Download Free The Berkeley Literary Womens Revolution Book in PDF and EPUB Free Download. You can read online The Berkeley Literary Womens Revolution and write the review.

Even during the late 1960s, academia remained largely the province of men. That began to change at the University of California at Berkeley in 1969, when Marsha Hudson posted notices across campus proposing a feminist literary salon. The purpose was to discuss women's literature: a few female writers received passing notice in the classroom, but the multitude was either ignored or forgotten. The informal gatherings continued for years, growing into an activist movement that established the first Women's Studies major at Berkeley; helped produce the first major anthologies of women's poetry; and fought for equality and recognition in every corner of the education system. They risked their academic futures in the process, but the efforts of those women and others helped change the face and shape of higher learning forever. These 16 essays were written by members of Marsha's Salon and its successors, the Comparative Literature Women's Caucus, a group of female graduate students at UC-Berkeley organized in 1969 by Marsha Hudson. The group met for years, and helped lead the charge to bring sexual equality to all facets of education. These annotated essays recount the atmosphere of the time that made change necessary, the upheaval brought about by the feminist revolution in education, the direction that the movement took, and the current state of feminist learning in academia. An appendix features period letters and documents from group members (regarding the need for changes at Berkeley) as well as statistical information about women's studies and related subjects.
Explores the global history and contributions of the feminist revolution. The Feminist Revolution offers an overview of women's struggle for equal rights in the late twentieth century. Beginning with the auspicious founding of the National Organization for Women in 1966, at a time when women across the world were mobilizing individually and collectively in the fight to assert their independence and establish their rights in society, the book traces a path through political campaigns, protests, the formation of women's publishing houses and groundbreaking magazines, and other events that shaped women's history. It examines women's determination to free themselves from definition by male culture, wanting not only to "take back the night" but also to reclaim their bodies, their minds, and their cultural identity. It demonstrates as well that the feminist revolution was enacted by women from all backgrounds, of every color, and of all ages and that it took place in the home, in workplaces, and on the streets of every major town and city. This sweeping overview of the key decades in the feminist revolution also brings together for the first time many of these women's own unpublished stories, which together offer tribute to the daring, humor, and creative spirit of its participants.
Why is Berkeley famous worldwide? Because of its inventiveness, its liberal attitudes, and its artists and writers. Did you know that public radio, California cuisine, the lie detector, the atomic bomb, free speech, the hot tub, and yuppies were all invented in this all-American city? J. Stitt Wilson, Berkeley's first Socialist mayor, once said, "Any kind of a day in Berkeley seems sweeter than the best day anywhere else." In How Berkeley Became Berkeley, Dave Weinstein goes about showing us just that. He tells the story of this unique city from the beginning-the 1840s-to present day by focusing on the events and people that made Berkeley into the famous-and infamous-place that it continues to be. More than any other general book about Berkeley, How Berkeley Became Berkeley brings the history of the town and the university to life with anecdotes that are amusing, surprising, sometimes shocking, and often touching. Dave Weinstein, a native of Long Island, New York, received his undergraduate degree in art history at Columbia University in 1973, and then studied journalism at UC Berkeley. He has lived in the Bay Area for thirty years, and spent twenty years as a reporter and editor for daily newspapers. Dave has written two books, Signature Architects of the San Francisco Bay Area, and the text for a photo book Berkeley Rocks. He writes for the magazine CA Modern, and for four years has been writing a popular series of architect profiles for the San Francisco Chronicle.
From succinct reportage of contemporary historical circumstances to comic accounts of twentieth-century urban living to carefully stylized modernist works of fiction, the selections in this anthology reflect the diversity, liveliness, humor, and surprising cosmopolitanism of women's writing from the period. This collection also reveals the ways in which women writers imagined and inscribed new meanings to Chinese feminism. Also included are biographical information on the writers, bibliographical materials, and a critical introduction by Dooling.
Female spoken word artists have become the spokeswomen for a new generation. This demanding oral poetry of the early 21st century has defined a vanguard of lithely muscled voices; women who think and act decisively to create their distinctive and desperately earned realities. The combination of the eminent slam movement and the upsurge of bold underground feminism has created a unique pool of women who verbally challenge society on all fronts. Editor Alix Olson (internationally touring spoken word artist-activist) brought together a variety of astounding spoken word artists for Word Warriors. Included in this collection are Patricia Smith and Eileen Myles, two of our most formidable spoken-word foremothers, Tony-award winners Sarah Jones, Suheir Hammad and Staceyann Chin, recording artists Bitch and Lynn Breedlove from the dyke-punk band Tribe 8, award-winning writer Michelle Tea, and many more. These women join other amazing artists from many different backgrounds to create Word Warriors, a powerful and comprehensive collection of work from the best and brightest female spoken word artists today.
