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This biting satire and brilliant apologetic from the Reformation entertains and educates as it exposes the follies and vices of Roman Catholicism. The book shared popularity with Erasmus' Praise of Folly as the two most popular books among the Protestants of the sixteenth century. A skillful diplomat and theologian, Marnix submits all the peculiar dogmas, and the whole policy of the Roman Catholic Church, to the most subtle criticism, taking himself as a defender. The biographer of Marnix, Edgar Quinet, states: ""No one can read Marnix to the end and believe any longer in Catholic dogma. It will become for him as the site of a church that has been demolished and abandoned to the whistling and laughter of the winds; a final form of paganism exposed in all its nakedness; the scatterd remains of another Diana of the Ephesians; and above these ruins the conscience of modern humanity, courageously seeking, examining and tracing for itself a return to God and Liberty through the Gospel.""
This book examines apian imagery—bees, drones, honey, and the hive—in the seventeenth- and eighteenth-century literary and oral traditions. In England and the New World colonies during a critical period of expansion, the metaphor of this communal society faced unprecedented challenges even as it came to emblematize the process of colonization itself. The beehive connected the labor of those marginalized by race, class, gender, or species to larger considerations of sovereignty. This study examines the works of William Shakespeare; Francis Daniel Pastorius; Hopi, Wyandotte, and Pocasset cultures; John Milton; Hester Pulter; and Bernard Mandeville. Its contribution lies in its exploration of the simultaneously recuperative and destructive narratives that place the bee at the nexus of the human, the animal, and the environment. The book argues that bees play a central representational and physical role in shaping conflicts over hierarchies of the early transatlantic world.