and Kraus Publishers, Inc., the nation's largest theatrical trade publisher, for whom he edits annual anthologies of best plays by new playwrights, best ten-minute plays, best monologues for men and for women and best stage scenes. For many years he wrote a column on his adventures in the theater for the Chelsea News and The Westsider and now writes this weekly column for Smith and Kraus's web site smithandkraus.com. He has also served as literary manager orliterary consultant for several theaters, such as Urban Stages and American Jewish Theatre. He is a member of the NYC press corps and is an Outer Critics Circle member. He has served many times over the years as a judge and commentator for various national play contests and lectures regularly at colleges and universities.
The hottest collection of 10-minute plays by American playwrights for 2009, The Best Ten-Minute Plays of 2008 for 3 or More Actors is part of the essential 2-book set for producers looking for high-quality plays and professors who need relevant and engaging material for their class work. Lawrence Harbison has assembled the most compelling comedies, dramas, fantasies, and mysteries of the year a chronicle of what this year's playwrights had to say about the world around them.Plays for Two Men and One WomanThe Adventures of . . . by Kathleen WarnockAntarctica by George FreekHow to Survive in Corporate America (A Manual in Eight Steps) by Ian AugustIn the Trap by Carl L. WilliamsMoon Man by Jami BrandliOctober People by Mark LambeckThe Other Shoe by Lisa SolandThe Perfect Red by Paola Soto HornbuckleSqualor by Gina GionfriddoThree Turkeys Waiting for Corncobs by Don NigroTo Darfur by Erik Christian HansonWhatever Happened to Finger Painting, Animal Crackers, andAfternoon Naps? by Nora ChauPlays for One Man and Two WomenThe Answer by Vanessa DavidDo-Overs by Larry HammGloom, Doom, and Soul-Crushing Misery by Robin Rice LichtigThe Growth by Chris Shaw SwansonMeasuring Matthew by Patrick GabridgeNight Terrors by Wendy MacLeodZachary Zwillinger Eats People by Lauren D. YeePlays for Three WomenThe Baby War by Laura CottonSexual Perversity in Connecticut by Mike FolieSister Snell by Mark TroyPlays for Three MenCurrent Season by Vanessa DavidThe Title Fight by Ian AugustPlays for Two Men and Two WomenIntervention by Mark LambeckPlays for Three Men and One WomanGuys, Only Guys! by Jerome ParissePlays for Two Men and Three WomenThe Birthday Knife by Jerome ParissePlays for Three Men and Three WomenCabfare for the Common Man by Mark Harvey LevinePlays for Four Men and One WomanA Case of Anxiety by Mark Harvey LevineFear of Spheres by Lisa LoomerAbout the AuthorFor over thirty years Lawrence Harbison was in charge of new play acquisition for Samuel French, Inc., during which time he was responsible for the first publication of such luminaries as Jane Martin, Don Nigro, Tina Howe, Theresa Rebeck, Jose Rivera, William Mastrosimone, Charles Fuller, and Ken Ludwig, among many others; and the acquisition of musicals such as SMOKE ON THE MOUNTAIN, PUMP BOYS AND DINETTES, A...MY NAME IS ALICE, and THREE GUYS NAKED FROM THE WAIST DOWN. He is currently Senior Editor for Smith and Kraus Publishers, Inc., the nation's largest theatrical trade publisher, for whom he edits annual anthologies of best plays by new playwrights, best ten-minute plays, best monologues for men and for women and best stage scenes. For many years he wrote a column on his adventures in the theater for the Chelsea News and The Westsider and now writes this weekly column for Smith and Kraus's web site smithandkraus.com. He has also served as literary manager or literary consultant for several theaters, such as Urban Stages and American Jewish Theatre. He is a member of the NYC press corps and is an Outer Critics Circle member. He has served many times over the years as a judge and commentator for various national play contests and lectures regularly at colleges and universities.
In this volume you will find fifty terrific new ten-minute plays all successfully produced during the 2014-2015 theatrical season. They are written in a variety of styles. Some realistic plays, some are not, some comic, some are dramatic. -- Amazon.com.
