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These four plays prove The Village Voice's acclaim that Tom Donaghy has "mastered the Chekhovian tactic of having people say everything except what's on their mind." From the story of a young man trying to find order in a world in which he's had an affair with another man days after his wife left him and their infant daughter, to the emotional undercurrents of quiet, hard-working families faced with the reality that the lives they had envisioned for themselves are vastly different than the ones they are living, The Beginning of August and Other Plays showcases Donaghy's exceptional ability to bring to the surface the emotional undercurrents of everyday people. "Tom Donaghy has that marvelous ability to be acutely funny and moving at the same time. Tom Donaghy's plays reveal a truth not only about good writing but why good playwriting reveals a complexity impossible in any other form. These are masterful works." -- Wendy Wasserstein, author of The Heidi Chronicles; "Donaghy is a genius with fragmentation, with details so small that it comes as a shock to discover how sufficient they really are. Like the wiry pins piercing a grenade's shell, his scenes have similar -- and far more dangerous -- energy." -- The Boston Globe; "Tom Donaghy's plays are tender and lyrical: he has an acute eye and a sharp ear. He explores the everyday lives of ordinary Americans and makes them glow. His work is often moving and always beautiful." -- Andre Bishop, Artistic Director, Lincoln Center Theater.
#1 NEW YORK TIMES BESTSELLER • Millions of people have fallen in love with Auggie Pullman, an ordinary boy with an extraordinary face—who shows us that kindness brings us together no matter how far apart we are. Read the book that inspired the Choose Kind movement, a major motion picture, and the critically acclaimed graphic novel White Bird. And don't miss R.J. Palacio's highly anticipated new novel, Pony, available now! I won't describe what I look like. Whatever you're thinking, it's probably worse. August Pullman was born with a facial difference that, up until now, has prevented him from going to a mainstream school. Starting 5th grade at Beecher Prep, he wants nothing more than to be treated as an ordinary kid—but his new classmates can’t get past Auggie’s extraordinary face. Beginning from Auggie’s point of view and expanding to include his classmates, his sister, her boyfriend, and others, the perspectives converge to form a portrait of one community’s struggle with empathy, compassion, and acceptance. In a world where bullying among young people is an epidemic, this is a refreshing new narrative full of heart and hope. R.J. Palacio has called her debut novel “a meditation on kindness” —indeed, every reader will come away with a greater appreciation for the simple courage of friendship. Auggie is a hero to root for, a diamond in the rough who proves that you can’t blend in when you were born to stand out.
August Wilson is one of America's great playwrights. He lived in Pittsburgh from his birth in 1945 to 1978, when he moved to St. Paul, MN, and later to Seattle, WA. He died in 2005 and is buried in Pittsburgh.Wilson composed 10 plays chronicling the African American experience in each decade of the twentieth century--and he set nine of those plays in Pittsburgh's Hill District. He turned the history of a place into great theater. His plays, including Fences, The Piano Lesson, Two Trains Running, Jitney, Gem of the Ocean, and Radio Golf have become classics of the American stage.August Wilson: Pittsburgh Places in His Life and Plays guides visitors to key sites in the playwright's life and work in the Hill District and beyond. This guidebook enriches the understanding of those who have seen or read his plays, inspires others to do so, and educates all to the importance of respecting, caring for, and preserving the Pittsburgh places that shaped, challenged, and nurtured August Wilson's rich, creative legacy.
Pulitzer-prizewinning playwright August Wilson, author of Fences, Ma Rainey's Black Bottom, and The Piano Lesson, among other dramatic works, is one of the most well respected American playwrights on the contemporary stage. The founder of the Black Horizon Theater Company, his self-defined dramatic project is to review twentieth-century African American history by creating a play for each decade. Theater scholar and critic Harry J. Elam examines Wilson's published plays within the context of contemporary African American literature and in relation to concepts of memory and history, culture and resistance, race and representation. Elam finds that each of Wilson's plays recaptures narratives lost, ignored, or avoided to create a new experience of the past that questions the historical categories of race and the meanings of blackness. Harry J. Elam, Jr. is Professor of Drama at Stanford University and author of Taking It to the Streets: The Social Protest Theater of Luis Valdez and Amiri Baraka (The University of Michigan Press).
