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When Tess and Eliot stumble upon an ancient book hidden in a secret tunnel beneath the school library, they accidentally release a devil from his book-bound prison, and he’ll stop at nothing to stay free. He’ll manipulate all the ink in the library books to do his bidding, he’ll murder in the stacks, and he’ll bleed into every inch of Tess’s life until his freedom is permanent. Forced to work together, Tess and Eliot have to find a way to re-trap the devil before he kills everyone they know and love, including, increasingly, each other. And compared to what the devil has in store for them, school stress suddenly doesn’t seem so bad after all.
Originally written in 1938 but never published due to its controversial nature, an insightful guide reveals the seven principles of good that will allow anyone to triumph over the obstacles that must be faced in reaching personal goals.
Lucas Corso, a rare book hunter, is called in to authenticate a fragment of the original manuscript of Alexandre Dumas's "The Three Musketeers," found in the possession of a murdered bibliophile, and soon finds himself involved in an adventure in which life imitates literature.
Let me ask you a question, who is the Antichrist? Have you ever tried to figure out the answer to this question? If you're like the average person who understands the days we are living in, this question has probably crossed your mind a time or two. I have been asked this very question for a few years now by many different people along life's road. God in his mercy has saw fit to give me the answer to this question, and I am so grateful for it. Through much study and hours upon hours of research God has cleared up this debate through the publication of this book. There are so many opinions on who the Antichrist is, but most fail to line up with the Bible. Many people have even written books on this subject through the years, and they are good books, but at the books end they never really answer this question, and they still leave you guessing. My goal in writing this book was to give the public a clear and accurate answer from the Bible that once and for all settles the question of who is the Antichrist. I promise you one thing, if you read this entire book, you will find it impossible to deny who the Antichrist is. There are hundreds of Bible verses contained within this book that will expose this man of destiny. Please allow God's Holy Spirit to speak to your heart as He has spoken to mine. This book will shock you, excite you, and provide many answers concerning this topic. I pray that God will open your eyes as a result of this study, and show you that the end is near, and JESUS is getting ready to come. May God bless you, Brother Tony.
Finalist, 2021 Bram Stoker Awards (Superior Achievement in Non-Fiction) The first collection of essays to address Satan’s ubiquitous and popular appearances in film Lucifer and cinema have been intertwined since the origins of the medium. As humankind’s greatest antagonist and the incarnation of pure evil, the cinematic devil embodies our own culturally specific anxieties and desires, reflecting moviegoers’ collective conceptions of good and evil, right and wrong, sin and salvation. Giving the Devil His Due is the first book of its kind to examine the history and significance of Satan onscreen. This collection explores how the devil is not just one monster among many, nor is he the “prince of darkness” merely because he has repeatedly flickered across cinema screens in darkened rooms since the origins of the medium. Satan is instead a force active in our lives. Films featuring the devil, therefore, are not just flights of fancy but narratives, sometimes reinforcing, sometimes calling into question, a familiar belief system. From the inception of motion pictures in the 1890s and continuing into the twenty-first century, these essays examine what cinematic representations tell us about the art of filmmaking, the desires of the film-going public, what the cultural moments of the films reflect, and the reciprocal influence they exert. Loosely organized chronologically by film, though some chapters address more than one film, this collection studies such classic movies as Faust, Rosemary’s Baby, The Omen, Angel Heart, The Witch, and The Last Temptation of Christ, as well as the appearance of the Devil in Disney animation. Guiding the contributions to this volume is the overarching idea that cinematic representations of Satan reflect not only the hypnotic powers of cinema to explore and depict the fantastic but also shifting social anxieties and desires that concern human morality and our place in the universe. Contributors: Simon Bacon, Katherine A. Fowkes, Regina Hansen, David Hauka, Russ Hunter, Barry C. Knowlton, Eloise R. Knowlton, Murray Leeder, Catherine O’Brien, R. Barton Palmer, Carl H. Sederholm, David Sterritt, J. P. Telotte, Jeffrey Andrew Weinstock
From the National Book Award-winning and National Book Critics Circle Award-winning author of The Gnostic Gospels comes a dramatic interpretation of Satan and his role on the Christian tradition. "Arresting...brilliant...this book illuminates the angels with which we must wrestle to come to the truth of our bedeviling spritual problems." —The Boston Globe With magisterial learning and the elan of a born storyteller, Pagels turns Satan’s story into an audacious exploration of Christianity’s shadow side, in which the gospel of love gives way to irrational hatreds that continue to haunt Christians and non-Christians alike.
THE STORY: Jabez Stone, young farmer, has just been married, and the guests are dancing at his wedding. But Jabez carries a burden, for he knows that, having sold his soul to the Devil, he must, on the stroke of midnight, deliver it up to him. Shortly before twelve Mr. Scratch, lawyer, enters and the company is thunderstruck. Jabez bids his guests begone; he has made his bargain and will pay the price. His bride, however, stands by him, and so will Daniel Webster, who has come for the festivities. Webster takes the case. But Scratch is a lawyer himself and out-argues the statesman. Webster demands a jury of real Americans, living or dead. Very well, agrees the Devil, he shall have them, and ghosts appear. Webster thunders, but to no avail, and at last realizing Scratch can better him on technical grounds, he changes his tactics and appeals to the ghostly jury, men who have retained some love of country. Rising to the height of his powers, Webster performs the miracle of winning a verdict of Not Guilty.