This book is written for the beginning or seasoned playwright, as well as for actors (or anyone) wishing to attempt their first ten-minute play. Every aspect of writing a ten-minute play is covered, from perking with an idea, to starting the play, to developing it, to effective rewriting, to completing it, even to how to get the most out of readings of your play once you've finished it. Writing the 10-Minute Play also reveals the best ways to market your play and includes an extensive listing of ten-minute play contests. The guide contains many in-depth interviews with international playwrights who have had substantial success with their ten-minute plays, as well as publishers of ten-minute plays and producers of ten-minute play festivals. Included as well are several award-winning ten-minute plays, followed by a discussion by the respective playwrights on how they went about creating their play, from start to finish. The final chapter offers tips and suggestions from artistic directors of ten-minute play festivals and from well-known playwrights whose ten-minute plays have received awards and publishing deals.
A collection of one-act plays from American playwrights, which cover such themes as love, fantasy, politics, grief, marriage, crime, and deceit.
Collected from theaters across America, this new ten-minute collection of 23 plays reveals the power and pleasures of this tightly knit form. Plays for 3 Actors:Shot Americans (3W) by Kayla CaganLarry Gets the Call (2W, 1M) by Matt CasarinoShades (1W, 2M) by Mark Harvey LevineEvery Man (2W, 1M) by Michael NiedermanMolly Whuppie (2W, 1M) by Don NigroIt's Called Development (3W) by Anne PhelanAn Ongoing Examination of the True Meaning of Life (2W, 1M or 1W, 2M) by S. W. SenekPistachio Stories (2W, 1M) by Laura ShamasThe Searcher (1W, 2M) by Frederick StroppelMore (1W, 2M) by Jeff TabnickWeird Water (1W, 2M) by Robert Lewis VaughanDead Boy (2W, 1M) by Craig WrightPlays for 4 Actors:Vinny's Vision (4M) by Jim GordonBetting the Karmic House (1W, 3M or 2W, 2M) by Bill JohnsonInfant Morality (3W, 1M) by Craig PospisilHow to Speak Man (4M) by Sharyn RothsteinRemind Me Again (3W, 1M) by Sharyn RothsteinHell Hath Three Furies (3W, 1M) by Aoise StratfordA Moment of Your Undivided Attention (3W, 1M) by Alina TrowbridgePlays for 5 Actors:Tina at the Times or Below the Fold (2W, 3M) by Wendy MacLeodPlays for 6 or More ActorsToys in Babeland (1W, 8M) by Delilah GomezAt the time (5W, 3M) by Winter MillerSmall World (3W, 3M) by Tracey Scott WilsonD. L. LEPIDUS is a freelance critic and editor who has covered the New York theater scene for more than twenty-five years. Since 1993, his work has appeared in theater columns for Chelsea Clinton News and the Westsider.
Contents Plays for One Man and One Woman ALL IN A DAY''S WORK, M. Lynda Robinson AMERICAN FLAG, Sylvia Reed ARMS, Bekah Brunstetter CRIMES AGAINST HUMANITY, Ross Maxwell EVERYTHING IN BETWEEN, Shannon Murdoch FALLOUT, Sheldon W. Senek HEARTBREAKER, Michael Golamco PIE AND THE SKY, Vanessa David PRIZE INSIDE, Peter Hanrahan THE REMOTE, Mark Harvey Levine RIGHT SENSATION, Rich Orloff A RUSH OF WINGS, Mrinalini Kanath SOMETIMES ROMEO IS SAD, Suzanne Bradbeer SUPERHERO, Mark Harvey Levine Plays for Two Men BE THE HUNTER, Tom Coash THE BOX, Dan Aibel BRUSHSTROKE, John Shanahan CAVE KREWE, Kara Lee Corthron COCKTAIL CONVERSATION, Andrew Biss NORMAL, Jami Brandli THE STREAK, Gary Richards Plays for Two Women THE DRESS REHEARSAL, Marisa Smith HANGING ON, Claudia Haas MY BOYFRIEND''S WIFE, Barbara Lindsay THE PLOT, Mark Troy PRIZED BEGONIAS, Bara Swain PUMPKIN PATCH, Patrick Gabridge STOP, RAIN, Patrick Gabridge THE THERAPEUTIC HOUR, Guy Fredrick Glass THE VAN BUREN CLOAK ROOM, Adam Kraar Foreword The ten-minute play as an accepted dramatic form is a fairly recent development. Some would say that it''s popularity is a result of our diminished attention spans, which may be partially true; but here''s how the genre came to be. For several years, Actors Theatre of Louisville, under the leadership of Jon Jory, commissioned playwrights to write plays of short duration for performance by its apprentice company. This was a way for the theater to do something to help playwrights, but also it was a way to develop relationships with them, many of which bore fruit over the years as these writers went on to have full-length plays staged in Actors Theater''s famed Humana Festival. Over the years, Actors Theatre built up quite a library of these short plays, all of them in manuscript. An editor for the playpublisher Samuel French got the idea that maybe other theaters, actors, and students might be interested in these plays if they were made available to them. He managed to swing a deal for French to publish an anthology of Actors Theatre''s best short plays, which