The deeply reported story of identical twin brothers who escape El Salvador's violence to build new lives in California—fighting to survive, to stay, and to belong. Growing up in rural El Salvador in the wake of the civil war, the United States was a distant fantasy to identical twins Ernesto and Raul Flores—until, at age seventeen, a deadly threat from the region’s brutal gangs forces them to flee the only home they’ve ever known. In this urgent chronicle of contemporary immigration, journalist Lauren Markham follows the Flores twins as they make their way across the Rio Grande and the Texas desert, into the hands of immigration authorities, and from there to their estranged older brother in Oakland, CA. Soon these unaccompanied minors are navigating school in a new language, working to pay down their mounting coyote debt, and facing their day in immigration court, while also encountering the triumphs and pitfalls of teenage life with only each other for support. With intimate access and breathtaking range, Markham offers an unforgettable testament to the migrant experience. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW | WINNER OF THE RIDENHOUR BOOK PRIZE | SILVER WINNER OF THE CALIFORNIA BOOK AWARD | FINALIST FOR THE LOS ANGELES TIMES BOOK PRIZE | SHORTLISTED FOR THE J. ANTHONY LUKAS BOOK PRIZE | LONGLISTED FOR THE PEN/BOGRAD WELD PRIZE FOR BIOGRAPHY
This is a critical inquiry into the connections between emergent feminist ideologies in China and the production of 'modern' women's writing from the demise of the last imperial dynasty to the founding of the PRC. It accentuates both well-known and under-represented literary voices who intervened in the gender debates of their generation as well as contextualises the strategies used in imagining alternative stories of female experience and potential. It asks two questions: first, how did the advent of enlightened views of gender relations and sexuality influence literary practices of 'new women' in terms of narrative forms and strategies, readership, and publication venues? Second, how do these representations attest to the way these female intellectuals engaged and expanded social and political concerns from the personal to the national?
A challenging rethinking of traditional theories, and redefinition of the genre, of realism.
At the end of the Qing dynasty, works of fiction by male authors placed women in new roles. Fiction’s Family delves into the writings of one literary family from western Zhejiang whose works were emblematic of shifting attitudes toward women. The mother, Wang Qingdi, and the father, Zhan Sizeng, published their poems during the second half of the nineteenth century. Two of their four sons, Zhan Xi and Zhan Kai, wrote novels that promoted reforms in women’s lives. This book explores the intergenerational link, as well as relations between the sons, to find out how the conflicts faced by the parents may have been refigured in the novels of their sons. Its central question is about the brothers’ reformist attitudes. Were they based on the pronouncements of political leaders? Were they the result of trends in Shanghai publishing? Or did they derive from Wang Qingdi’s disappointment in her “companionate marriage,” as manifested in her poems? By placing one family at the center of this study, Ellen Widmer illuminates the diachronic bridge between the late Qing and the period just before it, the synchronic interplay of genres during the brothers’ lifetimes, and the interaction of Shanghai publishing with regions outside Shanghai.
Writing the Revolution is a microhistory of a middle-class Parisian woman, Rosalie Jullien, whose nearly 1,000 familiar letters have never before been studied. The Jullien name is not new to histories of the French Revolution. Rosalie's son, Marc-Antoine, known in the family as Jules, was closely connected to the Committee of Public Safety during the Reign of Terror. However, despite being the wife and mother of revolutionary elites, Rosalie led a private life. Connected to the Revolution in very personal ways, she was also distanced from the lime light because of her gender and her proclivity for modesty. Her correspondence allows readers to enter her private world and see the intellectual, emotional, and familial life of a revolutionary in all of its complexity. The prevailing thesis in the field holds that the revolutionary elite constructed the New Regime against women, effectively excluding them from the political sphere, although nearly every existing study of women has approached the subject through oblique sources and mostly male voices. Rosalie Jullien's long missives to her husband and son, however, document her relationship to politics as she explained it. Despite never seeking a public role, Rosalie developed a political identity that included a revolutionized understanding of womanhood. Writing the Revolution builds on the innovative scholarship on the history of the family during the Revolution and demonstrates how the family sphere was revolutionized even in cases where the wife maintained a traditional family role. Jullien's correspondence boasts many values as an artifact of the Revolutionary experience, of women's lives, and of epistolary culture. Rosalie demonstrates the individual's experience within the evolving structures of a modernizing state, family, and gender identity. The period covered spans from 1775 to 1810. A portrayal of Rosalie's early married life, and the decade she spent with her husband and children in a small town north of Grenoble, begins the book, and is followed by a chapter on the couple's reading practices and their views toward religion prior to the Revolution. The heart of the research focuses on Rosalie's life and experiences in Revolutionary Paris and her decision, in the aftermath of the Terror, to emphasize private, domestic life over politics.