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The Journal of the Anthropological Institute of Great Britain and Ireland
In elegant, sensual prose, Michael Crummey crafts a haunting tale set in Newfoundland at the turn of the 19th century. A richly imagined story about love, loss and the heartbreaking compromises—both personal and political—that undermine lives, River Thieves is a masterful debut novel. Published in Canada and the United States, it joins a wave of classic literature from eastern Canada, including the works of Alistair MacLeod, Wayne Johnston and David Adams Richards, while resonating at times with the spirit of Charles Frazier’s Cold Mountain and Cormac McCarthy’s Border Trilogy. An enthralling story of passion and suspense, River Thieves captures both the vast sweep of history and the intimate lives of a deeply emotional and complex cast of characters caught in its wake.
A history of the Beothuk of Newfoundland. Exciting in its detail, this book gives us a rare picture of a lost people whose culture was destroyed after the arrival of white settlers.
Elusive Empire is the first full account of how during 1670 and 1730 French settlers came to the Americas. It examines how they and thousands of African slaves together with Amerindians constructed settlements and produced and traded commodities for export. Bringing together much new evidence, the author explores how the newly constructed societies and new economies, without precedent in France, interacted with the growing international violence in the Atlantic world in order to present a fresh perspective of the multifarious French colonizing experience in the Americas.
Marshall (honorary research associate with the Institute of Social and Economic Research at Memorial U., Canada) documents the history of Newfoundland's indigenous Beothuk people, from their first encounter with Europeans in the 1500s to their demise in 1829 with the death of Shanawdithit, the last survivor. The second part provides a comprehensive ethnographic review of the Beothuk. Ample bandw illustrations with a few in color. Annotation copyrighted by Book News, Inc., Portland, OR
In a gesture toward traditional First Nations orality, Peter Cole blends poetic and dramatic voices with storytelling. A conversation between two tricksters, Coyote and Raven, and the colonized and the colonizers, his narrative takes the form of a canoe journey. Cole draws on traditional Aboriginal knowledge to move away from the western genres that have long contained, shaped, and determined ab/originality. Written in free verse, Coyote and Raven Go Canoeing is meant to be read aloud and breaks new ground by making orality the foundation of its scholarship. Cole moves beyond the rhetoric and presumption of white academic (de/re)colonizers to aboriginal spaces recreated by aboriginal peoples. Rather than employing the traditional western practice of gathering information about exoticized other, demonized other, contained other, Coyote and Raven Go Canoeing is a celebration of aboriginal thought, spirituality, and practice, a sharing of lived experience as First Peoples.