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Magic is long dead in the Twelve Realms. At least this is what most believed until an innocent young woman becomes the obsession of a man who defies time by stealing the only thing that sustains his life: true beauty. Princess Caityn is more than a pretty face. Her beauty runs soul deep, and because of this, her life is priceless to the thief. On the eve of her wedding to the high prince, Caityn is attacked. The thief’s powerful dark magic leaves her a wretched hag with an unrecognizable, shriveled soul. Stories of old. A quest. Willing sacrifice. These are all that can save her, but doubt is a powerful weapon, and the thief knows it well. He will stop at nothing to keep the prince from undoing the curse.
NEW YORK TIMES BESTSELLER • A NEW YORK TIMES NOTABLE BOOK A modern classic of personal journalism, The Orchid Thief is Susan Orlean’s wickedly funny, elegant, and captivating tale of an amazing obsession. Determined to clone an endangered flower—the rare ghost orchid Polyrrhiza lindenii—a deeply eccentric and oddly attractive man named John Laroche leads Orlean on an unforgettable tour of America’s strange flower-selling subculture, through Florida’s swamps and beyond, along with the Seminoles who help him and the forces of justice who fight him. In the end, Orlean—and the reader—will have more respect for underdog determination and a powerful new definition of passion. In this new edition, coming fifteen years after its initial publication and twenty years after she first met the “orchid thief,” Orlean revisits this unforgettable world, and the route by which it was brought to the screen in the film Adaptation, in a new retrospective essay. Look for special features inside. Join the Random House Reader’s Circle for author chats and more. Praise for The Orchid Thief “Stylishly written, whimsical yet sophisticated, quirkily detailed and full of empathy . . . The Orchid Thief shows [Orlean’s] gifts in full bloom.”—The New York Times Book Review “Fascinating . . . an engrossing journey [full] of theft, hatred, greed, jealousy, madness, and backstabbing.”—Los Angeles Times “Orlean’s snapshot-vivid, pitch-perfect prose . . . is fast becoming one of our national treasures.”—The Washington Post Book World “Orlean’s gifts [are] her ear for the self-skewing dialogue, her eye for the incongruous, convincing detail, and her Didion-like deftness in description.”—Boston Sunday Globe “A swashbuckling piece of reporting that celebrates some virtues that made America great.”—The Wall Street Journal
As heard on NPR's This American Life “Absorbing . . . Though it's non-fiction, The Feather Thief contains many of the elements of a classic thriller.” —Maureen Corrigan, NPR’s Fresh Air “One of the most peculiar and memorable true-crime books ever.” —Christian Science Monitor A rollicking true-crime adventure and a captivating journey into an underground world of fanatical fly-tiers and plume peddlers, for readers of The Stranger in the Woods, The Lost City of Z, and The Orchid Thief. On a cool June evening in 2009, after performing a concert at London's Royal Academy of Music, twenty-year-old American flautist Edwin Rist boarded a train for a suburban outpost of the British Museum of Natural History. Home to one of the largest ornithological collections in the world, the Tring museum was full of rare bird specimens whose gorgeous feathers were worth staggering amounts of money to the men who shared Edwin's obsession: the Victorian art of salmon fly-tying. Once inside the museum, the champion fly-tier grabbed hundreds of bird skins—some collected 150 years earlier by a contemporary of Darwin's, Alfred Russel Wallace, who'd risked everything to gather them—and escaped into the darkness. Two years later, Kirk Wallace Johnson was waist high in a river in northern New Mexico when his fly-fishing guide told him about the heist. He was soon consumed by the strange case of the feather thief. What would possess a person to steal dead birds? Had Edwin paid the price for his crime? What became of the missing skins? In his search for answers, Johnson was catapulted into a years-long, worldwide investigation. The gripping story of a bizarre and shocking crime, and one man's relentless pursuit of justice, The Feather Thief is also a fascinating exploration of obsession, and man's destructive instinct to harvest the beauty of nature.
