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The Bengal Famine and Cultural Production: Signifying Colonial Trauma analyses the various modes of representation used by Anglophone authors and artists in response to the Bengal Famine of 1943. Official imperial narratives blamed the famine on natural disaster, war, exploitation by merchants, and incompetent local officials rather than members of the imperial government and have remained dominant in the global public imaginary until recent years. The authors and artists referenced in this study appealed to elite Bengali, South Asian, and international audiences to resist imperial narratives that minimized or erased suffering and instead encouraged relief efforts, promoted nationalist movements, maintained collective memory, innovated ethical forms of representation, and prompted systemic change. They were part of an established tradition of English in the subcontinent as the language of empire and cosmopolitanism but are not accessible, widely taught, or well-known. The direct encounter with suffering was and remains insufficient for prompting systemic change or even engagement, and yet, the recognition of trauma is crucial for personal and collective well-being. The cultural production of famine writers and artists sought to integrate the suffering and agency of the destitute into narratives of Bengali and South Asian identity and of the Second World War. It is crucial to the Humanities to recognize this body of work as a cultural counter-discourse to the biopower of empire and to engage these texts as relevant to theories of trauma. The book will be of interest to researchers in the field of South Asian history, the history of the Bengal famine, South Asian Anglophone literature, twentieth century art history, and trauma theory.
Through the lens of cinema, this book explores the ways in which the United States, Britain and India impacted each other politically, culturally and ideologically. It argues that American films of the 1920s posited alternative notions of whiteness and the West to that of Britain, which stood for democracy and social mobility even at a time of virulent racism. The book examines the impact that the American cinema has on Indian filmmakers of the period, who were integrating its conventions with indigenous artistic traditions to articulate an Indian modernity. It considers the way American films in the 1920s presented an orientalist fantasy of Asia, which occluded the harsh realities of anti-Asian sentiment and legislation in the period as well as the exciting engagement of anti-imperial activists who sought to use the United States as the base of a transnational network. The book goes on to analyse the American ‘empire films’ of the 1930s, which adapted British narratives of empire to represent the United States as a new global paradigm. Presenting close readings of films, literature and art from the era, the book engages cinema studies with theories of post-colonialism and transnationalism, and provides a novel approach to the study of Indian cinema.
The term "food security" does not immediately signal research done in humanities disciplines. It refers to a complex, contested issue, whose currency and significance are hardly debatable given present concerns about environmental change, resource management, and sustainability. The subject is thus largely studied within science and social science disciplines in current or very recent historical contexts. This book brings together perspectives on food security and related environmental concerns from experts in the disciplines of literary studies, history, science, and social sciences. It allows readers to compare past and contemporary attitudes towards the issues in India and Britain – the economic, social, and environmental histories of these two nations have been closely connected ever since British travellers began to visit India in the latter half of the sixteenth century. The chapters in this book discuss themes such as climate, harvest failure, trade, technological improvements, transport networks, charity measures, and popular protest, which affected food security in both countries from the seventeenth century onwards. The authors cover a range of disciplinary and interdisciplinary approaches, and their chapters allow readers to understand and compare different methodologies as well as different contexts of time and place relevant to the topic. This book will be of great interest to students and researchers of economic and social history, environmental history, literary studies, and South Asian studies.
"The Bengal Famine and Cultural Production: Signifying Colonial Trauma analyses the various modes of representation used by Anglophone authors and artists in response to the Bengal Famine of 1943. Official imperial narratives blamed the famine on natural disaster, war, exploitation by merchants, and incompetent local officials rather than members of the imperial government and have remained dominant in the global public imaginary until recent years. The authors and artists referenced in this study appealed to elite Bengali, South Asian, and international audiences to resist imperial narratives that minimized or erased suffering and instead encouraged relief efforts, promoted nationalist movements, maintained collective memory, innovated ethical forms of representation, and prompted systemic change. They were part of an established tradition of English in the subcontinent as the language of empire and cosmopolitanism but are not accessible, widely taught, or well-known. The direct encounter with suffering was and remains insufficient for prompting systemic change or even engagement, and yet, the recognition of trauma is crucial for personal and collective well-being. The cultural production of famine writers and artists sought to integrate the suffering and agency of the destitute into narratives of Bengali and South Asian identity and of the Second World War. It is crucial to the Humanities to recognize this body of work as a cultural counter-discourse to the biopower of empire and to engage these texts as relevant to theories of trauma. The book will be of interest to researchers in the field of South Asian history, the history of the Bengal famine, South Asian Anglophone literature, twentieth century art history, and trauma theory"--
The title of this book is intended to be an honest one, far from exaggerated phrases and empty meanings. Three words, a preposition, and a coordinating conjunction: ‘Topics on Art and Money’. A coordinating conjunction, not a subordinating one, since this book does not intend to express a hierarchical order. As all words united by a coordinating conjunction, this book intends to connect them. As simple as that. This book presents, through the chapters written by its authors, some of the ways in which Art and Money are linked. In order to observe this relationship, this book consists of authors whose analysis refers to political propaganda, historical events with artistic repercussions or strictly economic analysis of the art market, for example. “And” connects, “or” divides. This book not only presents a connection between Art and Money, but between academics from different fields and geographical areas. This humble book presents, precisely, how individuals from different specialties think of this relationship. It will appeal to academics dedicated to Arts Economics and Cultural Management, professionals from the art market/world with an interest in works of an academic nature, and general readers with an interest in this topic and a strong knowledge of Arts Economics.
