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Finalist, Books in Canada/Amazon.ca First Novel AwardThe Beautiful Dead End is a visceral crime thriller that takes the reader on an existential journey to the "other side" and almost back again. In a bizarre, shadowy interzone populated by disturbing characters, our anti-hero confronts the dark secrets of his past, and comes face to face with the consequences of having lived an unexamined life.Praise for The Beautiful Dead End:"Every detail of setting and behaviour and inner response contributes to the spare, mesmerizing beauty of Hutzulak's prose" (The Globe and Mail)"So startlingly fresh it is hard to believe it is a first novel. Apparently, it took Hutzulak twelve years to complete the book - a fact that underscores the precision and confidence that is woven throughout the novel. It is a brilliant debut." (Vancouver Sun)"This is an astonishing debut, powerful, scary, sexual, existential in scope. Hutzulak is a writer to watch, and possibly to fear." (Books in Canada)
SHE WOULD DARE ANYTHING TO SAVE THE WORLD FROM HIS RULE. EVEN HIS BED. He ascended from the darkness years ago-Azrael the Eternal, Azrael the Undying, Azrael Who Is Death-bringing with him the black rains, the fires, the souring of the sky, and the Eaters. Now he rules in the walled city of Haven with his favored Children and his dead court, while all that is left of the living struggles to survive in the ruins of a world that used to be their own. But even as extinction looms, humanity will never surrender to their monstrous conqueror. For Lan, this brutal life has been the only one she's ever known, but she still believes it can change. If the war can never truly end until the Eaters are ended, she will go to Haven, to Azrael himself, and demand he end them. To her surprise, she does not immediately die the hero's death she expected. Instead, Azrael offers her a chance to convince him, and all she has to do is submit herself to the chill embrace of the lord of the Land of the Beautiful Dead. From the author of The Scholomance and The Last Hour of Gann comes a new vision of erotic horror! This book contains explicit sex and gore and is intended for mature readers only.
A heart-stopping thriller from the award-winning crime fiction author whose “novels are almost indecently gripping and enjoyable” (Sophie Hannah, New York Times–bestselling author). Belinda Bauer is a British crime writer of the highest caliber, whose smart, stylish novels have captivated readers and reviewers on both sides of the Atlantic and earned her a reputation as “the true heir to the great Ruth Rendell” (The Mail on Sunday). The Beautiful Dead is a riveting narrative centered on a down-on-her-luck journalist and a serial killer desperate for the spotlight. TV crime reporter Eve Singer’s career is flagging, but that starts to change when she covers a spate of bizarre murders—each one committed in public and advertised like an art exhibition. When the killer contacts Eve about her coverage of his crimes, she is suddenly on the inside of the biggest murder investigation of the decade. But as the killer becomes increasingly obsessed with her, Eve realizes there’s a thin line between inside information and becoming an accomplice to murder—possibly her own. “Bauer’s novel unfolds like an episode of Criminal Minds, with rapid-fire plotting.” —Entertainment Weekly
Coming from sunny California, the mist-shrouded Academy was a shock, with its strange customs, ancient curriculum and study of Latin - the language of the dead. Then I discovered that the school has more than one dark secret... I also discovered Dante. Intelligent, elusive and devastatingly gorgeous, most people can't decide whether they love, hate or fear him. All I know is that when we're together, I've never felt more alive - or more afraid. "I really enjoyed this book, it was fast moving, gutsy and engaging. Once I picked it up I found it very hard to put it down. The plot was just fantastic, and original... What I loved most was the use of classic literature to help tell the story... It grabs you, and when it finishes you don't really know what to do with yourself. Superb." - The Book Bag
Not alive. Not dead. Somewhere in between lie the Beautiful Dead. Something strange is happening at Ellerton High. Phoenix is the fourth teenager to die within a year. His street-fight stabbing follows the deaths of Jonas, Summer, and Arizona in equally strange and sudden circumstances. Rumors of ghosts and strange happenings rip through the small community as it comes to terms with shock and loss. Darina, Phoenix's grief-stricken girlfriend, is on the verge. She can't escape her intense heartache or the impossible apparitions of those that are meant to be dead. And all the while the sound of beating wings echos inside her head... And then one day Phoenix appears to Darina. He tells her that she must help Jonas—the first of the four to die—right the wrong linked to his death. Only with her help can Jonas finally rest in peace. Will love conquer death? And if it does, can Darina set it free?
