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Why were so many religious images and objects broken and damaged in the course of the Reformation? Margaret Aston's magisterial new book charts the conflicting imperatives of destruction and rebuilding throughout the English Reformation from the desecration of images, rails and screens to bells, organs and stained glass windows. She explores the motivations of those who smashed images of the crucifixion in stained glass windows and who pulled down crosses and defaced symbols of the Trinity. She shows that destruction was part of a methodology of religious revolution designed to change people as well as places and to forge in the long term new generations of new believers. Beyond blanked walls and whited windows were beliefs and minds impregnated by new modes of religious learning. Idol-breaking with its emphasis on the treacheries of images fundamentally transformed not only Anglican ways of worship but also of seeing, hearing and remembering.
This Is A New Release Of The Original 1912 Edition.
Jill Johnston has written a magisterial biography of her father, the English bellfounder Cyril F. Johnston (1884-1950), an homage to his life and the craft of bellfounding. During his time, he developed such a passion for his vocation that, almost single-handedly, he turned it into a profession celebre. Exemplars of his triumphs are the Laura Spelman Rockefeller 72-bell Carillon at Riverside Church in New York City, and the Peace Tower 53-bell carillon in Ottawa, Canada.
Excerpt from Church Bells of England Many books have already been published on the subject of Church Bells, and in particular those Of England, but as yet there hardly exists an adequate manual of the subject; much that has been written being now out of date, or lacking in comprehensiveness, or marred by superficial and inaccurate treatment. The present volume is an attempt by one who has made our Church Bells his special study for over twenty years, to set forth within a convenient compass the more important aspects of a subject which from its many-sidedness and its still living interest appeals perhaps to a more extensive class of readers than any other branch of English archaeology. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.