Amidst the issues of our changing climate, a critical yet often overlooked concern comes to the forefront—the profound impact on mental health. As our planet experiences shifts in temperature and ecosystems teeter on the brink, a silent crisis takes root, woven into the fabric of our collective well-being. The Climate Change Crisis lays bare the extensive consequences of environmental upheaval on the human psyche, transcending scientific debates and policy discussions. No longer confined to abstract notions, climate change emerges as an omnipresent force, shaping not only landscapes but profoundly affecting the mental resilience of individuals and communities. This urgent challenge resonates through the pages of The Climate Change Crisis and Its Impact on Mental Health, which acts as a guiding resource for academic scholars navigating the path toward holistic solutions. In the relentless face of climate change, awareness becomes a potent tool for change. This book illuminates the unseen toll on mental well-being, underscoring the direct and indirect psychological impacts of environmental shifts. It delves into the ethical and economic dimensions, amplifying the urgency for comprehensive solutions. Moreover, it not only examines the challenges but also provides a roadmap for mitigation and adaptation. It empowers scholars to delve into topics like disaster response, resource scarcity, and climate-induced migration, fostering a deeper understanding of the complexities at play.
Examines the interconnected events including World War II, India's struggle for independence, and a period of acute scarcity that lead to mass starvation in colonial Bengal.
This book is a focussed treatment of a famine both as an 'event' and a 'process'. It is a close-up of a peasant economy in the throes of a crisis which temporarily eroded the value-system determining the normal pattern of entitlements. An investigation of the socio-economic, ecological and cultural determinants of the famine helps evolve a coherent framework. The emphasis is on the distinctive problems of the various economic regions, most notably the tribal belts. Chakrabarti applies Amartya Sen's theory of exchange entitlements to a nineteenth century famine situation in Bengal, and finds that a market-based entitlement failure precipitating severe famine conditions, even without receiving any impulse from food production , has little relevance here. Though teh book underlines the predicament of the subalterns, the famine is not seen from the viewpoint of any specific group or community. The focus is, rather, on the phenomenon of famine in its totality---on the agony and trauma of a peasant society thrown out of gear in an abnormal situation, and the crisis of identities that ensued.
This book provides an in-depth analysis and critical examination of the representation of ethnic, sexual, cultural, and individual identities in selected literary works by contemporary writers from Northeast India. The book explores the complex dynamics of identity construction, sexuality, marginalisation, ethnicity, and belonging in the context of Meghalaya and Northeast India as a whole. The author analyses poetry and prose by Janice Pariat, Anjum Hasan, Kynpham Singh Nongkynrih, and other Khasi writers. These works candidly portray the turmoil afflicting contemporary Meghalaya – from insurgency and ethnic tensions to ecological threats and loss of roots as well as reconciliation, integration, and mutual understanding. Using postmodern and postcolonial literary strategies, the book depicts fluid, heterogeneous, and multifaceted notions of identity in Northeast India. An exploration of ethnicity, belonging, and unbelonging in the Northeastern context, this book presents marginalised voices and liminal spaces. It will be of interest to academics focusing on Indian English literature, postcolonial literature, and South Asian Studies.
This book examines genealogies of contagion in between contagion as microbe and contagion as affect. It analyzes how and why hygiene became authoritative and succeeded in becoming a part of the broader social and cultural vocabulary within the colonialist, anti-colonial, as well as modernist discourses.