August Strindberg's 'Plays by August Strindberg, Fourth Series' is a collection of thought-provoking and intense plays that showcase his innovative theatrical style. Known for his naturalistic approach and psychological depth, Strindberg delves into themes of marriage, societal norms, and human nature with raw honesty and complexity. The plays included in this collection offer a window into the tumultuous relationships and inner turmoil of the characters, inviting readers to reflect on the darker aspects of love and power dynamics. August Strindberg, a prominent Swedish playwright, was a key figure in the development of modern drama. His own struggles with personal relationships and mental health greatly influenced his work, leading him to create a body of plays that challenge conventional theatrical conventions and push boundaries of storytelling. 'Plays by August Strindberg, Fourth Series' is a testament to Strindberg's genius and his ability to capture the complexities of the human experience with depth and nuance. I highly recommend 'Plays by August Strindberg, Fourth Series' to readers who appreciate bold and thought-provoking drama. This collection is a must-read for those interested in exploring the psychological depths of human relationships and the impact of societal expectations on individual behavior.
Wilson's approach can be seen as a communal romanticism, dealing with ordinary people, language, and problems, giving the priority to the feeling and human dignity over logic, power and money, putting freedom and equity as a pivotal concern, almost presenting women and children as victims, and highlighting the importance of heritage, identity, and culture. As his self-revision message, all those three plays demonstrate scenes of black self-review, showing the blacks' part of responsibility in the situation they live in. It is a project of self-rehabilitation for the blacks. Since American society is a multicultural spectrum, there is not any certain legibly ascribed American identity. That is why Wilson does not submit to the claims of the dominant cultural trend by some white critics like Brustein. Wilson confidently presents the blacks' identity typified with self-fulfilment and contribution to the American culture, as his alternative contributory image of man against the white dominant models, or the violent black ones.
In 'Plays by August Strindberg, Second Series,' readers are introduced to a collection of some of the most iconic works by the renowned Swedish playwright. Known for his innovative and experimental approach to theatre, Strindberg's plays delve into themes of class struggle, gender relations, and existential angst. This second series includes some of his most groundbreaking works, showcasing his signature literary style that combines naturalism, symbolism, and expressionism. The plays in this collection are a testament to Strindberg's deep understanding of human psychology and his ability to challenge societal norms through his art. Readers will be captivated by the raw emotion and intense character dynamics that unfold on the stage. August Strindberg's influence on modern drama is undeniable, making this collection a must-read for anyone interested in the development of theatrical techniques and storytelling. With each play offering a unique perspective on the human condition, 'Plays by August Strindberg, Second Series' is a literary masterpiece that continues to resonate with audiences worldwide.
This vintage book contains five plays by Johan Strindberg, including 'There Are Crimes and Crimes', 'Miss Julie', 'The Stronger', 'Creditors', and 'Pariah'. Johan August Strindberg (1849 - 1912) was a Swedish novelist, playwright, poet, and essayist. Contents include: 'Introduction To "There Are Crimes And Crimes', 'There Are Crimes And Crimes', 'Introduction To "Miss Julia"', 'Author's Preface', 'Miss Julia', 'Introduction To "The Stronger"', 'The Stronger', 'Introduction To "Creditors"', 'Creditors', 'Introduction To "Pariah"', and 'Pariah'. Many vintage books such as this are becoming increasingly rare and expensive. We are republishing this volume now in an affordable, modern, high-quality edition complete with a specially commissioned new introduction.
The award-winning playwright August Wilson used drama as a medium to write a history of twentieth-century America through the perspectives of its black citizenry. In the plays of his Pittsburgh Cycle, including the Pulitzer Prize-winning Fences and The Piano Lesson, Wilson mixes African spirituality with the realism of the American theater and puts African American storytelling and performance practices in dialogue with canonical writers like Aristotle and Shakespeare. As they portray black Americans living through migration, industrialization, and war, Wilson's plays explore the relation between a unified black consciousness and America's collective identity. In part 1 of this volume, "Materials," the editors survey sources on Wilson's biography, teachable texts of Wilson's plays, useful secondary readings, and compelling audiovisual and Web resources. The essays in part 2, "Approaches," look at a diverse set of issues in Wilson's work, including the importance of blues and jazz, intertextual connections to other playwrights, race in performance, Yoruban spirituality, and the role of women in the plays.