they were now calling "ten-minute plays." This anthology was so successful that French has now published six such volumes, and most of the other publishers have followed suit, including Smith and Kraus, as its annual ten-minute play anthologies will attest. Bills of ten-minute plays are now produced regularly - all over the world.There are some who feel that the ten-minute play ought to be an opportunity for playwrights to experiment - with language, with form, with character, with subject matter. "The best" ten-minute plays are therefore the ones that depart the most from conventional drama. For the purposes of this series, here is how I define "best":that which is most useful to people who will buy this book and produce these plays. Some actors and directors prefer straightforward realism; whereas others go for more abstract, experimental plays. I don''t carry a torch for any one style, so I have tried to include in this book examples of realism and, shall we say, "non-realism." I hope you will find herein more than one play that rings your bell. They all rang mine. Most of the plays in this book are by exciting up-and-comers, such as Bara Swain, Andrew Biss, Michael Golamco, Vanessa David and John Shanahan.Should you find a play (or plays) in this book that you want to produce, you will find information in the back on who to contact for performance rights. After seven years of doing these books for Smith and Kraus, I have decided to step aside and have turned over the reins to my old pal Lawrence Harbison, who knows as much about the theater and its plays and playwrights as anyone I know. It has been a very rewarding and very challenging task editing these anthologies; but now it is time to hang up my red pencil. I am retiring to Myrtle Beach, there to become one of those geezers who stands around all day in a kilt, sending foursomes of awful golfers off the first tee. In my free time I won''t be reading plays: I''ll be taking up bungee jumping, hang gliding, and alligator wrestling. There is life beyond the theater. D. L. Lepidus Myrtle Beach, S.C.This collection presents 30 complete 10-minute plays for one man and one woman, two men, and two women, representing various styles of realism and "nonrealism," by up-and- coming playwrights including Bara Swain, Andrew Biss, Vanessa David, and John Shanahan. Contact information is given for obtaining performance rights. The plays were originally commissioned by the Actors Theater of Louisville. Book News, August 2008
Presents a collection of ten-minute plays taken from a variety of theaters across the United States.
The Director as Collaborator teaches essential directing skills while emphasizing how directors and theater productions benefit from collaboration. Good collaboration occurs when the director shares responsibility for the artistic creation with the entire production team, including actors, designers, stage managers, and technical staff. Leadership does not preclude collaboration; in theater, these concepts can and should be complementary. Students will develop their abilities by directing short scenes and plays and by participating in group exercises. New to the second edition: updated interviews, exercises, forms, and appendices new chapter on technology including digital research, previsualization and drafting programs, and web-sharing sites new chapter on devised and ensemble-based works new chapter on immersive theater, including material and exercises on environmental staging and audience–performer interaction
(Best American Short Plays). "Sticks and stones may break my bones, but words will never hurt me." Really? Words can break spirits, destroy confidence. They can also build hope and incite great acts of heroism. Playwrights know this, and so do theater audiences. Otherwise, why go? Words matter and carry clout every bit as dangerous as a hammer or crowbar. This, too, playwrights know. The monologues in this volume are full of such blows, striking at our imaginations and our memories, generating responses such as joyful laughter or chilling surprise. Others squeeze us into worlds we've never experienced, or perhaps experienced at the furthest edges of memory and recollection. Still others may help us alter the way we see certain things, people, or beliefs. Best Monologues from The Best American Short Plays, Volume Three is a collection of monologues drawn from the popular Best American Short Plays series, an archive of works from many of the best playwrights active today. Long or short, serious or not, excerpts or entireties, this collection abounds in speech acts that may trigger physical reactions and almost certainly will transform an attitude or two, drawing out lost memories, creating new ones, and definitely entertaining, engaging, amusing us all along the way.