Sparks fly between a charismatic rogue and a beautiful secret agent in a tale as old as crime. . . . “Shana Galen remains the Queen of Historical Romantic Suspense.”—Fresh Fiction, on Traitor in Her Arms Callahan Kelly is a conman, pure and simple. He’s heading for the wilds of northeast England aboard a train littered with agents of the Crown, where he plans to lay low until it’s safe for him to return to London. In exchange, he’s offering his considerable, if not entirely legal, skills to help them train. The best part is, he’ll be paid in full even if he leaves early. Easy money. But that’s before Callahan encounters the intriguing Miss Murray, who seems completely immune to his charm. And that changes everything. Because Callahan has never walked away from a challenge. Amelia Murray is thrilled to be training with other secret agents, even if she’s feeling in over her head. However, there’s one thing she’s entirely certain of . . . She doesn’t trust Callahan Kelly. She knows his kind—too handsome and charming for his own good. But when they’re asked to pose as husband and wife in the field, Amelia finds that living in close quarters with Callahan isn’t as awful as she expected. And that’s the problem. The more time they spend together, the more danger they’re in—and the more Amelia realizes she never wants to let him go. This ebook includes an excerpt from another Loveswept title.
My name may be Romeo, but I'm far from romantic. My brother betrayed the family, forcing me into the role of underboss beneath the criminal mastermind that is our father.I've never been a merciless criminal, and my father tests my resolve by giving me a stolen woman, knowing the situation disturbs me. What he doesn't know is the disheveled beauty intrigues me.She tried to kill me with my own gun on the first night, pushing my fixation into a dangerous addiction. She's unknowingly teaching me the power I have, and now I'm going to take over my father's empire., and now I'm going to take over my father's empire.It's a cold dark path to the top and I'm finally ready to lead the way.
DON’T MISS BRIDGE OF CLAY, MARKUS ZUSAK’S FIRST NOVEL SINCE THE BOOK THIEF AND AN UNFORGETTABLE AND SWEEPING FAMILY SAGA. From the author of the extraordinary #1 New York Times bestseller The Book Thief, I Am the Messenger is an acclaimed novel filled with laughter, fists, and love. A MICHAEL L. PRINTZ HONOR BOOK FIVE STARRED REVIEWS Ed Kennedy is an underage cabdriver without much of a future. He's pathetic at playing cards, hopelessly in love with his best friend, Audrey, and utterly devoted to his coffee-drinking dog, the Doorman. His life is one of peaceful routine and incompetence until he inadvertently stops a bank robbery. That's when the first ace arrives in the mail. That's when Ed becomes the messenger. Chosen to care, he makes his way through town helping and hurting (when necessary) until only one question remains: Who's behind Ed's mission?
Mermaid Coralline is engaged to the merman of her dreams. But when an oil spill wreaks havoc on her idyllic village life and her little brother falls gravely ill, she embarks on a quest to find a legendary healing elixir.Meanwhile, Izar, a human man, is on the cusp of an invention that will enable him to mine the depths of the ocean. But when he finds himself transformed into a merman, he meets Coralline and joins her on her quest, hoping the elixir will make him human again. The quest pushes then together, even as their separate worlds and unspoken secrets threaten to tear them apart.Magnificent and moving, and set against a breathtaking ocean landscape, The Oyster Thief is a richly imagined odyssey destined to become a classic.
Reclaim your time, money, health, and happiness from our toxic diet culture with groundbreaking strategies from a registered dietitian, journalist, and host of the Food Psych podcast. 68 percent of Americans have dieted at some point in their lives. But upwards of 90% of people who intentionally lose weight gain it back within five years. And as many as 66% of people who embark on weight-loss efforts end up gaining more weight than they lost. If dieting is so clearly ineffective, why are we so obsessed with it? The culprit is diet culture, a system of beliefs that equates thinness to health and moral virtue, promotes weight loss as a means of attaining higher status, and demonizes certain ways of eating while elevating others. It's sexist, racist, and classist, yet this way of thinking about food and bodies is so embedded in the fabric of our society that it can be hard to recognize. It masquerades as health, wellness, and fitness, and for some, it is all-consuming. In Anti-Diet, Christy Harrison takes on diet culture and the multi-billion-dollar industries that profit from it, exposing all the ways it robs people of their time, money, health, and happiness. It will turn what you think you know about health and wellness upside down, as Harrison explores the history of diet culture, how it's infiltrated the health and wellness world, how to recognize it in all its sneaky forms, and how letting go of efforts to lose weight or eat "perfectly" actually helps to improve people's health—no matter their size. Drawing on scientific research, personal experience, and stories from patients and colleagues, Anti-Diet provides a radical alternative to diet culture, and helps readers reclaim their bodies, minds, and lives so they can focus on the things that truly matter.
Hurt people hurt people. Say there was a novel in which Holden Caulfield was an alcoholic and Lolita was a photographer’s assistant and, somehow, they met in Bright Lights, Big City. He’s blinded by love. She by ambition. Diary of an Oxygen Thief is an honest, hilarious, and heartrending novel, but above all, a very realistic account of what we do to each other and what we allow to have done to us.