Determined to escape menacing families, two desperate teens fake their own deaths in this queer contemporary thriller perfect for fans of Natasha Preston and Karen McManus. In one week Maude will be dead. At least, that’s what she wants everyone to think. After years of research, Maude has decided to fake her own death. She’s figured out the how, the when, the where, and who will help her unsuspectingly. The why is complex: revenge, partly. Her terrible parents deserve this. But there’s also 'l’appel du vide,' the call of the void, that beckons her toward a new life where she will be tied to no one, free and adrift. Then Frankie, a step-cousin she barely knows, figures out what she’s plotting, and the plan seems like it’s ruined. Except Frankie doesn’t want to rat her out—Frankie wants in. The girls vault into the unknown, risking everything for a new and limitless life. But there are some things you can never run away from. What if the poison is not in the soil, but in the roots? This pulse-pounding thriller offers a nuanced exploration of identity, freedom, and falling in love while your world falls apart. "A clever page-turner that I couldn’t put down." —Natasha Preston, #1 New York Times Bestselling Author​ A Rainbow Book List Selection A YALSA Amazing Audiobook for Young Adults A YALSA Quick Pick for Reluctant Young Adult Readers
A riddle rarely makes sense the first time you hear it. The connection between Dane, a bully, and Billy D, a guy with Down Syndrome, doesn't even make sense the second time you hear it. But it's a collection of riddles that solidify their unlikely friendship. Dane doesn't know who his dad is. Billy doesn't know where his dad is. So when Billy asks for Dane's help solving the riddles his dad left in an atlas, Dane can't help but agree. The unmarked towns lead them closer to secrets of the past. But there's one secret Billy isn't sharing. It's a secret Dane might have liked to know before he stole his mom's car and her lottery winnings and set off on a road trip that will put him face to face with Billy's dad.
Dead End in Norvelt is the winner of the 2012 Newbery Medal for the year's best contribution to children's literature and the Scott O'Dell Award for Historical Fiction! Melding the entirely true and the wildly fictional, Dead End in Norvelt is a novel about an incredible two months for a kid named Jack Gantos, whose plans for vacation excitement are shot down when he is "grounded for life" by his feuding parents, and whose nose spews bad blood at every little shock he gets. But plenty of excitement (and shocks) are coming Jack's way once his mom loans him out to help a fiesty old neighbor with a most unusual chore—typewriting obituaries filled with stories about the people who founded his utopian town. As one obituary leads to another, Jack is launced on a strange adventure involving molten wax, Eleanor Roosevelt, twisted promises, a homemade airplane, Girl Scout cookies, a man on a trike, a dancing plague, voices from the past, Hells Angels . . . and possibly murder. Endlessly surprising, this sly, sharp-edged narrative is the author at his very best, making readers laugh out loud at the most unexpected things in a dead-funny depiction of growing up in a slightly off-kilter place where the past is present, the present is confusing, and the future is completely up in the air.
SHE’D LIKE HER BLOOD BOTTLED, PLEASE! The sassiest vampire in all of Manhattan, Lil Marchette, is the owner of Dead End Dating–a matchmaking service for hip, intelligent singles like herself. After only three months, business is booming, and she can finally pay her bills (or, more important, feed a hungry cosmetics addiction). But when one of her clients turns up dead (as in never coming back), Lil is named as the prime suspect. Murder? Sure, she’s a vampire, but she can’t even work up her nerve when it comes to blood-sucking. Hacking somebody to pieces is so out of the question. To make matters worse, Lil must also contend with a pack of werewolves who ask–no, demand–that she find each one a tall, dark, and handsome mate before the next full moon. Plus, the to-die-for-if-I wasn’t-already-dead Ty Bonner, a lusciously sexy lover but totally unsuitable eternity mate, is never far from her midnight fantasies. But Lil has no time for such thoughts. She must prove her innocence and focus on pairing off the dead and the furry–and maybe stake a claim to her own tasty true love. “Kimberly Raye is hot, hot, hot!” –Vicki Lewis Thompson, author of Nerds Like It Hot
ALICE FEENEYS NEW YORK TIMES AND INTERNATIONAL BESTSELLER “Boldly plotted, tightly knotted—a provocative true-or-false thriller that deepens and darkens to its ink-black finale. Marvelous.” —AJ Finn, author of The Woman in the Window My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?