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Reference of Navajo jewelry
This beautiful book examines the first century of Navajo and Pueblo metal jewelry-making in the American Southwest. Beginning in the late 1860s, the region's native peoples learned metalworking and united it with a traditon of beads and ornaments made from turquoise and other natural materials. The cross-cultural appeal of this jewelry continued into the mid-1900s, and by the 1950s and 1960s masters created a legacy of fine art jewelry that is prized today.
More than 125 vivid color photos display groups of Indian-made wrought silver, turquoise, shell, and coral jewelry brought together from the American Southwest. The authors explore the diversity of this handcrafted jewelry from historic collections as well as those available today on reservations. Includes products of Navajo, Zuni, Hopi, and Rio Grande Pueblo artisans.
A dazzling exploration of both traditional and contemporary jewelry. Spectacular photographs of the beautiful jewelry and sensitive portraits of the artists combine with an insightful, informative text to capture the spirit of this work and of the cultures from which it springs. Includes a collector's guide and a directory of sources. 210 illustrations, 155 in full color.
The lovely stone inlay work in Zuni jewellery is world famous and here it is shown in popular forms for men and women. 90 brilliant colour photographs and a brand new price guide present hundreds of Zuni jewellery forms to tempt and delight collectors throughout Asia, Europe and America. Modern artists are identified.
A book detailing the tourist Indian jewelry that was sold mainly in the Fred Harvey establishments at the end of the 19th century and the beginning of the 20th century in connection with the Santa Fe Railway. It includes detailed photographs of the native artisans and the jewelry made by novelty companies for the tourists. It is illustrated with many original Harvey Company photostint postcards, which paint a vivid picture of life in the American Southwest frontier.
This book gives the definitive account to date of the working of metals by Southwest Indians, from their first acquisition of metal from the Spanish to the sophisticated slivercraft of the present day Navajos and Pueblos.
New Mexico art patron Millicent Rogers (1902-1953) was a passionate collector who assembled a stellar collection of Navajo and Zuni silver and turquoise, Hopi silverwork, and Pueblo stone and shell jewellery during the late 1940s and early 1950s when fine late-nineteenth- and early-twentieth-century work could still be found. Her collection provided the foundation for what has become one of America's most important repositories for the aesthetic achievements of Native American artists oft he Southwest: The Millicent Rogers Museum.
With a fascinating variety of American Indian rings from the southwestern United States shown in more than 350 color photos, this book provides a design history of these rings, beginning with pre-contact artifacts and continuing through to contemporary artistic innovations. The text surveys key developments in Native American ring design; materials and methods of construction; definitions for historical and vintage rings; master innovators; and the transition from craft to wearable art since 1980. Shortly after the Civil War, Native American artisans began making silver rings set with turquoise, coral, jet, mother-of-pearl, and colored shell, adding lapis, malachite, onyx, and petrified wood over the decades. More recently, artisans began utilizing gold and such non-traditional settings as opals and diamonds, among others. Works by Navajo (also known as Din) and Pueblo artists are featured, although Apache, Northern Cheyenne, and Sonoran Desert Native jewelers are also included. A guide to valuation issues and resources is offered for collectors.
This book provides an overview of the uses of turquoise in native arts of the Southwest, beginning with the earliest people who mined and processed the stone for use in jewelry, on decorative objects, and as a powerful element in ceremony. In the past, as now, turquoise was valued for its color and beauty but also for its symbolic nature: sky, water, health, protection, abundance. The book traces historical and contemporary jewelry made by Navajo, Zuni, Hopi, and Santo Domingo artisans, and the continuously inventive ways the stone has been worked.